I have got a contract to write a book, current title ‘Designing for learning in an open world’. It’s really a chance for me to consolidate the learning design work that I have been involved in over the last eight years or so, to try and articulate my take on this, locate it to other learning design research and also related fields (such as pedagogical patterns work, instructional design and learning sciences). So far I have been working on it in the background, refining the focus, deciding on the structure and content, doing the necessary broader literature reading to locate the content alongside other work. However I think it’s now time to go a bit more ‘open’ - seems appropriate given the focus of the book! So I am planning to post thoughts, rough drafts, ideas etc. here as I go along. I’ve not done this so explicitly before with a piece of research, certainly not for a relatively large enterprise that is likely to go over a fairly extended amount of time. Sure I have put up ‘ideas in the making’ as blog posts and even drafts of papers, but it will be interesting to see how the articulation of a more substantive set of ideas pans out over time. Goodness only knows what I will make of early postings and drafts and/or even worse what if I end up abandoning the whole enterprise? I’m not sure yet what format this will take, but my thinking at the moment is to post here reflective thoughts, ideas about structure and order, drafts of writing, emergent questions the work raises, pointers to interesting readings and how I am using them, plus maybe some more general reflections on the process. The reflective blog posts are being aggregated in a Cloudscape on Cloudworks, which will also be a space for discussion and aggregation of related relevant references.   Have others come across similar open approaches in our field and if so how effective are they? I know that some books have been produced and then ‘opened’ as wikis to invite broader contributions and of course that some commercial writings do keep reflective blogs, although I wonder to what extent these are marketing ploys rather than genuine invites to open up the process and invited broader comment? Of course, dare I say it, there is also the old chestnut about whether we should be publishing in traditional channels at all or simply going straight for completely open publishing routes, I know this is something my colleague Martin Weller feels passionate about. So I post this first entry on this topic with some trepidation, feels like going into the unknown and a little out of my comfort zone… but hey if we don’t push the boat out occasionally life would be a lot less interesting

This blog post is a draft of a chapter I am currently working on; would welcome thoughts on it. It explores how new open, social and participatory media can be used as cognitive learning tools to promote professional practice and critical reflection. It begins by referencing a recent review of web 2.0 tools and the ways in which they are being used to support new forms of dialogic engagement, social networking and collective aggregation of knowledge. It then focuses on the ways in which some of the existing web 2.0 tools are being used by practitioners, focussing in particular on blogs, Twitter and Facebook. It then introduces a new social networking tool, Cloudworks, which has been specifically developed to enable practitioners to share and discuss learning and teaching ideas. The structure and functionality of the site will be described, along with some examples of user behaviour that demonstrate how practitioners are using it to promote evidence-based approaches to practice. It will conclude by reflecting on the implications of such tools for learning and teaching and suggest ways in which open, participatory and social media might increasingly act as important social and cognitive tools for learners and teachers in the future.In a recent review of Web 2.0 tools and practice it was evident that new technologies are offering new ways for learners and teachers to engage in more open, social and participatory practices (Conole and Alevizou, 2010). These tools are fundamentally changing the way in which users are interacting, finding and using information, communicating and collaborating. The sheer scale and scope of the Internet enable networked effects to occur, facilitating collective intelligence on a scale not possible before. Users and tools co-evolve; so for example new tools become appropriated into a user’s personal digital environment; adapted and personalised as needed. These changes can be reflected by close scrutiny of a number of tools that are particularly popular; namely blogs, Twitter and facebook. Blogs have been taken up across disciplines as tools for sharing ideas and critical reflection. Blogs are used as both a means of dissemination and reflection. They offer new and immediate forms of communication and sit alongside more established means of communication, such as scholarly journals. Twitter, as a form of micro-blogging, has become important in recent years in a number of respects:  firstly, as a means of sharing ideas, secondly as a mechanism for communication and dissemination and thirdly, as a way of asking questions. Through the notion of a hash tag, Twitter has become important as a back channel at conferences, and as a means of having selective conversations about particular topics. Facebook has become incredibly important as a social networking tool. It straddles both personal and professional spheres, offering a space for sharing and discussing. Through the notion of connecting to friends and updating status links, users can interact and communicate with their own personal network. Facebook is used for both personal and professional activities. Special interest groups on particular topics have developed and updates tend to be a mix of both personal and professional reflections. These tools arguably are changing the way in which learners and teachers are communicating and even thinking. They act as cognitive tools, extending learner and teacher’s distributed cognition (Salomon, 1993). As Jenkins et al. (2006) argue new digital literacies are needed to be part of what they term this new participatory culture and they list the following as the digital literacies that are needed. ·           Play - the capacity to experiment with one’s surroundings as a form of problem-solving ·           Performance - the ability to adopt alternative identities for the purpose of improvisation and discovery ·           Simulation - the ability to interpret and construct dynamic models of real-world processes ·           Appropriation - the ability to meaningfully sample and remix media content ·           Multitasking - the ability to scan one’s environment and shift focus as needed to salient details ·           Distributed Cognition - the ability to interact meaningfully with tools that expand mental capacities ·           Collective Intelligence - the ability to pool knowledge and compare notes with others toward a common goal ·           Judgment - the ability to evaluate the reliability and credibility of different information sources ·           Transmedia Navigation - the ability to follow the flow of stories and information across multiple modalities ·           Networking - the ability to search for, synthesize, and disseminate information ·           Negotiation - the ability to travel across diverse communities, discerning and respecting multiple perspectives, and grasping and following alternative norms ·           Visualization - the ability to interpret and create data representations for the purposes of expressing ideas, finding patterns, and identifying trends. Today’s teachers therefore not only have to master these new digital literacies, but also need to have a good understanding of new technologies and how they might be used in a learning and teaching context. When asked what they need to harness these technologies, overriding they say two things: ‘give me examples of how others in my discipline have used particular technologies’ and ‘provide me with a means of communicating with others who have similar interests’. At first face, Web 2.0 tools seem to provide the obvious mechanism for facilitating this, but in reality teachers are not using Web 2.0 tools extensively. As a result we decide to address this by creating a new social networking tool, Cloudworks, which was specifically designed as a space to support the sharing and discussing of learning and teaching ideas. The site was built from scratch, harnessing the best of web 2.0 functionality, but specifically aimed to support teachers. A number of papers describe how the site has been designed and evaluated (Conole and Culver, 2009; Conole and Culver, 2010). In addition we have developed a community indicatory framework, which can be used to analyse new patterns of user behaviour on the site (Galley et al., forthcoming). We have adopted a design-based research approach to the development and evaluation of the site Gibbons and Brewer (2005). Cloudworks is a powerful new form of social networking tool: particularly suited for sharing, debating and co-creating of ideas (Conole and Culver, 2010). The site combines a mix of Web 2.0 functionality and enables new forms of communication and collaboration and cross-boundary interactions between different communities of users. The core object in the site is a ‘Cloud’, which can be aggregated into community spaces called ‘Cloudscapes’. In the Cloudworks site a Cloud can be anything to do with learning and teaching (a description of a learning and teaching practice, an outline about a particular tool or resource, a discussion point). Clouds combine a number of features of other Web 2.0 technologies. Firstly, they are like collective blogs, i.e. additional material can be added to the Cloud, which appears as series of sequential entries under the first contribution. Secondly, they are like discussion forums, there is a column under the main Cloud where users can post comments. Thirdly, they are like social bookmarking sites, i.e. links and academic references can be added. Finally they have a range of other functionalities common on Web 2.0 sites, such as ‘tagging’, ‘favouriting’, RSS feeds, the concept of following, and activity streams. Collectively these features provide a range of routes through the site and enable users to collectively improve clouds in a number of ways. The homepage of the site, in addition to providing standard navigation routes (such as browsing of Clouds, Cloudscapes and people and searching), lists currently active Clouds and five featured Cloudscapes. All recent activities on the site (newly created clouds and cloudscapes, comments, additions, etc) are listing in a site Cloudstream. Although the first use of the tool has been to support educators, it could be used to support any communities wanting a space to share and discuss issues and ideas. The site was launched in July 2009. The site represents a truly international community with 116, 374 visits from 177 countries. One of the most power features of the site is that it facilitates boundary crossings between communities, enabling different stakeholders (policy makers, researchers, teachers, learners, etc.) to interact in unanticipated ways. One of the key distinctive features of Cloudworks and its advantage over other social networking sites is the way it enables and facilitates not only connections within communities but between them. It enables crossing of boundaries between communities. There is something distinctive about the general layout and functionality of Clouds - which in essence are a kind of mix of collective blog, discussion forum, social bookmarking, addition of links and embeds. This mixed functionality seems to be promoting new and interesting forms of social interaction. It has a genuine global reach with different kinds of stakeholders. For example in the current site researchers are interacting with teachers, policy makers, learners, etc. A core principle of the site is that it is totally open; anyone can see anything in the site. This means it has genuine global reach and ensures that it harnesses the best of Web 2.0 practices and affordances. Serendipity has been built into the site in a variety of ways, this enables individuals to cross community boundaries and make unexpected connections. The site offers powerful mechanisms for supporting social networks in a range of ways and at different levels. At the time of writing there are 3461 registered users, 3621 Clouds and 401 Cloudscapes. The site works well alongside other Web 2.0 technologies, such as blogs, Twitter and facebook, It is being used in a variety of ways; to support workshops and conferences, as a virtual reading space, open research reviews and spaces to discuss particular learning and teaching issues. An open source version of the site is now also available (http://bitbucket.org/cloudengine/cloudengine/wiki/Home). The site already has a rich set of web 2.0 functionality; such as collective improvement of clouds via additional content, tagging, links and academic references, embedding of different types of content (such as blogs, video clips, voxpops etc), sequential discussion space, activity streams called Cloudstreams (for the whole site, individual cloudscapes, and individual users), functionality to ‘follow’ people - their activities on the site then appear in a personalised Cloudstream, voting and recommender tools, a personalised bookmarking feature ‘My Favourites’, and automatic embedding of Twitter streams on cloudscapes. There are multiple routes through and ways of connecting, so that individuals can personalise the use of the site to their own preferred ways of working. We now have a dynamic and self-sustaining community, with the emergence of individual champions and local colonisation of sections of the site. We have a lot of experience now as to how to foster and build this form of self-sustainability. One of the rich features of Cloudworks is the way in which there is a mixture of different types of activities occurring in the same space - events, reading groups, flash debates, online consultations, online research reviews. This chapter has described a new social networking site, Cloudworks, which provides an example of a new form of cognitive tool designed to enable teachers to discuss and share learning and teaching ideas. The site combines different Web 2.0 technologies and enables teachers to share ideas, links and references and discuss learning and teaching topics. It will be interesting to see how the site continues to develop now that there is a sustained international community of users and in particular how new patterns of user behaviour emerge and how the site becomes part of users’ broader personal digital landscape. References Conole, G. and Culver, J. (2010) ‘The design of Cloudworks: applying social networking practice to foster the exchange of learning and teaching ideas and designs’ Computers and Education, 54(3): 679 - 692. Conole and Culver (2009), Cloudworks: social networking for learning design,  Australian Journal of Educational Technology, 25(5), pp. 763-782, http://www.ascilite.org.au/ajet/ajet25/conole.html. Conole, G, and Alevizou, P. (2010), A literature review of the use of Web 2.0 tools in Higher Education, HE Academy commissioned report, http://www.heacademy.ac.uk/assets/EvidenceNet/Conole_Alevizou_2010.pdf. Jenkins, H., with Clinton, K., Purushotma, R. Robinson, A. J., & Weigel, M. (2006). Confronting the challenges of participatory culture: Media education for the 21st century. Chicago, IL: MacArthur Foundation. Galley, R., Conole, G. and Alevizou, P. (submitted), Community Indicators: A framework for building and evaluating community activity on Cloudworks, Interactive Learning Environments. Gibbons, A.S. and Brewer, E.K. (2005), Elementary principles of design languages and design notation systems for instructional design, 111 - 129, in J.M. Spector, C. Ohrazda, A. Van Schaack and D.A. Wiley (Eds), Innovations in instructional technology, Lawrence Erlbaum Associates: Mahwah, NJ. Salomon, G. (Ed.). (1993). Distributed cognitions - pyschological and educational considerations. Cambridge: Cambridge University Press.  

Handbook of research on educational communications and technology - 3rd Edition Below are my notes on the handbook. Comments welcome! Historical foundations, M. Molenda Pg 4 Educational technology as a field has developed through a series of phases as new technologies have emerged. Its origins are in the use of visual and audio-visual systems, then radio, television, teaching machines, the design of instructional systems, computers and ultimately the use of the internet for both storage/processing of information and communication. Pg 9 Barriers cited for the lack of use for audio-visual tools in the 1940/50s were identical to those cited for lack of use of computers in the 1990s. accessibility, lack of training, unreliability of equipment, limited budgets and difficulty in integrating into the curriculum. Paradigm shifts in the field due to new thinking around learning theories from behaviourism, through cognitivism and finally constructivism. These theories led to the development of particular uses of technology designed to support the underpinning principles of the theories. Theoretical foundations, J.M. Spector Pg 21 Foundations of educational technology: the psychology of learning, communications theory, human-computer interactions and instructional design and development Pg 23 Dewey How we think argues that we need to understand the nature of thought to be able to devise appropriate means and methods to train thought. Pg 24 All learning involves language Vygotsky Philosophical perspectives, K.L. Schuh and S.A. Barab Pg 74 Merrills principles of ID ·      Task orientated approach ·      Activation principle ·      Demonstration principle ·      Application principle ·      Integration principle Computer-mediated technologies, A.C. Graeser, P. Chipman and B.G. King Pg 212 Most students do not know how to use advanced learning environments effectively, so modelling, scaffolding and feedback on their optimal use are necessary. Technology-based knowledge systems, I. Douglas Pg 245 knowledge communities - ref for cloudworks The learning objects literature D.A. Wiley Pg 347 - 348 Wiley Many different definitions of learning objects and a number of metaphors Lego metaphor: small chunks of content which can be combined Molecule metaphor: small chunks of content that according to their semantic and structural makeup have stronger affinities for binding with some learning objects, emphasises the role and importance of context Bricks and mortar metaphor: small chunks of content which need some contextual glue to bind them together Pf 351 the reusability paradox - the more reusable LOs are, the less instructionally effective they are and vice versa Outcome-referenced, conditions-based theories and models, T.J. Ragan, P.L. Smith and L.K. Curda Pg 383 Outcome-reference, conditions-based theories and models Ragan Smith and Curda Competencies for the new-age instructional designer, R.C. Sims and T.A. Koszalka Pg 574 term instructional design should be replaced with learner/learning design (Sims, 2006) Cognitive task analysis R.E. Clark, D.F. Felden, J.J.G. van Merrienboer, K.A. Yates and S. Early Pg 579 Cognitive Task Analysis uses a variety of techniques and observations strategies to capture a description of knowledge that experts use to perform complex tasks. Change agentry, B Beabout and A.A. Carr-Chellman Pg 620 despite the promise of technology, we are not seeing it revolutionise education, see also Cuban 1986 Cuban, L. (1986), Teachers and machines: the classroom use of technologies since 1920, New York: Teacher College Press. Design languages, A.S. Gibbens, L. Botturi, E. Boot and J. Nelson, Pg 633 Design languages Pg 634 Design languages and notation systems hold great practical and theoretical significance for instructional design. Instructional designeres use multiple design languages in the creation of designs. Notation systems make design languages visible and document those solutions. Design languages provide the building blocks of  an evolving design. Advantages: 1.     Improved design team communications 2.     Improved designer-producer communications 3.     Improved designer-client communications 4.     Promotion of design innovation 5.     More direction from theory and more applicable theory 6.     More nuanced theory integration with designs 7.     Improved design sharing and comparisons of designs 8.     Improved designer education 9.     Design and production automation   A design language is a set of abstractions used to give structure, properties and texture to solutions of design problems. Pg 640 Barton and Tusting noted that ‘ reification entails not only the negotiation of shared understanding but also enables particular forms of social relations to be shaped in the process of participation’.  Barton, D and Tusting, R.M. (2005), Beyond communities of practice: language, power and social context. Cambridge, UK: Cambridge University Press. Systems design for change in education and training, S.L. Watson, C.M. Reigeluth, W.R. Watson Pg 693 Nelson and Stolterman noted that fundamentally, design is a creative act, resulting in the creation of something that has not previously existed. It focuses on making choices to create the best design for a very specific system.  Nelson, H.G. and Stolterman, E. (2003), The design way, Englewood Cliffs, NJ: Educational Technology Publications.    

This chapter will provide an overview of a number of related research areas that connect with learning design. In particular it will provide a description of a number of related research fields: pedagogical patterns, Open Educational Resources (OER), instructional design and learning sciences. It will attempt to show how these areas are related to but also distinct from learning design. The context of modern education Many are arguing that there is a need for a fundamental change in the way in which we design and support learning interventions. That traditional outcomes-based, assessment driven and standardised educational systems and processes do not meet the needs of today’s learners (Beetham & Sharpe, 2007; Borgeman, et al., 2008; Sharpe & Beetham, 2010). A number of triggers are evident. Firstly, there is the broader societal context within which educational sits. Giddens (Giddens, 1999), Castells (Castells, 2000) and others describe the networked and globalised nature of modern society, and the impact of the changing nature of society values (including the defragmentation of the family unit, polarised perspectives on secular vs. religion-based beliefs, changing roles for individuals and organisations). Reigeluth (Reigeluth & Carr-chellman, 2009, p. 390) argues that we have seen a shift from the industrial to information age, where knowledge work has replaced manual labour as the predominant form of work. Within this context he argues that we need to place a greater emphasis on lifelong and self-directed learning. The greater complexity of modern society (both in terms of societal systems and technological tools) requires specific types of competences to make sense of and interact within this context, such as higher order thinking skills, problem solving, systems thinking and the ability to communicate, collaborate and interact effectively with others. Within this broader societal context there are a number of specific triggers influencing and shaping the context of modern education. Firstly, in terms of approaches to learning there has been a general shift away from individual, behaviourist approaches to those that are more authentic, contextual and social in nature. Constructivist and dialogic approaches have become more prevalent, with a rich set of empirically based case studies of applications of strategies such as problem-based learning, case-based scenarios and inquiry-based learning. Secondly, over the past thirty years or so technologies have had a steady, increasing impact on how learning is designed and supported, from the early days of programme instruction and computer-assisted learning packages through to the use of the Web and more recently Web 2.0 tools and services, online gaming environments, mobile devices and 3D environments such as SecondLife. As a consequence a body of research around the competences and skills needed to effective use and interact these new technologies has emerged. Terms such as digital literacies, information literacies, 21st Century literacies have been used, each with subtle nuances and different foci. However fundamentally the central issue is about the literacies needed to communicate with others and make sense of information (and more specifically how to do this in a digital context). Of particular note within this broader discourse, Jenkins et al. (Jenkins, 2009, p. 4) have identified twelve skills which they argue are necessary to interact in what they term this new participatory culture, namely - play, performance, simulation, appropriation, multitasking, distributed cognition, collective intelligence, judgment, transmedia navigation, networking and negotiation. The executive summary to the report states that ‘fostering such social skills and cultural competences requires a more systemic approach to media education’ (pg 4). This is at the heart of the learning design methodology approach outlined here. The aim is to present a more systematic approach to the educational design taking account of all the stakeholders involved in the process. To sum up, because the context of modern education is rapidly changing, traditional approaches to the design and delivery of learning interventions are being challenged and may no longer be appropriate to meet the needs and expectations of modern learners. New pedagogies and innovative use of technologies seem to offer much promise in terms of providing new, exciting educational experiences for learners. However in reality there is little evidence of this happening. Educational innovations in both pedagogical approaches and innovative use of technologies remain the remit of educational innovators or early adopters, there is little evidence of mainstream adoption and indeed depressingly taken as a whole the majority of educational offerings are still based on fairly traditional approaches, with a primary focus on content and assessment of outcomes, delivered via traditional didactic approaches. See for example a recent review of the use of Web 2.0 tools in Higher Education (Grainne Conole & Alevizou, 2010). The broader design perspective The central argument of this book is that adopting a more principled, design-based approach to teaching and learning processes might offer a solution to enabling practitioners to make more informed choices about their creation of learning interventions and better use of good pedagogy and new technologies. Before outlining our learning design methodology, it is important first to consider the broader definition of what is meant by design practice and examples of how it is used in other disciplines. Design theory refers to identifying methods (or models, techniques, strategies and heuristics) and when to use them. Reiguluth (Reigeluth & Carr-chellman, 2009, p. 7) argues that design theory is different from descriptive theory, in that it is goal oriented and normative. It identifies good methods for accomplishing goals, whereas descriptive theory describes cause-effect relationships. Arguably teachers need to develop both - design expertise through application of a design-based approach to the creation of learning interventions and descriptive expertise in terms of interpreting and understanding the learning that takes place. The learning design methodology described in this paper aims to facilitate the development of both approaches.   In this book I want to argue that we need a more formal design language for education, to make more explicit and sharable design intentions and to enable designers and users of designs to understand their context of use, their origins, and their intentions. This section provides a definition for the term design language and provides examples of how it is used in other professional domains. Design is a key feature of many professions and in terms of specifically exploring the design aspects in an educational context. I would like to first consider design practices in related fields. I focus here in particular on three disciplines: Music, Architecture and Chemistry and describe how design approaches have been developed in each of these. I then summarise some of the key characteristics of design practice that emerge and explore the implications of these in terms of the application of design principles to an educational context. It is worth beginning by comparing general language use with design language. Language is what people use for communicating information and ideas, design language is what designers use to communicate design plans, and intentions to each other. Cole, Engestrom and Vasques (Cole, Engeström, & Vasquez, 1997) argue that ‘the Languages used to a great extent shapes what can and cannot be thought and said’ (cited in (Gibbons & Brewer, 2005, p. 113)). Design Languages can be used to both generate designs and as a mechanism for interpreting and discussing them. They are used in a range of professions, where there is a focus on developing a specific artefact of some kind. Examples include architecture, music composition, writing, choreography, mathematics and computer programming. With reference to the design of software systems, Winograd (Winograd, 1996) argues that design is not a static noun but about the activity of design. He identifies a number of important aspects: design as a conscious process, design as dialogue with materials, design as a creative process, design as a communicative process and design as social activity. He describes design languages as ‘visual and functional languages of communication with the people who use an artefact. A design language is like a natural language, both in its communicative function and in its structure as an evolving system of elements and relationships among those elements’ (Winograd, 1996, p. 64). I now want to turn to some examples of how design languages are used in other professions. I will consider three examples - the development of musical notation, architectural designs and design in chemistry. Musical notation captures abstract musical designs in the form of graphical, textual and symbolic representations. It is precise enough that a piece of music written by a composer from 300 or 400 hundred years ago can be accurately replayed. Early musical notations can be traced back to 2000 BC, but the standard notation used today is a relatively recent phenomenon, before its development, music had to be sung from memory. This severely limited the extent and reach of music, as well as resulting in a loss of fidelity of the original music as they changed from person to person memorising them. Musical notation went through a range of forms before settling on the notations we use today (Figure 1). The notation includes a complex set of instructions about not just the notes to be played and their sequence, but the timing, intonation and even some of the emotion embodied in the music. Figure 1: Music notation[1] Architectural notation helps articulate and share an Architect’s origin vision behind the development of a building and make that explicit and sharable with others involved in the design and development of the building. Buildings are complex and 3-dimensional. Design decisions have to cover a range of factors, such as the layout of the building, the relationship between the different components, the types of materials, the nature of the surrounding situation of the site. Different designs are therefore needed to relate certain elements of the design to each other while ignoring others, and these allow the designer to see their creation from different perspectives. 3-D visual representations are often annotated with text and supplemented by tables of data. In recent years design representations in Architecture have being computerised with the emergence of sophisticated Computer Assisted Design tools. Arguably use of these CAD tools has influenced the practice of design, in addition to facilitating more effective sharing of designs. Chemists use a number of design representations, from chemical symbols for individual atoms, through various visual representations for displaying molecules and chemical equations for the design of chemical synthesis and for explanation of particular chemical properties. As with music and architecture the design representations that have been developed closely mapped to the discipline itself and the key focus of interest. So Chemistry is fundamentally concerned with the properties and chemical behaviours of individual atoms and how these can combine in different ways to create molecules with different properties. 2-D representations are common (for example chemical equations) but 3-D representations are also useful and particularly valuable when looking at large molecules with complex typologies. As in architecture a number of computer-based tools have now been developed to enable drawing and manipulation of molecules. These can in some instances be based on real data, such as individual atomic coordinates of individual atoms and so are also powerful modelling tools. Figure 2: Chemistry notations[2] Gibbons and Brewer (Gibbons & Brewer, 2005, p. 121) argue that once a notational system is established it can become i) a tool for remembering designs, ii) a structured problem-solving work space in which designs can take form and be shared, iii) a kind of laboratory tool for sharpening and multiplying abstract design language categories. Indeed in the examples cited above it is evident that there is a complex evolution of design languages and associated notations, and that this evolution is closely tied to the nature of the subject domain and what is of particular importance. So for music it is ensuring the accurate representations of the sounds in time, for architecture it is seeing the ways in which the different components connect and how they look overall and in chemistry it is about foregrounding the associated chemical properties and patterns of behaviour of the atoms and molecules. Gibbons and Brewer (Gibbons & Brewer, 2005, p. 115) list a set of dimensions of design languages. The first is complexity, namely that design are merely partial representation of much more complex, and multifaceted ideas in our minds. The second is precision, there is a tension between the natural, fuzzy nature of real practice and tightly defined specification. This tension is very evident in an educational context as described later, in particular in the specification of formal technical learning designs that can be translated into machine-readable code and fuzzy, practice-based designs. The third is formality and standardisation, which refers to the importance of ensuring that terms used mean the same to all users. The fourth is the tension between personally created designs and those that are shared with others. Designs only become public or sharable through negotiation and interaction with others. Designs should never be seen as static artefacts and are always dynamic and co-constructed in context. The fifth is the tension between implicit, individual designs to those that are completely explicit with clearly defined terms and rules. Again this is a crucial issue in an educational context, where traditional teaching practice has been implicit and designs fuzzy. Shifting to more explicit and sharable designs requires a change of mindset and practice. Related to this are issues around standardisation vs. non-standardisation. In terms of these points, there is a tension with designs in terms of how much they focus on precise presentation, specification and how much on the more aesthetic, visionary aspects of the design. Derntl et al. (Derntl, Parish, & Botturi, 2008) consider this in an instructional design context, arguing that ‘On the one hand, solutions should be creative, effective and flexible; on the other hand, developers and instructors need precise guidance and details on what to do during development and implementation. Communication of and about designs is supported by design languages, some of which are conceptual and textual, and others more formal and visual.’ They present a case study where both a creative solution ("beauty") and clear-cut details ("precision") are sought. Finally there are issues around computability. Some languages are so formalised and precise that they can be converted into machine runnable code. Gibbons and Brewer (Gibbons & Brewer, 2005, p. 118) go on to argue that designs can be shared in two ways i) by a description that relies on natural language or ii) through a specialised notation system that uses figures, drawings, models or other standard symbolic representations to express the elements and relationship of the design. Designs have a number of components. Firstly the context in which the design is created and used; i.e. a design carries with it a socio-cultural element - the background and context, both of the individual and the educational setting. Secondly the inherent beliefs of the designer; i.e. a design carries with it intentions, aspirations and beliefs. In a learning content this is the designer’s believes about what should be learnt and how it should be achieved. Donald and Blake (Donald, Blake, Girault, Datt, & Ramsay, 2009) see this inherent belief basis of teaching practice as a vital tool for unlocking and shifting practice. They have developed a learning design system, HEART (HEaring And Realising Teaching-voice), which aims to support teachers learning design practice by eliciting and depicting the pedagogical beliefs underpinning a learning design or a resource. In an educational context our implicit designs are based on a mix of theoretical concepts, prior examples, personal ideals and idiosyncratic opinions. Finally, designs should encourage reflection and should support iterative redesign and reuse. Approaches to promoting good teaching practices Having described design practice in a number of fields, this section looks explicitly at the ways in which learning and teaching innovations have been promoted and supported. It considers the strategies that have been used to scaffold teaching practice to ensure effective use of good pedagogy and to promote innovative use of new technologies. Whilst not intending to be exhaustive this section aims to give a flavour and overview of some of the approaches, before introducing learning design as an alternative approach. It is important to note that learning design as a methodology does not seek to replace these existing approaches, but instead intends to draw on them using a theoretical framework which focuses on the mediating artefacts used in learning and teaching. Learning design is intended to be a holistic approach, covering all stakeholders involved in the learning and teaching process. The approaches discussed in this section are: Instructional Design Learning Sciences Learning Objects and Open Educational Resources Professional networks and support centres Instructional Design Instructional Design has a long history as an approach to systematically designing learning interventions. It has been defined as ‘The process by which instruction is improved through the analysis of learning needs and systematic development of learning materials. Instructional designers often use technology and multimedia as tools to enhance instruction’ (Design, n.d.). Reiser (Reiser, 2001aa) defines Instructional Design as encompassing ‘the analysis of learning and performance problems, and the design, development, implementation, evaluation and management of instructional and non-instructional processes and resources intended to improve learning and performance in a variety of settings’. He identifies two practices that form the core of the field, i) the use of media for instructional purposes, ii) the use of systematic instructional design processes (Reiser, 2001b). Instructional designers design instruction to meet learning needs for a particular audience and setting. Learning design, in contrast, as described later, takes a much broader perspective and sees design as a dynamic process, which is ongoing and inclusive, taking account of all stakeholders involved the teaching-learning process. Instructional Design tends to focus more on the designer as producers and learners as consumer. A number of key features characterise or help define Instructional Design as an approach. Van Merrienboard and Boot (Van Merrienboer & Boot, 2005, p. 46) describe Instructional Design as an analytical pedagogical approach. This includes the development and evaluation of learning objectives. A key milestone was Bloom’s Taxonomy of Educational Objectives (Anderson & Krathwohl, 2001; Bloom, 1956). In 1965 Gagné (Gagné, 1965) published his conditions of learning, describing five domains of learning outcomes (verbal information, intellectual skills, psychomotor skills, attitudes and cognitive strategies). He argued that each required a different set of conditions to promote learning. He also described nine events of instruction or teaching activities needed to support the attainment of the different learning outcomes. At the heart of the early instructional design work were three aspects: task analysis, objective specification and criterion-referenced testing. Since this early work, Instructional Design has developed in to a significant field and numerous instructional design models have been produced and evaluated. It is now a recognised professional discipline, with established masters-level courses providing a foundation on the fundamentals of the field. Instructional Design as an approach seeks to identify learning goals and through analysis of these goals deriving instructional methods to achieve them. This involves the development of a set of rules for employing instructional strategies to teach different content in different settings, with the rule set linking to conditions, instructional methods and learning outcomes. Instructional Design is also in essence a systems approach to instruction and instructional development, i.e. thinking systemically about instruction and seeing teachers, learners, content, etc. as components of a larger system. Of particular note in the field is the work of David Merrill, who through a review and analysis of instructional design theories and methods devised a set of first principles for design (Merrill, 2009, p. 43), namely that learning is promoted where learners: engage in a task-centred instructional strategy (Task-centred Principle) activate relevant prior knowledge or experience (Activation Principle) observe a demonstration (Demonstration Principle) apply the new knowledge (Application Principle) integrate their new knowledge into their everyday world (Integration Principle).   The principles were an attempt to identify the fundamental principles of good instructional design. The central focus is on the tasks that the learners do, through activation, demonstration, application and integration. The principles have been extensively quoted and many of the models that have been subsequently developed explicitly map to them. In recent years work in Instructional Design has shifted to attempt to take a more explicit account of constructivist and socially situated approaches to learning. Learning Sciences Learning Sciences is an interdisciplinary field that emerged in the mid-nineties (Sawyer, 2006). It developed in part as a backlash against traditional notions of education, focusing on instructionism (Papert, 1993 cited in Sawyer, 2006) as the principle paradigm, namely that learning is about acquiring knowledge which consists of a collection of facts and procedures. Sutcliffe (Sutcliffe, 2003, p. 242)  defines instructionism as ‘learning by telling and emphasizes delivery of content; in contrast, constructionist approaches emphasize learning by doing’. New research on learning suggested that this narrow perspective of learning was incorrect and that there was a need to take account of a number of additional factors: the importance of deep conceptual understanding, a focus on learning rather than just teaching, the creation of appropriate learning environments to foster learning, the need to build on prior learning and the importance of reflection (Bransford, Brown, & Cocking, 2000). Sawyer lists five key influences that underpin learning sciences: constructivism, cognitive science, educational technology, socio-cultural studies and studies of disciplinary knowledge. Learning sciences as a field is concerned with developing a scientific understanding of learning. This includes the design and implementation of learning innovations, and an aspiration to improve instructional methodologies. The real value in much of the learning sciences work is the rich, rigorous empirical studies which have been carried out, which collectively give us a much deeper understanding of authentic, learning in real contexts. Learning Objects and Open Educational Resources Interest in learning objects emerged in the early nineties, with the promise of creating digital resources that could be shared and reused. The term is contested and has been used to describe everything from raw digital assets up to whole integrated curricula. Wiley provides a succinct definition: Learning objects are educationally useful, completely self-contained chunks of content (Wiley, 2005, p. 2). They usually consist of three parts: educational objectives, instructional materials and an assessment component. (Littlejohn, Falconer, & McGill, 2008) identify four levels of granularity: i) digital assets - a single file, raw media asset, ii) information objects - structured aggregation of digital assets, iii) learning activities - tasks involving interactions with information to attend a specific learning outcome, iv) learning design - structure sequences of information and activities. A considerable body of research has been done into the development of tools for the creation and storing of Learning Objects. However despite the vision in terms of their potential to development an educational exchange economy, the degree of actual reuse is relatively low. More recently a related field has emerged, namely the Open Educational Resource (OER) movement. Supported by organisations such at the Hewlett foundation and UNESO, the vision behind OER is to create free educational resources that can be shared and reused. (Wiley & Gurrell, 2009, p. 362) argues that OER are ‘learning objects whose intellectual property status is clearly and intentionally labelled and licensed such that designers are free to adapt, modify and redistributed them without the need to seek permission or pay royalties’. He goes on to state that OER have unlocked a new set of issues for design, namely those around how to repurpose resources for different local context, taking account of linguistic and cultural issues. A number of centres for promoting and researching the use of Learning Objects and OER have arisen, as well as a host of online repositories. The Globe repository for example acts a gateway to other learning object repositories.(http://globe-info.org/) . The Reuseable Learning Objects centre (http://www.rlo-cetl.ac.uk/) aims to design, share and evaluate learning objects and has produced a tool, GLO Maker for creating Learning Objects (http://www.glomaker.org/). With the rise of the Open Educational Resources movement in recent years not surprisingly a number of support centres and community sites have emerged. OpenLearn, alongside its repository of OER, created Labspace and provided a range of tools for fostering community engagement, such as a free tool for video conferencing (Flashmeeting) and a tool for visualisation (Compendium) (http://openlearn.open.ac.uk). The aim was to provide an environment for sharing of good practice and promoting the reuse of OER. LeMill is a web-based community for finding, authoring and sharing open educational practices (http://lemill.net/). Similarly, Connexions provides a space for educators and learner to use and reuse OER (http://www.oercommons.org/community/rice-university-connexions). Carnegie Mellon, through its Open Learning Initiative (http://www.oercommons.org/community/rice-university-connexions), adopts a more evidence-based approach. Finally, Carnegie Mellon and the Open University in the UK are developing a global network of support for researchers and users of OER, through Olnet (http://olnet.org/ ). Conole and McAndrew provide a brief history of the OER movement (G. Conole & McAndrew, 2010). However despite the wealth of OER repositories that are now available, evaluation of their use indicates that they are not being used extensively in teaching and there is even less evidence of them being reused (Petrides & Jimes, 2006). As such some research has begun to explore the practices around the creation, use and management of OER, with the view that if we can better identify and understand these practices we will be able to developed approaches to improve the uptake and reuse of the OER. This is the central focus of the OPAL project (http://oer-quality.org/), work to date has included a review of 60 case studies of OER initiatives and from these abstracted eight dimensions of Open Educational Practice (http://cloudworks.ac.uk/cloudscape/view/2087). Professional networks and support centres Finally, it is worth mentioning that over the past ten years or so a range of professional networks and support centres have emerged which have as part of their remit a role in promoting good practice. Some have a specific focus on technologies (for example the Association for Learning Technology), others are either focused on educational practices or subject disciplines (for example the Higher Education Academy subject centres). In addition it is relatively common now for institutions to have some form of specialist unit concerned with promoting good approaches to teaching and learning practice and to helping practitioners think about how they can use technologies more effectively. In addition to these support centres there is also an international network of researchers and developers interested in exploring the use of technologies in education. Many of these have associated journals, conferences, workshops and seminar series, as well as a range of mechanisms for connecting members virtual via mailing lists, forums and social networking tools. These networks and support centres provide a range of mechanisms for supporting practice - facilitation of workshops and conferences, online events and discussions spaces, repositories of resources and case studies of good practice. References Anderson, L. W., & Krathwohl, D. R. (2001). A taxomony for learning, teaching and assessment: a revision of Bloom’s taxonomy of educational objectives. New York: Longman. Beetham, H., & Sharpe, R. (2007). Rethinking Pedagogy for a Digital age: Designing and Delivering E-Learning: Routledge %@ 0415408741 %7 New edition. Bloom, B. S. (1956). 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Retrieved from http://cloudworks.ac.uk/cloudscape/view/1895 Conole, G., & McAndrew, P. (2010). A new approach to supporting the design and use of OER: Harnessing the power of web 2.0 In M. Edner and M. Schiefner (Eds) Looking toward the future of technology enhanced education: ubiquitous learning and the digital nature. Derntl, M., Parish, P., & Botturi, L. (2008). Beauty and precision in instructional design. Paper presented at the Edmedia, Lugano, Italy. Design, I. (n.d.). The instrucional design website.   Retrieved 17/06, 2010, from http://www.instructionaldesign.org/, Donald, C., Blake, A., Girault, I., Datt, A., & Ramsay, E. (2009). Approaches to learning design: past the head and the hands to the HEART - of the matter. Distance Education, 30(2), 179 %U http://www.informaworld.com/110.1080/01587910903023181. Gagné, R. M. (1965). The conditions of learning. New York: Holt, Rinehart and Winston. Gibbons, A. S., & Brewer, E. K. (2005). Elementary principles of design languages and design notation systems for instructional design. In J. M. Spector, C. Ohrazda, A. V. Schaack & D. A. Wiley (Eds.), Innovations in instructional technology. Mahway, NJ: Lawrence Erlbaum Associates. Giddens, A. (1999). Runaway World: How Globalisation is Reshaping our lives. London: Profile. Jenkins, H. (2009). Confronting the challenges of participatory culture: Media education for the 21st century: Mit Pr. Littlejohn, A., Falconer, I., & McGill, L. (2008). Characterising effective eLearning resources. Computers & Education, 50(3), 757-771 %U http://www.academy.gcal.ac.uk/people/falconer.html. Merrill, M. D. (2009). First principles of instrction. In C. M. Reigeluth & A. Carr-Chellman (Eds.), Instructional design theories and models III. NY: Lawrence Erlbaum Associates. Papert, S. (1993). Mindstorms. New York: Basic Books. Petrides, L., & Jimes, C. (2006). Open Educational Resources: towards a new educational paradigm iJournal, 14. Reigeluth, C. M., & Carr-chellman, A. A. (2009). Instructional-Design Theories and Models, Volume III: Routledge %@ 0805864563 %7 1. Reiser, R. A. (2001a). The history of instructional design and technology: part 1 a history of instructional media. ETR&D, 49(1), 53-64. Reiser, R. A. (2001b). The history of instructional design and technology: part 2 a history of instructional design. ETR&D, 49(1), 53-64. Sawyer, R. K. (2006). The Cambridge handbook of the learning sciences: Cambridge University Press %@ 0521845548, 9780521845540. Sharpe, R., & Beetham, H. (2010). Rethinking learning for the digital age: how learnes shape their own experiences. London: Routledge. Sutcliffe, A. (2003). Multimedia and virtual reality - designing multisensory user interfaces. Mahwah, NJ: Lawrence Erlbaum Associates. Van Merrienboer, J. J. G., & Boot, E. (2005). A holistic pedagogical view of learning objectsL future directions for reuse. In J. M. Spector, C. Ohrazada, A. V. Shaack & D. A. Wiley (Eds.), Innovations in instructional technology. Mahah, NJ: Lawrenc Erlbaum Associated. Wiley, D. (2005). Learning objects in public and Higher Education. In J. M. Spector, C. Ohrazda, A. V. Schaack & D. A. Wiley (Eds.), Innovations in instructional technology. Mahwah, NJ: Lawrenc Erlbaum Associates. Wiley, D., & Gurrell, S. (2009). A decade of development…. Open Learning: The Journal of Open and Distance Learning, 24(1), 11 %U http://www.informaworld.com/10.1080/02680510802627746. Winograd, T. (1996). Brigning design to software. New York: AddisonWliey.       [1] Source: http://www.flickr.com/photos/anyaka/21848267/   [2] Sources: http://www.flickr.com/photos/8272941@N07/498827420/ and http://www.flickr.com/photos/chemheritage/3984920162/

Hohanson, B., Miller, C. and Hooper, S., pg. 1 -17 Commodity, firmness, and delight: four modes of instructional design practice Pg. 6 Instructional design is guided by a range of theories and ideas, beliefs and assumptions, not the least of which is a perception of our own practice Pg. 7 Vitruvius advocated that architecture design must satisfy three discrete requirements: firmitas (strength - construction and physical soundness of the building. How media is used and how technology is applied to a solution), utilitas (utility - functional use and appropriateness, application of instructional methods, use of sound instructional theories and the structuring of the interface design) and vernustas (beauty - aesthetic or beauty of the architecture, affective aspects and the complete learning experience). Pg. 19 A design language is what designers use to communicate designs, plans and intentions to each other and to the produces of their artifacts Gibbons and Brewer, 2005: 113) Understanding visual representations is a learned skill Rose, G. 2001 Visual methodologies: An introduction to the interpretation of visual materials, Thousand Oaks, CA: SAGE publications Stubbs, S.T. and Gibbons, A.S. The power of design drawing in other design fields Pg 35 In ID, visual representations serve two purposes. 1) used during design as part of the design process to represent some aspect of instruction before it had to be produced or represented. May be in the form of storyboards or flow charts 2) part of the content that is being produced. Pg 37 Design drawing aids the designer by reducing cognitive load during the design process. Because design sketched are an external representation, they augment memory and support informational processing. Tversky, B (2002), What do sketches say about thinking? (AAAI technical report, SS-02-08), Stanford University Pg 37 Another view of drawing is similar to Vygotsky’s description of the relationship of language to thought. Substituting drawing for words, Vygotky says: ‘Thought is not merely expressed in (drawings), it comes into existence through them.’ Pg 38 Languages in general provide advantages particularly useful in design. 1. They allow thought to be communicated so that good ideas don’t get lost, 2. They provide a focus of attention that permits higher-power processing and anchoring of thought and 3. They provide the ability to question and judge the value of the thought - to construct thoughts about thought. Jackendoff, R. (1996) The architecture of the language faculty, Cambridge, MA: MIT Press. Stages of design 1.     Sketches to try ideas out 2.     As design progresses the drawings become more formal, more governed by rules and conventions Pg 41 Design drawings can be categorised by their form and purpose. Massironi, 2002 taxonomy of graphic productions. Distinction between representional (physical reality) and non-representional (abstract concepts) drawings. McKim types of abstract graphic languages: venn diagrams, organisation charts, flow charts, link-node diagrams, bar charts and graphs, schematic diagrams and pattern languages. Laseau 1986: bubble diagrams, area diagrams, matrices and networks Pg 56 Visual languages serve several purposes 1. Communicate a message through a visual or functional language, 2. Provide a synthetic idea, image or metaphor of complex ideas, 3. Create a grammar or produce meaning for its use. Pg 112 Botturi, L. E2ML A tool for sketching instructional design Two types of languages 1. Finalist communicative languages - serve the purpose of representing a complete instructional design for communicating it to others for implementation, reuse or simply archival 2. Representative - help designers think about the instruction they are designing and support its creation. Ability to express an idea, allows people to better analyse and understand it and to make better design decisions. Pg 381 Agostinho, S., Harper, B., Oliver, R., Hedberg, J. and Wills, S. A visual learning deisgn representation to facilitate dissemination and reuse of innovative pedagogical strategies in university teaching P381 Uptake of the use of high quality ICT-based learning designs in HE has been slow. Factors include low levels of dissemination of ICT-based learning projects, lack of ICT-based learning examples to model, barriers: lack of time, support and training. Pg 382 Oliver and Herrington three elements that comprise an learning design 1.     The tasks or activities learners are required to undertake 2.     The content resources provided to help learners complete the tasks 3.     The support mechanisms provided to assist learners to engage with the tasks and resources Quality criteria 1.     Engage learners by considering their prior knowledge and building on their experience 2.     Acknowledge the learning context by considering how the learning experience is positioned in the broader program of study 3.     Challenge learners through active participation 4.     Encourage learners to practice or apply their learning through articulating and disseminating their understanding to themselves and their peers  

Agostinho, S. (2008), Learning design representations to document, model and share teaching practice Pg. 1 Academics are presented with many choices in how they can design and deliver their courses. Pg. 3 six learning design representations; E2ML, IMS LD, Learning Activity Management System (LAMS), Learning Design Visual Sequence (LDVS), LDLite and Patterns Pg.4  Learning design as a process of designing learning experiences and as a product ie outcome or artefact of the design process A learning design can represent different levels of granularity - from a whole course down to an individual learning activity E2ML three aspects: 1. Goal definition, 2. Action diagram, 3. Overview diagram IMS LD documents the learning design in computer readable format LAMS software which allows teachers to design and implement online learning activities - sequence of activities as a flowchart LDVS A learning design consists of 3 parts: tasks students do, content resources and support LDLite 5 elements: tutor roles, student roles, content resources, service resources and assessment/feedback Patterns a way of capturing knowledge from designers and sharing them with practitioners. Consists of pattern name, context for the pattern, description of the problem, solution, examples and links to related patterns Pg. 13 Conole et al. 2007 explain that practitioners use f arrange of tools to support and guide their practice Conole, Oliver, M., Falconer, I., Littlejohn , A. and Harvey, J. (2007) designing for learning in Conole and Oliver ps 101-120 Oxon: Routledge MoD4L http://www.academy.gcal.ac.uk/mod4l conducted focus groups concluded that no one single representation is adequate Pg 14 1.     Pedagogical models - academic literature 2.     Generic learning designs - patterns and generic LDVS 3.     Contextulaised learning design instantiations - LDVS, LDLite and E2ML 4.     Executable runnable versions - IMS LD, LAMS Falconer and Littlejohn 2008 Representing models of practice Pg 20 Three challenges facing teachers: increasing size and diversity of student body, increasing requirement for quality assurance and rapid pace of technological change Pg 21 little evidence that education has changed fundamentally Pg 22 representations teachers use: module plan, case study, briefing document, pattern overview, contents table, concept map, learning design sequence, story board, lesson plan Pg 23 Challenges of developing and using representations Ownership of representations, different representations effective for different communities, number of different purposes a representation needs to fulfil Issues from the focus groups: community and purpose, product vs. process, granularity and characterising representations Pg 26 Purpose: be generic, detail sequence and orchestration and inspire teachers to implement them and hence change practice Pg 29 Product vs. Purpose Pg 30 most common level of granularity a lesson plan of 1-3 hrs Pg 49 IMS LD Method - specifies the teaching-learning process, roles of learners and teachers, activities, environments - resources and services, conditions, Garzotto, F. and retails, S. (2008), A critical perspective on design patterns for e-learning, pg 113 ‘A design pattern describes a problem which occurs over and over again in our environment and then describes the core of the solution to that problem in such a way that you can use this solution a million times over, without ever doing it the same way twice, Alexander et al., 1977Alexander, C., Ishikawa, S. and Silverstein, M. (1977) Pattern languages: towns, buildings and construction, New York: Oxford University Press pg 114 Eleaning design experience is often shared informally in the everyday language of teaching practice pg 119 concept of design patterns also applied to software engineering pg 120 Design patterns in e-learning Pointer project http://www.comp.lancs.as.uk/computing/research/cseg/projects/pointer/pointer,html ELEN http://www2.tisip.no/E-LEN TELL http://cosy.ted.unipi/gr/tell Pg 121 A taxonomy for elearning design patterns: patterns about human actors, patterns about pedagogical strategies, patterns about learning resources and patterns about technological tools and services Pg 144 Frizell, S.S. and Hubscher, R. Using design patterns to support e-learning design Pg 147 three main benefits of design patterns 1. They serve as a design tool, 2. Provide concise and accurate communication among designers, 3. Disseminate expert knowledge to novices Pg 156 design framework for elearning patterns: design for interactivity, provide problem-solving activities, encourage student participation, encourage student expression, provide multiple perspectives on content, provide multiple representations of data, include authentic content and activities, provide structure to the learning process, give feedback and guidance, provide support aides Goodyear, P. and Yang, D.F. Patterns and pattern languages in educational design, pg 167 Pg 168 Educational design is the set of practices involved in constructing representations of how to support learning in particular cases Pg 170 educational design takes time it rarely starts with a clear complete conception of what is desired. The process of iterative clarification of the nature of the problem and its solution involves complex thought. Pg 173 Pedagogical Patterns Project (PPP) worked on 4 pattern languages: active learning, feedback, experiential learning and gaining different perspectives. http://www.pedagogicalpatterns.org/ Issue with patterns is that if they are too abstract they lack insight whereas if they are too specific they are not transferable Pg 209 Masterman, E. Activity theory and the design of pedagogical planning tools Pg 210 lack of uptake of technologies due to a number of factors: lack of awareness of the possibilities, technophobia, lack of time to explore the technology, aversion to the risks inherent in experimentation and fear of being supplanted by the computer. Pg 211 Designing for learning - the process by which teachers - and others involved in the support of learning - arrive at a plan or structure or design for a learning situation (Beetham and Sharpe, 2007: 7). Beetham and sharpe - learning can never be wholly designed, only designed for (ie planned in advance) with an awareness of the contingent nature of learning as it actually takes place (2007: Activity theory 212 an activity to work on some sort of object and transform it into an outcome. In a learning session the object is the learning session being designed for and the outcome is the pedagogical plan Activity system consists of the object and the outcome, the human subjects, mediated by two types of tools - technical tools which mediate physical actions and psychological tools which mediate cognitive actions. The learning designs are psychological tools for helping teachers to think about their practice in new ways. Social dimension of an activity means it is carried out in a community which has a set of rules and division of labour. Rules include curriculum, timetabling and procedures for booking IT facilities. Division of labour determines how the task is segmented among the subjects and the other members of the community. An activity is constantly changing and developing in expansive cycles. Pg 223 Phoebe pedagogic planner was designed as a tool that could propagate the principles of effective practice to as wide an audience as possible by allowing them to develop new pedagogical approaches while still using the planning tools that they were familiar with. Pg 228 Harper, B and Oliver, R. Developing a taxonomy for learning designs Pg 230 there has been little work to provide a means to classify and categorise learning designs Over 50 exemplar learning designs were gathered in the AUTC Learning Design project. These were evaluated using an adapted version of the framework developed by Boud and Prosser (2002) Appraising new technologies for learning: a framework for development, Educational Media Internationals, 39 (3/4). 1.     Learner engagement 2.     Acknowledgement of the learning context 3.     Learner challenge 4.     The provision of practice Types of learning design 1.     Rule focus - based on the application of rules 2.     Incident focus - based on incidents and events 3.     Strategy focus - that require strategic thinking, planning and activity 4.     Role focus - where the learning outcomes are based on learners’ performance and personal experiences   Oliver and herrington (2001) describe three aspects of a design: content or resources the learners interact with, the tasks or activities that the learners are required to perform and the support mechanisms to provided to assist learners to engage with the tasks and resources.   Types of exemplars: 1.     Collaborative focus 2.     Concept/procedure development focus 3.     Problem based learning focus 4.     Project/case study focus 5.     Role play focus Kearney, M., Prescott, A. and Young, K. pg 263 Investigating prospective teachers as learning design authors Pg 264 teachers often struggle to implement theory into practice Fang, 1996 A review of research on teacher beliefs and practices, Educational Research, 38(1), 47-65                        

This chapter will discuss the emergence of learning design as a research field. It will summarise some of the key work in the field and draws in particular on two recent edited collections on this topic (Beetham & Sharpe, 2007; Lockyer, Bennett, Agostinho, & Harper, 2008). One of the main drivers for the emergence of learning design as a research field is arguably that teachers are now are presented with many choices in how they can design and deliver their courses (Agostinho, 2008). They are confused by the plethora of technologies and different pedagogical approaches they can adopt. Furthermore, teachers often struggle to implement theory into practice (Fang, 1996).   Littlejohn and Falconer (2008: 20) argue that there are three challenges facing teachers: increasing size and diversity of student body, increasing requirement for quality assurance and rapid pace of technological change. They also argue that there is a gap between the promise and reality of the use of technology in education and that there is little evidence that education has changed fundamentally. Similarly Masterman (2008: 210) argues that the lack of uptake of technologies due to a number of factors: lack of awareness of the possibilities, technophobia, lack of time to explore the technology, aversion to the risks inherent in experimentation and fear of being supplanted by the computer.   Learning design has developed as a means of helping them make informed choices. Learning design representations enable teachers to document, model and share teaching practice. It is also as a process of designing learning experiences and as a product i.e. outcome or artefact of the design process. A learning design can represent different levels of granularity - from a whole course down to an individual learning activity. In addition it can be a formal representation, which is computer runnable or simply a formal way of describing the learning intervention. Goodyear and Yang (2008: 167) use the related term educational design, which they define as the set of practices involved in constructing representations of how to support learning in particular cases. They argue that educational design takes time it rarely starts with a clear complete conception of what is desired. The process of iterative clarification of the nature of the problem and its solution involves complex thought. Beetham and Sharpe (2007: 7) prefer the term ‘designing for learning’, which they define as ‘the process by which teachers - and others involved in the support of learning - arrive at a plan or structure or design for a learning situation’. Like Goodyear and Yang, they believe that learning can never be wholly designed, only designed for (i.e, planned in advance) with an awareness of the contingent nature of learning as it actually takes place.   The JISC-funded MoD4L[1] project conducted a series of focus groups with practitioners to elicit the types of representations that they used in their design practice. The representations that teachers use include: module plans, case studies, briefing documents, pattern overviews, contents tables, concept maps, learning design sequences, story boards, and lesson plans. The project concluded that no one single representation is adequate. Similarly Conole et al. (2007: 13) argued that practitioners use a range of tools to support and guide their practice.   Agostinho (2008: 14) review six commonly used learning design languages categorising them as follows: 1.     Pedagogical models - academic literature 2.     Generic learning designs - patterns and generic LDVS 3.     Contextulaised learning design instantiations - LDVS, LDLite and E2ML 4.     Executable runnable versions - IMS LD, LAMS   Harper and Oliver (2008: 228) developed a taxonomy for learning designs arising out of the AUTC Learning Design project[2] which gathered over 50 exemplar learning designs. The AUTC designs were categorised into five types of design: Collaborative designs, concept/procedure designs, problem-based learning designs, project/case study designs and role-play designs. The AUTC Learning Design project drew heavily on the work of Oliver and Herrington (2001), who described the three key aspects of a design as: the content or resources the learners interact with, the tasks or activities that the learners are required to perform and the support mechanisms to provided to assist learners to engage with the tasks and resources. Harper and Oliver argue that there has been little work to provide a means to classify and categorise learning designs. The designs were evaluated using an adapted version of the framework developed by Boud and Prosser (2002): ·      Learner engagement ·      Acknowledgement of the learning context ·      Learner challenge ·      The provision of practice And they identified the following four types of learning design 1.     Rule focus - based on the application of rules 2.     Incident focus - based on incidents and events 3.     Strategy focus - that require strategic thinking, planning and activity 4.     Role focus - where the learning outcomes are based on learners’ performance and personal experiences. Falconer and Littlejohn (2008: 23) argue that there are a number of challenges with representing models of practice. These include: ·      Ownership of representations:  different representations are effective for different communities, and there are a number of different purposes a representation needs to fulfil. ·      There are issues around the community and purpose of representations - in terms of being generic or a detailed sequence and use for orchestration and offering inspiration to teachers in terms of implementing them and hence changing practice. ·      Designs as both product and processes ·      The degree of granularity of the design, Littlejohn and Falconer found the the most common level of granularity is around a lesson plan for 1 - 3 hours of learning.   Learning design as a research field has emerged in the last ten years or so, primarily driven to date by researchers in Europe and Australia. Before describing the methodology we have developed at the Open University, I will provide a brief overview of the development of the field and some of the key features/milestones. The learning design research work has developed in response to a perceived gap between the potential of technologies in terms of their use to support learning and their actual use in practice (Conole, 2004; Herrington et al., 2005; Bennett et al., 2007). Much of the learning design research is concerned with mechanisms for articulating and sharing practice, and in particular the ways in which designs can be represented. Lockyer et al. (2008) and Beetham and Sharpe (2007) have produced edited collections on work in this area. A closely related body of work to learning design is research into the development and use of pedagogical patterns. Derived from Alexander’s work in Architecture, pedagogical patterns is an approach to developing structured case studies of good practice (See for example Goodyear, 2005 for an outline of the field).   Learning Design as a term originated in the technical community and began to gain prominence around 2004, following the development of the educational mark-up language at the Open University of the Netherlands. Since then others have appropriated it in a much broader sense, shifting to the notion of ‘Designing for Learning’. Cross and Conole (2008) provide a simple overview of the field. The focus of the research is to both better understand and represent design processes, along with developing tools and methods to hep practitioners create better designs. A number of benefits of adopting a more formal and rigorous approach to design have been identified (Conole, 2009). In terms of the OULDI research work, we define learning design as: A methodology for enabling teachers/designers to make more informed decisions in how they go about designing, which is pedagogically informed and makes effective use of appropriate resources and technologies. This includes the design of resources and individual learning activities right up to whole curriculum level design. A key principle is to help make the design process more explicit and shareable. Learning design as an area of research and development includes both gathering empirical evidence to better understand the design process as well as the development of a range of resource, tools and activities.   Arguably the origins of the term can be traced back to work at the OUNL in the Netherlands in terms of the development of a Learning Design specification, which subsequently translated into the IMS LD specification (see http://www.imsglobal.org/learningdesign/). From a review of learning theories an Educational Modelling Language was developed (Koper and Manderveld, 2004) and from this a Learning Design specification (see for example Koper and Oliver, 2004). Focusing very much at the technical level, it was claimed that the LD specification was pedagogically neutral and could be used to describe any learning interventions. The specification was based on a theatrical metaphor, describing the roles of those involved in the intervention, the environment in which it occurred and the tools and resources involved. Inherent in the approach was the assumption that educational practice can be represented in a design description, i.e. that underlying design ideas and principles can be captured in an explicit representation. In addition the design of a course is driven by ‘pedagogical models’ that capture the teacher’s beliefs and is a set of rules that prescribe how leaning can be achieved in a particular context. Koper and Oliver (2004: 98) define ‘learning design’ as ‘an application of a pedagogical model for a specific learning objective, target group and a specific context or knowledge domain’. It specifies the teaching-learning process. A number of tools have since been created to run IMS LD specifications, but the work has not had a fundamental impact on changing teacher practice, focusing more on the technical description and running of the designs.   In parallel, work in Australia embraced a broader notion of the term ‘learning design’, which was located more at the level of practice than technical specification. The AUTC Learning Design project aimed to capture a range of pedagogical models as learning design case studies with the intention that these could then be used by teachers to guide their practice and enable greater sharing and reuse of designs (Oliver, et al., 2002, AUTC, nd, Agostinho, 2008). The work was based on a framework for describing learning designs developed by Oliver and Harrington (Oliver, 1999, Oliver and Harrington, 2001). This was based on three critical elements: learning tasks, learning resources and learning supports. The intention was that thinking about and making explicit each of these elements helped to both guide the design process and make it explicit. The approach as used to represent a range of learning designs across different pedagogical models, such as role play, problem-based learning, concept-based learning and collaboration. The AUTC LD project produced detailed guidelines on each of the design case studies they captured, representing these visually using an updated version of the design representation developed by Oliver and Harrington, along with detailed descriptions on how the design was produced and how it can be used. A number of studies have been conducted exploring how the AUTC designs are actually used by teachers. Buzza et al. (2004) focussed on the ‘Predict, Observe, Explain’ design with four teachers and two instructional designers. Overall the participants recognised the value of the designs and how they might be used, although the researchers concluded that widespread adoption of the IMS Learning Design specification would not be possible until a controlled vocabulary can be agreed upon for use in cataloguing and searching for learning designs. Agostinho et al., (2009) explored to what extent the AUTC designs were effective learning design descriptions, i.e. that they provide adequate information that can be easily understood in terms of content and thus potentially reused by a teacher in their particular educational context. Their findings were that there are three important features of an effective learning design description: i) a clear description of the pedagogical design, ii) some form of ‘quality’ rating, and iii) guidance/advice on how the design could be reused.   In the UK the Joint Information Systems Committee (JISC) funded a series of projects under the ‘Design for Learning programme’ (See Beetham, 2008 for a review of the programme and the lessons learnt). The term ‘Design for Learning’ was used rather than learning design to indicate a broader scope and a more holistic approach. Design for learning was defined as ‘a set of practices carried out by learning professionals… defined as designing, planning and orchestrating learning activities which involve the use of technology, as part of a learning session or programme’ (Beetham, 2008: 3). The programme included a review of e-learning pedagogical models, which classified learning theories into three main types: associative, constructive and situative (Mayes and DeFreitas, 2005). The Mod4L project explored what different types of design presentations were being used by practitioners and concluded that de-contextualised designs or patterns could not in practice form the basis of a generic design typology, in which a finite number of educationally meaningful intentions could be discerned (Falconer, et al. 2007). The programme also supported the development of two pedagogical planner tools, Phoebe (Masterman, 2008) and the London Pedagogical Planner. The programme divided the design lifecycle into four parts: design, instantiation, realisation and review. The granularity of the designs ranged from the design of learning objects or short learning activities up to broader sessions or whole courses/curricula. Some of the key lessons from the programme included the following. Design practices are varied, depending on individuals, subject differences and local cultures. Design tools are rarely perceived as pedagogically neutral and most are not considered flexible enough to match real practice. There were mixed views on what were the most appropriate ways of representing and sharing designs - some wanted rich, narrative representations, others wanted bite-sized representations that could be easily reused.   Design patterns Closely related to the area of learning design and arguably a sub-set of learning design is the work on pedagogical patterns. Garzotto and Retails, S. (2008: 113) provide a critical perspective on design patterns for e-learning. Patterns originates in the area of Architecture and are defined as follows: ‘A design pattern describes a problem which occurs over and over again in our environment and then describes the core of the solution to that problem in such a way that you can use this solution a million times over, without ever doing it the same way twice’. (Alexander, Ishikawa, & Silverstein, 1977)   E-learning design experience is often shared informally in the everyday language of teaching practice and arguably patterns provide a means of abstracting and representing good practice.  (2008: 120) cite a number of key projects in the area of pedagogical patterns, include the design patterns in e-learning Pointer project,[3]  the ELEN project,[4] and the TELL project.[5] Goodyear and Yang (2008: 173) also note the Pedagogical Patterns Project (PPP),[6] which developed four pattern languages around: active learning, feedback, experiential learning and gaining different perspectives. Garzotto and Retalis outline a similar taxonomy for elearning design patterns, in terms of patterns about: human actors, pedagogical strategies, learning resources, and technological tools and services.   Frizell and Hubscher (2008: 147) suggest that there are three benefits of design patterns: firstly that they can serve as a design tool, secondly that they provide a concise and accurate communication among designers and thirdly that they can be used to disseminate expert knowledge to novices. They also present a design framework for e-learning patterns (2008: 156) which consists of the following: designing for interactivity, providing problem-solving activities, encouraging student participation, encouraging student expression, providing multiple perspectives on content, providing multiple representations of data, include authentic content and activities, providing structure to the learning process, giving feedback and guidance, and providing support aides. In essence covering the full range of good pedagogical practice. Origins of the OU Learning Design Initiative The OU Learning Design Initiative emerged from previous work on the development of a learning design toolkit, DialogPlus (Fill and Conole, 2008). Like the Phoebe and the LPP tools, DialogPlus was intended to act as a step-by-step guide to enable teachers to create learning designs. The tool was based on an underlying taxonomy, which defined the components of a learning activity (Conole, 2008), which was derived through a series of interviews with teachers about their design practices. However, evaluation of the actual use of such design planner tools indicated that they did not match actual design practice closely enough. Their relatively linear and prescriptive structure did not match the creative, iterative and messy nature of actual teacher design practice.   The OU Learning Design Initiative was initiated in 2007, supported through strategic funding from the OU. The intention was to derive a more practice-focussed approach to learning design, identified from empirical evidence of actual practice. This included gathering 43 case studies of the ways in which the then new Learning Management System (LMS) (Moodle) was being used (Wilson, 2007) and a series of interviews with teachers to articulate their actual teaching practice (Clark and Cross, 2010). The key focus of the teacher interviews was to better understand existing practice. The authors note in their introduction that ‘Even experienced academics who have participated in a range of course production tasks find it difficult to articulate how they go about developing a "learning design" that will be transformed into effective learning materials’ (Clark and Cross, 2010). The interviews focussed on five main questions: i) process: how do teachers go about designing a course?, ii) support: how do they generate ideas?, iii) representation: how do they represent their designs?, iv) barriers: what barriers do they encounter?, v) evaluation: how do they evaluate the effectiveness of the design?   A range of approaches to design were evident, including gathering of resources, brainstorming, listing concepts and skills, creating week-by-week plans, etc. On the whole these were paper-based and primarily text-based. There was little evidence of use of alternative, more visual representations or visual software tools. Interviewees wanted help with understanding how to integrate ICT-based activities into courses. Face-to-face workshops and meetings were favoured over online support as they were felt to be the most effective way of thinking about, and absorbing, new ideas and ways of working. Case studies interestingly were considered to be too demanding in time and effort, interviewees wanted just-in-time support to specific queries. The most effective form of support was considered to be sharing of experience with peers. A variety of representations were mentioned from simple textual representations or lists through to more complex and connected mindmaps. The interviewees listed a variety of purposes for the representations, including communicating personal vision, capturing or sharing ideas, comparing with others, viewing the course at different levels and mapping content to learning outcomes. Barriers included concerns about a lack of experience of creating online activities and a lack of successful examples and an OU-specific issue in terms of the difficulty of melding together the innovative (and often idiosyncratic) ideas of course creators with the needs of a production system delivering the OU’s size and range of learning materials and services. A range of mechanisms were cited in terms of evaluation approaches. These included feedback from students and tutors, comments from critical readers, peer course team critiques and comments from external examiners. This empirical work provided a sound basis for the development of our approach. Our initial focus centered on the following questions:   ·      How can we gather and represent practice (and in particular innovative practice) (capture and represent practice)? ·      How can we provide ‘scaffolds’ or support for staff in creating learning activities that draws on good practice, making effective use of tools and pedagogies (support learning design)? (Conole, 2009).   We have identified six reasons why adopting a learning design approach might be beneficial: 1.     It can act as a means of eliciting designs from academics in a format that can be tested and reviewed with developers, i.e. a common vocabulary and understanding of learning activities. 2.     It provides a means by which designs can be reused, as opposed to just sharing content. 3.     It can guide individuals through the process of creating learning interventions. 4.     It creates an audit trail of academic design decisions. 5.     It can highlight policy implications for staff development, resource allocation, quality, etc. 6.     It aids learners in complex activities by guiding them through the activity sequence.   These map closely with the benefits of adopting a design-based approach outlined by Gibbons and Brewer (2005). They argue that the benefits include: improving the rate of progress (in the creation of designs), influencing the designer conceptions through making the design process explicit, helping to improve design processes, improvements in design and development tools, and bringing design and production closed together. Fundamentally, I would agree with their assertion that it opens up new ways of thinking about designs and designing.   We see ‘learning design’ as an all encompassing term to cover the process, representation, sharing and evaluation of designs from lower level activities right up to whole curriculum level designs. In previous work (Conole and Jones, 2009) we identify three levels of design: micro, meso and macro, drawing on Bielaczyc (2006) and Jones (2007). In our terms, the micro-level refers to learning activities (typically a few hours worth of activity), the meso-level to aggregations of activities or blocks of activities (weeks or months worth of activity) and the macro-level to whole curriculum designs. As part of their Curriculum Design programme the Joint Information Systems Committee (JISC) provide the following definition in terms of curriculum (JISC, nd): ‘Curriculum design’ is generally understood as a high-level process defining the learning to take place within a specific programme of study, leading to specific unit(s) of credit or qualification. The curriculum design process leads to the production of core programme/module documents such as a course/module description, validation documents, prospectus entry, and course handbook. This process involves consideration of resource allocation, marketing of the course, and learners’ final outcomes and destinations, as well as general learning and teaching approaches and requirements. It could be said to answer the questions ‘What needs to be learned?’, ‘What resources will this require?’, and ‘How will this be assessed?’   We were interested in a number of research questions in particular. Can we develop a range of tools and support mechanisms to help teachers design learning activities more effectively? Can we agree a shared language/vocabulary for learning design, which is consistent and rigorous, but not too time consuming to use? How can we provide support and guidance on the creation of learning interventions? What is the right balance of providing detailed, real, case studies, which specify the detail of the design, compared with more abstract design representations that simply highlight the main features of the design? How can we develop a sustainable, community of reflective practitioners who share and discuss their learning and teaching ideas and designs? References Alexander, C., Ishikawa, S., & Silverstein, M. (1977). Pattern languages: towns, buildings and construction. New York: Oxford University Press. Beetham, H., & Sharpe, R. (2007). Rethinking Pedagogy for a Digital age: Designing and Delivering E-Learning: Routledge %@ 0415408741 %7 New edition. Lockyer, L., Bennett, S., Agostinho, S., & Harper, B. (2008). Handbook of Research on Learning Design and Learning Objects: Issues, Applications and Technologies: IGI Global %@ 1599048612 %7 illustrated edition.   Boud, D. and Prosser, K. (2002) Appraising new technologies for learning: a framework for development, Educational Media Internationals, 39 (3/4).   Fang, (1996), A review of research on teacher beliefs and practices, Educational Research, 38(1), 47-65           [1] http://www.academy.gcal.ac.uk/mod4l   [2] http://www.learningdesigns.uow.edu.au/   [3] http://www.comp.lancs.as.uk/computing/research/cseg/projects/pointer/pointer,html     [4]  http://www2.tisip.no/E-LEN     [5] http://cosy.ted.unipi/gr/tell   [6] http://www.pedagogicalpatterns.org/

Design languages This chapter summarises the research on design languages and considers how this relates to the notion of a learning design language. It provides a useful contextual background to the discussions in later chapters on the visual representations we have developed as part of our work and a tool for visualising designs that we have developed, CompendiumLD. It draws in particular on Botturi and Stubbs (2008) who provide an authoritative account of design language research. Botturi & Stubbs demonstrate that there is a plethora of languages available to choose from; ranging from sketch-oriented languages that facilitate the creation and representation of the grand view of a design to more formal languages that enable detailed representations of specification and/or implementation details of a design. Botturi et al. (2006) define a design language as ‘a set of concepts that support structuring a design ask and conceiving solutions’. They go on to define a design language as a mental tool that can be expressed and hence communicated through a notation system (i.e. a set of signs and icons that allow representing a design problem or solution so that it is perceivable by our senses). Gibbons et al. (2008) argue that design languages are an important aspect of instructional design. They define a design language as a ‘set of abstractions used to give structure, properties, and texture to solutions of design problems. Hohanson, Miller and Hooper (2008, p. 19) suggest that a design language is what designers use to communicate designs, plans and intentions to each other and to the produces of their artifacts, citing Gibbons and Brewer (2005, p. 113). Rose (2001) argues that understanding visual representations is a learned skill. Hence visual languages serve several purposes: i) to communicate a message through a visual or functional language, ii) to provide a synthetic idea, image or metaphor of complex ideas and iii) to create a grammar or produce meaning for its use.  Gibbons et al. (2008) argue that design languages: i) encourage disciplined design practice, ii) give organisation to the growth of design fields, iii) helps give historical context to evolving design fields and v) connect practices of a design field to theoretical concepts. Botturi e al. (2006) argue that educational modelling languages have emerged as conceptual tools to help designers deal with the increasing complexity of designing for learning making effective use of new technologies and pedagogies.  They argue that they allow the development of reflective practice and potentially enhance a more thorough understanding and reuse of elearning. Derntl et al. (2010) suggest that a shared design language is one mechanism for dealing with design complexity and the requirements of communication in interdisciplinary design teams. They argue that designing for learning needs both beauty and precision; and show how different design languages can be used to present these. They state that ‘We are in no way suggesting that beauty and precision are in opposition to one another, nor even that they are mutually exclusive concerns. We make the distinction merely to further stress the competing demands on instructional designers for maintaining a grand view of the learning experience while also addressing the myriad details of an effective end product.’ Stubbs and Gibbons (2008, p. 35) suggests that visual representations serve two purposes in design: 1) they can be used during design as part of the design process to represent some aspect of instruction before it had to be produced or represented, this may be in the form of storyboards or flow charts and 2) they can be part of the content that is being produced. They also argue that design drawing can aid the designer by reducing cognitive load during the design process and because design sketched are an external representation, they augment memory and support informational processing.  They also suggest that another view of drawing is similar to Vygotsky’s description of the relationship of language to thought. Substituting drawing for words, Vygotky says: ‘Thought is not merely expressed in (drawings), it comes into existence through them.’ Languages in general provide advantages that are particularly useful in design. Firstly, they allow thought to be communicated so that good ideas don’t get lost. Secondly, they provide a focus of attention that permits higher-power processing and anchoring of thought. Thirdly, they provide the ability to question and judge the value of the thought - to construct thoughts about thought. Jackendoff (1996) suggests that there are two stages to the design process: i) sketches to try ideas out and ii) as design progresses the drawings become more formal, more governed by rules and conventions. Massironi  (2002) has produced a taxonomy of graphic productions, which categorises design drawings by their form and purpose. He distinguishes between representational (physical reality) and non-representational (abstract concepts) drawings. Botturi (2008, p. 112) identifies two types of languages: i) finalist communicative languages, which serve the purpose of representing a complete instructional design for communicating it to others for implementation, reuse or simply archival and ii) representative, which help designers think about the instruction they are designing and support its creation. The ability to express an idea, allows people to better analyse and understand it and to make better design decisions. In contrast, McKim categorises abstract graphic languages into seven types: Venn diagrams, organisation charts, flow charts, link-node diagrams, bar charts and graphs, schematic diagrams and pattern languages, (McKim, 1980)whereas Laseau (1986) categorises them into four main types: bubble diagrams, area diagrams, matrices and networks. Design languages exist along a range of continua. Gibbons and Brewer (cited in Gibbons et al., 2008) describe several dimensions of design language variation: i) complexity-simplicity, ii) precision-nonprecision, iii) formality-informality, iv) personalisation-sharedness, v) implicitness-explicitness, vi) standardisation-non-strandardisation, and vii) computability-non-computability. Botturi et al. (2006) described a number of commonly used design languages. A design language of particular importance is IMS Learning Design (IMS/LD), which is based on the Educational Modelling Language developed by OUNL. It describes the roles and activity sequences within an environment of learning objects and services. Properties, conditions and notifications can also be defined to further fine tune and specify the design.  UML has also been adapted for use in elearning contexts. Botturi et al. describe E2ML, which is based on UML, as a simple design language coupled with a visual notation system consisting of multiple interrelated diagrams. At the other end of the spectrum, the AUTC project has developed a design language that is much more practitioner orientated. It is based on work by Oliver and Herrington (2001) who identified three elements associated with a learning design: 1.      The tasks or activities learners are required to undertake 2.      The content resources provided to help learners complete the tasks 3.      The support mechanisms provided to assist learners to engage with the tasks and resources. These three elements are used to describe a learning design, as a temporal sequence, with the tasks or activities being undertaken in the centre and the associated resources and support mechanism for each tasks or activity represented either side. Agostinho et al. (2008) argue that the AUTC visual learning design representation can be used to facilitate dissemination and reuse of innovative pedagogical strategies in university teaching. Boling and Smith (2008) describe the range of mediating artefacts that are used to support design both as process and product. They highlight the importance of sketching and consider the interplay between the two modes of metal representation required for sketching - propositional (largely symbolic) and analogue (quasi-pictorial, spatially depictive). They reference Goldschimidt (1991) who argues that there is an oscillation between propositional thinking and descriptive thinking during the process of design. References Boling, E., & Smith, K. M. (2008). Artifacts as tools in the design process. In D. Merrill & M. Spector (Eds.), Handbook of research in educational communications and technologies (3rd Ed ed.). New York: NY: Tailor and Francis. Botturi, L. (2008). E2ML: a tool for sketching instructional design. In L. Botturi & S. T. Stubbs (Eds.), Handbook of visual languages for instructional design: theories and practices (pp. 112-132). hershey, New York: Information Science Reference. Botturi, L., Derntl, M., Boot, E., & Figl, K. (2006, 5-7th July 2006). A classification framework for educational modelling languages in instructional design. Paper presented at the ICALT 2006, Kerkrade, The Netherlands. Botturi, L., & Stubbs, T. (2008). Handbook of Visual Languages for Instructional Design: Theories and Practices: Information Science Reference %@ 1599047292. Derntl, M., Parish, P., & Botturi, L. (2010). Beauty and precision in instructional design. Journal on e-learning, 9(2), 185-202. Gibbons, A. S., Botturi, L., Boot, E., & Nelson, J. (2008). Design languages. In M.Discoll, M.D.Merill, J. v. Merrienboer & J. M. Spector (Eds.), Handbook of research for educational communications and technologies. Mahway, NJ: Lawrence Erbaum Associates. Gibbons, A. S., & Brewer, E. K. (2005). Elementary principles of design languages and design notation systems for instructional design. In J. M. Spector, C. Ohrazda, A. V. Schaack & D. A. Wiley (Eds.), Innovations in instructional technology. Mahway, NJ: Lawrence Erlbaum Associates. Hohanson, B., Miller, C., & Hooper, S. (2008). Commodity, firmness, and delight: four modes of instructional design practice. In L. Botturi & T. Stubbs (Eds.), Handbook of visual languages for instructional design: Theories and practices (pp. 1-17). Hershey, New York: Information Science Reference. Jackendoff, R. (1996). The architecture of the language facility. Cambridge, MA: MIT Press. Laseau, P. (1986). Graphic problem solving for architects and designers (2nd ed.). New York: Van Nostrand Reinhold. Massironi, M. (2002). The pyschology of graphic image: seeing, drawing, communicating. Mahwah, NJ: Lawrence Erbaum Associate. McKim, R. H. (1980). Thinking visually: a strategy manual for problem solving. Belmont, CA: Lifetime learning publications. Oliver, R., & Herrington, J. (2001). Teaching and learning online: a beginners guide to e-learning and e-teaching in Higher Education. Perth: Edith Cowan University. Rose, G. (2001). Visual methodologies: an introduction to the intrepretion of visual materials. Thousand Oaks: CA: SAGE publication. Stubbs, T., & Gibbons, A. S. (2008). The power of design drawing in other design fields In L. Botturi & T. Stubbs (Eds.), Handbook of visual languages for instruction design: theories and practices (pp. 33-51). Hershey, New York: Information Science Reference.    

I was very sad to get an email yesterday from Professor John O’Donoghue’s wife Carole saying that John lost his fight with cancer yesterday 5th January 2011. John was a lovely guy well respected in the elearning community. His contributions to the field were many and varied; he was a very active and enthusiastic member of the Association for Learning Technologies, he was a member of the JISC Learning and Teaching committee, he published and presented at conferences widely and was involved with an interesting range of research and development projects. I met John a few times over the last years as he struggled to beat the cancer. He was always up beat and cheerful, the same old John. He will be sadly missed, my thoughts (as I am sure are the thoughts of many in the elearning community) are with Carole and John’s family at this time.  

In recent years there has been a lot of interest in the creation and use of Open Educational Resources (OER), with the underpinning principle that educational resources should be free for all. The term OER was coined in 2002 at a UNESCO-hosted forum as: The open provision of educational resources, enabled by information and communication technologies, for consultation, use and adaptation by a community of users for non-commercial purposes. (D’Antoni, 2008, p. 7) The rhetoric behind the notion of free educational resources and a vibrant community of sharing and scholarly practices is exciting and visionary. Despite this however, the actual impact on practice has been limited. Yes OER’s are being viewed and used by some teachers and some learners but they are not being used extensively. And evidence of actual reuse is even more scant. Such learning material is freely available and will often be based on well-tested and effective learning material. Organisations like UNESCO and the Hewlett Foundation have supported this movement and have provided considerable support both in terms of networking and funding.  There are now a plethora of OER repositories and many organisations have signed up to be part of the OpenCourseWare consortium (http://www.ocwconsortium.org/). The focus to date has been on the development of OER repositories. The naïve view was that if these were created and promoted that learners would use them and that teachers would repurpose them. However evaluation of the use of such repositories indicates that uptake is relatively poor (McAndrew, et al., 2009). Why is this? Well actually taken someone else’s OER, understanding it, deconstructing it and then recontexualising it is a complex cognitive process. Add to this potential technical and organisational barriers and perhaps the lack of uptake is not so surprising. In some research as part of the Olnet initiative (http://olnet.org) we investigated why this was the case and looked in particular at how OER could be redesigned and used for collaborative learning purposes (Conole, McAndrew, & Dimitriadis, 2010; Dimitriadis, McAndrew, Conole, & Makriyannis, 2009). We found that practitioners found it difficult to understand the implicit design inherent in OER and found making choices about how to repurpose the OER for their own context was hard. Would shifting away from a focus on the resources to the associated surrounding practices help? I.e. if we can better understand how teachers and learners are creating and using OER perhaps we can get a better idea of what the associated barriers and issues might be and hence put in place mechanisms to address these. This is at the heart of the OPAL initiative (http://oer-quality.org/). The overall aim of OPAL is to support Open Educational Practice. The belief is that if we can better understand the practices around the creation, use and repurposing of OER, we are likely to see better uptake and use. Further, the vision is that this will lead to improvement of the effectiveness of teaching and learning by enhancing the quantity and quality of Open Educational Resources that can be incorporated into higher education and further education provision. To achieve this we began by gathered over 60 case studies of OER initiatives (http://cloudworks.ac.uk/cloudscape/view/2085) and from these abstracted a set of dimensions of what we are terming ‘Open Educational Practices’, which are defined as: Open educational practices (OEP) is defined as use of OER to raise the quality of education and training and innovate educational practices on institutional, professional and individual level. A database or repository of open educational resources is not open educational practice. The pure usage of these open educational resources in a traditional closed and top-down, instructive, exam focussed learning environment is not open educational practice. However, if OER are used to create resources which are more learner-centred than the ones existing before, if learners are involved into the creation of content which is taken seriously by the teachers/facilitators, if teachers are moving away from a content centred teaching to "human resource" based teaching, if learning processes are seen as productive processes and learning outcomes are seen as artefacts which are worth sharing and debating, improving and reusing, then OER might improve the learning process and then we talk about open educational practices. Open Educational practices are having a "lifecycle" which is influenced by the entire open educational practice governance community: ·      Be it the national policy makers who are promoting the use of open educational resources, ·      The rector of a higher education institution who is initiating an institution wide open education initiatives in which teachers are asked to create, find, adapt and share OER in an institution wide OER repository, and in which educational strategies and models are collected and shared amongst teachers ·      The teachers who are encouraging learners to produce, share and validate content ·      The learners who are using open available content to create knowledge landscapes on study topics which better fit their needs than the available text book "one size fits all" style Stakeholders of open educational practice are the so called open educational practice governance community. These are those actors who are involved into open educational practices from all perspectives, be it the policy making component in the field of education in which national, regional or local (communal) policies are shaped and implemented to stimulate the use of open educational practices, production and distribution of learning materials, the management or administration of educational organisations, teaching or providing learning environments, or learning in learning environments in which open educational resources are used to improve quality and access of learning.  We are focussing on higher education institutions and on educational organisations in the field of adult learning. On refinement four OEP dimensions were identified: strategies and policies, tools and tool practices, barriers and success factors, and skills development and support. We used these as the basis to enable individuals and organisations to assess where they were in terms of level of OEP maturity (Figure 1). Figure 1: The OEP Cube Maturity Model The cube model provides a system that helps in classifying the OER Practices. Innovation and quality that OPAL has set out to study resides within the blocks or between them - how the blocks relate to each other. To illustrate the use of the cube a couple of examples will be given. For example an organisation might be considered to be mature in terms of the dimension of strategy and policy if it has clear and effective strategies and policies in place about OER and this might be an example of an innovative business model for generating OER and making them widely available. Another organisation might be classed as mature in terms of tools and tool practices if there is evidence of  it having an online Web 2.0 environment to enable users to share and discuss the use of the OER. This might be considered innovative in terms of the use of Web 2.0 tools to support scholarly dialogue and good practice in terms of quality through peer reflection. We see the cube as having a number of uses: for benchmarking purposes, for guidance in terms of how to improve OEP and for reflection and comparison with others. The benefits of the use of the cube include: it enables and guides users in understanding how to think about the key issues, and it is flexible enough to cover the different stakeholders involved (including learners, teachers, managers and policy makters). We have validated the cube through a number of workshops and expert panels. Overview feedback on its value is good. We hope to map the existing case studies to this and then encourage others to build on this over time. References Conole, G., McAndrew, P., & Dimitriadis, Y. (2010). The role of CSCL pedagogical patterns as mediating artefacts for repurposing Open Educational Resources’ in F. Pozzi and D. Persico (Eds), Techniques for Fostering Collaboration in Online Learning Communities: Theoretical and Practical. D’Antoni, S. (2008). Open Educational Resources. The way forward. Deliberations of an international community of interest. Paris: UNESCO International Institutie of Educational Planning. Dimitriadis, Y., McAndrew, P., Conole, G., & Makriyannis, E. (2009). New design approaches to repurposing Open Educational Resources for collaborative learning using mediating artefacts. Auckland: ASCILITE. McAndrew, P., Santos, A., Lane, A., Godwin, S., Okada, A., Wilson, T., et al. (2009). OpenLearn Research Report 2006-2008.    

 Here is a draft of a peper we are writing: Gráinne Conole, Rebecca Galley and Juliette Culver, The Open University, UK Abstract This paper describes a new social networking site, Cloudworks, which has been designed to support the sharing and discussion of learning and teaching ideas and designs. A new framework on community indicators for describing and evaluating user behaviour will be introduced. The paper will describe the development of the site and outline the new emergence patterns of behaviour we are observing on the site and associated discourses. Introduction The affordances of new technologies appear to offer much to support learning, however there is a gap between this potential and their actual use in practice. Jenkins et al. (2009) argue that there are twelve skills needed for full engagement in today’s participatory culture: play, performance, simulation, appropriation, multitasking, distributed cognition, collective intelligence, judgment, transmedia navigation, networking, negotiation, and visualization - the ability to interpret and create data representations for the purposes of expressing ideas, finding patterns, and identifying. To make full use of the potential of new technologies both teachers and learners need to reskill to embrace these new literacies. This paper contends that learning design can be used as a methodology to help teachers and learners to develop these new skills. It will outline some of the research in this area being undertaken by the OU Learning Design Initiative (http://ouldi.open.ac.uk). It will focus on one aspect of this work - the development and evaluation of a new social networking site (Cloudworks) for discussing and sharing learning and teaching ideas and designs.  It will describe how Cloudworks is attempting to harness the power of new technologies and in particular web 2.0 practices for an educational context; specifically as a means of facilitating greater discussion and sharing of learning and teaching ideas. The site is attempting to address three inter-related issues: ·        The lack of uptake of technologies for learning and teaching (despite the fact as outline above that they have immense potential). ·        The new skills needed for engaging in a participatory digital landscape. ·        When asked the question ‘what do you need in order to make better use of new technologies in your teaching?’ teachers invariably say they want examples and they want to be able to share and discuss their ideas with others. We have developed a social networking site (Cloudworks) to enable teachers and learners to discuss and share learning and teaching ideas and designs to address these issues. An overview of Cloudworks will be provided, along with a definition of key concepts associated with the site. We will focus is on the new patterns of user behaviour that are emerging through use of the site, along with mapping these to a number of theoretical perspectives. We have adopted a Design-Based Research approach, which is closely aligned to agile development described by Cockburn (2001) to development of the site. The initial phases of development and evaluation of the site are described elsewhere (Conole & Culver 2009; Conole and Culver, 2010).  The initial underpinning theoretical basis builds on Engeström’s (2005, 2007) notion of social objects and Bauman et al.’s (2007) framework for sociality the site. We have recent begun exploring other theoretical perspectives to consider how they might help us explain the patterns of user behaviour we are seeing in the site (Alevizou et al., 2010). We argue that Cloudworks represents a new direction for designing for learning; by providing a space for both learners and teachers to make learning designs more explicit and sharable, and as a web 2.0-based dialogic space for critiquing learning and teaching ideas. The OU Learning Design Initiative Despite the fact that there are numerous repositories of good practice, case studies, learning objects and Open Educational Resources (OER), their impact on practice has been limited (McAndrew et al., 2009). The vision behind the development of Cloudworks was to harness web 2.0 practices specifically to foster dialogic exchange between educational practitioners. In order to get a better understanding of the extent to which technologies were being used across the university, a set of 45 case studies were captured (Wilson, 2007). In addition a series of semi-structure interviews were carried out with 12 teachers across the university to get a more in-depth understanding of they design practices (Clark and Cross, 2010). The interviews focused around a number of themes: i) how teachers went about the design process, ii) where they got ideas or inspiration from, iii) how they represented their designs, iv) how and with whom they shared their design with, v) where they got additional help or support, and vi) what kinds of evaluations activities did they undertake to access success.  From the case studies and the interviews it was evident that teachers design practices were creative, messy and iterative; and primarily based on prior experiences and inherent believes, rather than any formal, set of design principles. Resources and more information on the OU Learning Design Initiative are available at http://ouldi.open.ac.uk and Conole (2010) provides a detailed description of the theoretical underpinnings of the initiative and describes the various tools and resources we have developed. Part of the aspiration of the OU Learning Design work was to help make the design process more explicit and hence sharable. We have developed three types of tools/resources with this in mind. The first is a set of conceptual design tools - to help teachers think beyond content when designing learning activities. We have developed a series of ‘views’ which foreground different levels of design and aspects of the design (See Conole, 2010 for a more detailed discussion and also http://cloudworks.ac.uk/index.php/cloudscape/view/1907). The second, CompendiumLD, is a visualisation tool for guiding teachers through the design process (See Conole, Brasher, et al., 2009). It includes templates of the conceptual tools, as well as in-built help and guidance. The third, Cloudworks, is a collaborative tool, aimed at helping teachers to share and discuss learning and teaching ideas and designs. This paper concentrates on Cloudworks and in particular some of the dialogic discourses and practices, which are now emerging on the site. An overview of Cloudworks Cloudworks is a specialised social networking site for sharing, debating and co-creating ideas as well as designs and resources for teaching, learning and scholarship in education. Conole and Culver (2009) provide a description of the original vision behind the development of Cloudworks and the associated theoretical underpinnings. The site is essentially object- rather than ego-centered in nature (Dron and Anderson, 2007). Figure 1 provides a screenshot of the homepage. The core object in the site is a ‘Cloud’, which can be anything to do with learning and teaching (a description of a learning and teaching practice, an outline about a particular tool or resource, a discussion point). Figure 1: Screenshot of the Cloudworks homepage Clouds combine a number of features of other Web 2.0 technologies. Firstly, they are like collective blogs, i.e. additional material can be added to the cloud, which appear as sequential entries under the first contribution. Secondly, they are like discussion forums, there is a column under the main cloud where users can post comments, i.e. they are ‘social’. This aligns with Engestrom (2005) notion of the importance of social objects as the key focus of social networks. Thirdly, they are like social bookmarking sites, i.e. links and academic references can be added. Finally they have a range of other functionalities common on Web 2.0 sites, such as ‘tagging’, ‘favouriting’, RSS feeds, the concept of following, and activity streams (See Conole and Alevizou for a review of Web 2.0 practices). Collectively these features provide a range of routes through the site and enable users to collectively improve clouds in a number of ways. Clouds can be grouped together into aggregations, termed Cloudscapes. The homepage of the site, in addition to providing standard navigation routes (such as browsing of Clouds, Cloudscapes and People and searching), lists currently active Clouds and five featured Cloudscapes. All recent activities on the site (newly created Clouds and Cloudscapes, comments, additions, etc) are listing in a site Cloudstream. The Community Indicators Framework A key issue in the evaluation of social and participatory sites, such as Cloudworks, is understanding what types of user behaviour are emerging. In order to understand this we have reviewed the literature on different frameworks for describing ‘communities’ in online spaces (Galley, 2010a; Galley et. al., 2010). Galley et al. (2010) suggest that the notion of ‘communities’ in social and participatory spaces is different and argue that: participatory web processes and practices have more recently opened up new spaces for, and styles of, interaction - social spaces which enable transient, collaborative, knowledge building communities, and the development of shared assets such as interests, goals, content and ideas. They looked at various frameworks for describing communities such as: Communities of Practice (Wenger, 1998), ‘Networks of Practice’ Brown and Duguid (2001), ‘Network Sociality’ Wittel (2001), ‘Communities of Inquiry’ (Garrison et al., 2000), and ‘Communities of Interest’ (Fischer, 2002). From these a new Community Indicators framework has been developed, which consists of four broad aspects (or indicators) associated with: behaviours and attributes of participants (e.g. turn taking, tolerance, and playfulness), situational factors (e.g. clarity of purpose, cross-boundary participation, culture) and how participants feel (e.g. sense of ownership, trust, enjoyment or engagement). Each of these aspects is interrelated and the whole reflects the multifaceted complexity of what we experience as community. Figure 2: The Community Indicators Framework Figure 2 illustrates the framework. The indicators are: participation, cohesion, identity and creative capability. Users participate in different ways in social and participatory spaces; it is often important to have someone adopting a leadership role, whilst others might comment or post links and some choose to simply read and not post. The cohesion indicator is concerned with the types of social interactions that occur and highlights the importance of emotional and peer support in such spaces. Identity relates to the groups evolving self-awareness. Galley et al. (2010) draw on Bouman et al’s (2007) notion of sociality, which argues that that: online environments, like Cloudworks, need to accommodate both the evolution of practices and the inclusion of newcomers, both individual identity and group formation are important and people are more inclined to use software systems that resemble their daily routines, language and practices than to adopt whole new concepts. Finally, creative capability relates to how far the community is motivated and able to engage in participatory activity, and is of particular importance to us in our work in terms of helping teachers think differently and enabling them to be more creative in their practice. This theme relates to participants’ skills, qualities and experience (including those relating to digital literacy and inter-and intra-personal skills - such as conflict management), community and individual motivations, and the capacity of the emerging community to mediate between these aspects, and exploit the cultural, ethnic, social, and personal differences between participants within the community. Evaluation of Cloudworks Use and development of the site is being monitored in a number of ways. We have adopted a Design-Based Research (DBR) approach to the development of the site, through a series of design phases, where each phase has consisted of a series of design decisions and subsequent evaluation (Conole and Culver, 2010). Data collection has included web stats and Google analytics, analysis of site activities and discussions, collation of references to Cloudworks elsewhere (such as in the blogosphere and Twitter), and use and evaluation of the site at workshops and conferences. A Cloudworks questionnaire is also available online. This multi-faceted evaluation strategy has gathered data that has then been used to inform the next design phase, thus ensuring an alignment between technical developments and user needs. The data, and particularly the user feedback, has given us a rich understanding of how the site has evolved and how it is being used. At key points we have commission an expert review of the site and have to date undergone three site redesigns, commissioning an expert external designer. A range of standard statistics is gathered routinely (Figure 3), along with an administrative Cloudstream, which in addition to listing activities on the site chronologically (in the way that the main site Cloudstream does), it also documents when new users register with the site (the site is open, but users need to register if they wish to post anything or create Clouds or Cloudscapes) and when users choose to ‘follow’ others. We will also be capturing on a 6 monthly basis: the number of users who have posted clouds, the number of users who have posted comments, and the number of unique users posting a cloud or comment in last 60 days. To measure sustainability and longevity of contribution, we are also capturing: the number of registered users who have posted a cloud or comment at least one month after registration (this way we don’t count the initial use of the site for say a conference or workshop) and the number of registered users who have posted a cloud or comment at least a year after registration. Figure 3: Statistics for the site - 01052010 The site is also linked to Google analytics (Figure 3), which shows the growth of the site since its launch in July 2009. As is evident with other Web 2.0 sites, the number of active contributors to the site (currently 2, 275 registered) is less than the number of unique visitors (59, 171 visits from 163 countries). The top five countries are UK, United States, Canada, Australia and Italy). We have also undertaken a number of qualitative studies of the use of the site; including explorations around how the site is being used by a particular community or theme and through a series of interviews with users.  Figure 4: Google analytics July 2009-April 2010 Users of Cloudworks have been encouraged to complete an online survey after workshops and conferences, and in April 2010, 299 people registered on the site were randomly chosen to participate in a survey. In total, approximately 100 surveys have been completed during phase-one and two. All data used from the surveys is anonymous. A series of interviews have been conducted, these include some short unstructured three-minute interviews asking for perceptions of the site (where permission was given these are publically available here: http://cloudworks.ac.uk/cloudscape/view/1900). Other more in-depth, semi-structured interviews have also been conducted particularly with established users, with a focus on exploring how Cloudworks is used, and the perceived advantages of using the site. Two usability tests of the site have also been conducted. We have kept reflective logs, documenting the process of development and use of the site. These reflections are available in public blogs and links to the full postings have been included where extracts have been used in reports and evaluations. Occasionally users will also discuss their perceptions of Cloudworks in their own publicly available blogs or on the site itself, where these have been referred to direct links have not been made in our reports or papers as we recognise that our use of the postings in this way could not have been anticipated when the posting was made. In these cases we have also removed names and any identifying information. User activity data has been collected from the site relating to: content: number of Clouds in the Cloudscape, items of extra content, embeds, comments and links, people: number of followers, distinct people contributing, number people marked as attending and views: number of views of the Cloudscape page, number of distinct people logged in and viewing Cloudscape Clouds, number of distinct guests (i.e. distinct IP addresses) viewing Cloudscape Clouds. Types of interactions have been collected and analysed, with a focus on those that may indicate increases of knowledge and understanding, and sense of community. Interactions will be categorised into the following types: ·        informational (sharing of resources, links, annotations of presentations, live blogging, etc) ·        practical (sharing of practice or experience) ·        social (information modes of address, personal narratives, suggestions to recommendations), that lead or relate to: o    discursive (affirmations, welcome notes, supportive interchanges, humour and word plays, etc) o    deliberative (instigating debates, asking probing questions etc) The Design-Based Research Approach We are adopting a Design-Based Research (DBR) approach; starting with a stated problem we were trying to address, a proposed solution and then an iterative cycle of developments and evaluation. Design-Based Research has emerged in recent years as an approach for studying learning in context through systematic design and study of instructional strategies and tools (Brown, 1992; Collins, 1992 cited in Design-Based Research Collective, 2003). Wang and Hannafin (2005:5-6) define it as ‘a systematic, but flexible methodology aimed to improve educational practice through iterative analysis design, development and implementation, based on collaboration between researchers and practitioners in real-world settings, and leading to contextually-sensitive design principles and theories’. Reigeluth and An (2009:378-379) articulate the following set of characteristics of DBR. We map the ways in which we are addressing these principles for the design of Cloudworks. 1.       It is driven by theory and prior research. In our work, we are building on the substantive body of prior research on instructional design, learning sciences, learning objects/Open Educational Resources and more recently learning design. The approach we adopt is socio-cultural in nature, with a focus on the design and use of a range of mediating artefacts involved in teaching-learning processes (See Conole, 2008 for a more detail account of this). Cloudworks is an example of a mediating artefact that can be used to facilitate the discussion and sharing of learning and teaching ideas. 2.       It is pragmatic. Our aim is to develop tools and resources that are useful in actual practice by practitioners to address real educational challenges. Our intention is to be theory-driven, but pragmatic, recognising the complex, messy and often craft-based nature of teaching practice. Cloudworks has been designed based on a number of theoretical frameworks, including Englestrom’s (2005) notion of social objects and Bouman et al.’s (2007) concept of sociality.   3.       It is collaborative. We see working in close connection with end users as a vital part of our approach. Our initial interviews with teachers confirmed our view that teaching practice is complex and situated. Changing practice will only occur through close working with and understanding of practitioners’ needs. Cloudworks provides a space for practitioners to communicate (through the discussion spaces) and share/collaborate (through the notion of adding resources and references). 4.       It is contextual. Our vision is to change actual practice, to achieve this it is important that the development activities occur in real, authentic contexts. In analysis of user behaviour in Cloudworks we are seeing examples of this; users are supporting each other in the development of knowledge co-construction; through building on the discussion of others and providing back up evidence to support arguments through the sharing of resources and links. 5.       It is integrative. Wang and Hannifin (2005: 10) state that ‘DBR uses a variety of research methods that vary as new needs and issues emerge and the focus of the research evolves’. We have adopted a mixed-method approach (see below for more details) to evaluating our developments, matching the methods we use to the specific sub-research questions and the context that we are focusing on. 6.       It is iterative. Our approach consists of an interactive cycle of identification of problems to be addressed, suggestion of proposed solutions, development, use, evaluation and refinement. Because user behaviour co-evolves in social and participatory media like Cloudworks, it is important that we adopt an iterative approach, with evaluation of emergent patterns of user behaviour informing future social and technical interventions developed for the site. 7.       It is adaptive and flexible. Because our work is closely tied to actual practice, we need to ensure that the approach we are adopting is agile in nature, so that we can adapt based on evidence from changing practice. As above we need to be responsive to the ways in which users are using the space. 8.       It seeks generalisation. In addition to the practical, pragmatic nature of our work, we are also attempting to develop a coherent underlying learning design framework of concepts and approaches. We believe the Community Indicators framework we have developed to inform the design and evaluation of the site has relevance for other social and participatory media. In addition, the underlying architecture could be applied for other topics around sharing and discussing ideas and to this end we now have an open source version of the site (available to download from https://bitbucket.org/cloudengine/cloudengine/wiki/Home). Emergent patterns of behaviourAs a result of the new functionality and redesign we have seen a significant increase in use of the site, new patterns of user behaviour emerging and evidence of the site acting in distinct ways. It has been possible to identify eight types of Cloudscape emerging, although it is worth noting that some Cloudscapes fall into more that one category: ·        Event Cloudscapes. The site provides an excellent mediation space pre-, during and post events. These can include both face-to-face and virtual events, such as one-day seminars, workshops and conferences. Conferences have also been a highly effective way of securing new community engagement. We know that using Cloudworks to support events is a highly effective way of introducing new users to the site and showcasing functionality. Clouds can focus around presentations; to enable live blogging about the talk, a shared discussion space, or a mechanism for aggregating related links or references. Clouds can also be set up to support workshop activities or to act as discussion spaces for particular topics. A recently added feature of the site is the list of ‘events’ (http://cloudworks.ac.uk/events/events_list). At the time of writing thirty-eight events are listed between May -December 2010, and fifty-two Cloudscapes have been labelled as past events.  Cloudworks has been used to support more than 25 conferences this year. These Cloudscapes tended to grow organically as participants added Clouds and related materials, as they needed to, and consisted, primarily, of informational postings and archival content - for example live-blogs and links to papers. ·        Debate Cloudscapes. A number of Cloudscapes have now been established acting as discussion spaces. ‘Flash debates’ are sparked from questions that aim to provoke and began to appear on the site in September 2009. Most typically a range of comments and activities will erupt almost immediately after initial postings, and will cross a variety of different communication platforms (e.g. Twitter, email lists, blogs, Facebook). The Flash Debate Cloudscape (http://cloudworks.ac.uk/cloudscape/view/1896) includes a range of topical issues such as ‘Citizendium versus Wikipedia’, ‘Has Twitter already peaked?’, or ‘What will the University of Tomorrow look like?’ The first example of this use was a cloud entitled ‘Is Twitter killing blogging?’ (http://cloudworks.ac.uk/index.php/cloud/view/2266). This was set up following a Twitter posting on this topic and had 719 unique views at the time of writing. Quickly the Cloud became a shared space for people to discuss the topic and to aggregate resources. Many of them then went to their own personal websites such as blogs to write more individual reflective pieces, posting links back in the Cloud:   Twitter is increasing the connections between us and in effect bringing more people into the conversation which can only be a good thing.  The recent VLE-PLE debate is a great example of this.  XX kicked off the latest round on his blog but it was his (& others) use of Twitter that brought people into the conversation, some of whom went on to blog, including myself, with that blog post I’d saving up since April (see above)!   The blog-twitter discussion was an appetiser for the Great VLE-PLE Debate™ at ALT-C 2009.  Having eaten too much of the appetiser I opted out of that session but what has been great is the way I have been able to re-visit it thanks to Cloudworks".   ·        Design Cloudscapes. Part of the original aspiration around the development of the site was to act as a channel for fostering more debate around design practices. A number of Cloudscapes have now been established that are focusing on learning and teaching issues around a particular course. These include spaces for those involved in designing courses (see for example http://cloudworks.ac.uk/index.php/cloudscape/view/1919) as well as those who have a tutoring role in delivering courses (http://cloudworks.ac.uk/index.php/cloud/view/3342). There are also some good examples of design collaboration (for example see http://cloudworks.ac.uk/index.php/cloudscape/view/688), however these examples have all been stimulated by a face-to-face learning design event, and are not yet happening spontaneously. To date, although there has been a great deal of very productive sharing of ‘snippets’ of practice on Cloudworks (discussing and sharing a new teaching tool, or a teaching and learning experience, or asking a tricky and interesting pedagogical question) there has been little sharing of what might be described as ‘worked designs’. ·        Learning and teaching Cloudscapes. The site is also being used to some extent to support learners. For example students on the Masters in Open and Distance Education course at the OU have been exploring the site by taking part in a Cloudquest challenge (http://cloudworks.ac.uk/index.php/cloud/view/2699), contributing H800 flash debates (http://cloudworks.ac.uk/index.php/cloudscape/view/1937) and using the site to find relevant resources for particular teaching contexts (http://cloudworks.ac.uk/index.php/cloudscape/view/2057). In addition to these, there are a number of Clouds aggregating resources for informal professional development/ teacher education courses both across the HE and FE sectors. We recognise that use of the site in such courses will be important in supporting sustainability and use. We see Cloudworks as a space which offers excellent opportunities to engage learners in the learning design/ re-design process through sharing visualised designs and pedagogical discussion, checking assumptions and collaborative, co-creative development. ·        Reading Cloudscapes. A relatively new type of Cloudscape to appear on the site is reading Cloudscapes. For example the 800-strong community of researchers interested in exploring students use of technologies have set up a space to aggregate and discuss relevant readings from the field (http://cloudworks.ac.uk/index.php/cloudscape/view/1968). Users post references to papers as Clouds and then use the Cloud to discuss the paper and add relevant links and references, essentially acting as a form of virtual reading circle. ·        Resource or topic Cloudscapes. Cloudscapes have also been established that act as aggregators around particular topics or resources. Examples include the Horizon report Cloudscape (http://cloudworks.ac.uk/1957), the online research tools Cloudscape (http://cloudworks.ac.uk/cloudscape/view/2046) and the Learning Design toolbox (http://cloudworks.ac.uk/index.php/cloudscape/view/1882). ·        Open reviews. The site has been used successfully a number of types to support ‘open reviews’, whereby a Cloudscape is set up to support a standard literature review process. The core questions being explored are posted, along with a space to aggregate resources and references. Examples include a review of the use of Web 2.0 tools in HE (http://cloudworks.ac.uk/cloudscape/view/1895) and a review of pedagogical models (http://cloudworks.ac.uk/index.php/cloudscape/view/2009). At the time of writing, the Web 2.0 Cloudscape has generated 465 views, and 9 comments. This includes descriptive content, an embedded video showcase and a link to a video that provided the inspiration for repurposing. Six months later, the same lecturer repurposed this Cloud as an entry for a virtual conference on teaching and learning that was organised by the Open University, and which was supported by Cloudworks. The new Cloud: ‘Experimenting with the pedagogy of creativity and openness’ has generated 256 views, and contains 9 comments, 3 embedded videos, and 6 references and links. This use of Cloudworks is similar to use observed on other social sites. Twitter for example enables ‘just-in-time’ learning moments where a query can be posted and several suggestions or explanations posted in response within minutes. This kind of interaction replicates the important and informal ‘coffee conversation’ that is such a core part of teacher practice. Sharing ideas and short snippets of practice is a very valuable way that teachers get new ideas, develop their practice and inform their learning designs (Conole, 2009). ·        Expert elicitation and consultation. Finally Cloudworks works well as a space to elicit expert views around a topic or as a space to valid and discuss research outputs. One example was a literature review and expert elicitation around the role of educational technologists (http://cloudworks.ac.uk/cloudscape/view/1872). Another example was a major consultation process around Open Educational Resources and their associated practices (http://cloudworks.ac.uk/cloudscape/view/2105), following the gathering and analysis of a set of international OER case studies (http://cloudworks.ac.uk/cloudscape/view/2085) and articulation of a set of associated Open Educational Practice dimensions (http://cloudworks.ac.uk/cloudscape/view/2086). Galley (2010b) maps these types of activities in terms of examples of evolving trajectories of use/activity in the site (Table 1). As can be seen from the table each type of activity has its own particular pattern of behaviour.   Table 1: Evolving trajectories in use/activity Levels of activity We are beginning to see evidence of the site being self-sustaining, with the emergence of Cloudworks champions both from within the university and outside who are actively using the site within their community. Use of the site has increased significantly; by the end of July 2010) there were ca. 3000 registered users, on average 4000 unique visitors per month from up to 165 countries each month. There has been steady increase in interest in Cloudworks with numbers of registered users moving from 1005 to 2997 between the launch of the Beta version in July 2009 to the end of phase-two in July 2010 (up more than 198%). The Cloudworks team have gradually reduced their facilitation and moderation of the site over the year, and as can be seen below activity levels have been maintained (not withstanding the seasonal fluctuations over the winter and summer breaks), with non-team members increasingly taking on ‘champion’ roles. Cloudworks team intervention has been reduced over time and activity has not been significantly impacted but it is evident that Cloudworks team activity continues to impact on non-team activity - for example, when the team is active in creating Cloudscapes and comments in one month, non-team activity can be seen to rise in the following month.  During phase-two of development the site was visited just over 90,000 times from 167 different countries with just over half of all visitors (54.26%) coming from the UK. Take-up in the Open University itself has been slow to be established but can be seen to be increasing as the site is used by more university groups, and for events such as the ‘Learn About Fair’ (http://cloudworks.ac.uk/cloudscape/view/1963) a university staff development event which received 3164 distinct guests (i.e. distinct IP addresses), 179 distinct people logged in and viewing Clouds, and 22 active participants, and the ‘Open University annual Learning and Technology conference’ (http://cloudworks.ac.uk/cloudscape/view/2012) which received 4417 unique guests, 474 distinct people logged in and viewing Clouds, and 54 active participants. During phase-two, the numbers of registered users who told us on registering that their institution was the Open University rose from 208 to 651 (up 213%). However, a number of Open University communities can be seen to be using the site. Some examples include: ·        Mobile technologies special interest group http://cloudworks.ac.uk/cloudscape/view/1889, 26 distinct people commenting, 1922 distinct IP addresses viewing. ·        Olnet http://cloudworks.ac.uk/cloudscape/view/562, 60 distinct people commenting, 2489 distinct IP addresses viewing. ·        eLearning Community http://cloudworks.ac.uk/cloudscape/view/899, 3 distinct people commenting, 164 distinct IP addresses viewing. ·        Associate Lecturers http://cloudworks.ac.uk/cloudscape/view/1934, 6 distinct people commenting, 446 distinct IP addresses viewing. ·        Classical Reception Studies Network (CRSN) Learning & Teaching Group http://cloudworks.ac.uk/cloudscape/view/21678, 8 distinct people commenting, 183 distinct IP addresses viewing. ·        K802 Students and staff http://cloudworks.ac.uk/cloudscape/view/2171 8 distinct people commenting, 1009 distinct IP addresses viewing http://cloudworks.ac.uk/cloudscape/view/2161 7 distinct people commenting, 294 distinct IP addresses viewing. ·        Teaching and Learning Librarians http://cloudworks.ac.uk/cloudscape/view/2035 22 distinct people commenting, 2353 distinct IP addresses viewing Alevizou et al., (2010) looks in more detail at the use of the site by one Open University led group (OLnet) for sharing and the discussion of issues relating to the use and uptake of Open Educational Resources (OERs). They conclude that there is substantial evidence to indicate that Cloudworks is being used by this as a means of sharing and discussing and adopting more scholarly and evidence based approaches to practice. Applying the Community Indicators Framework In this section we will show how the Community Indicators framework described above can be applied to the evaluation of the Cloudworks site across the different types of Cloudscapes described in the previous section. Table 1 provides examples of evidence of the four Community Indicators and demonstrates examples evident from our evaluation of Cloudworks. Table 2: Community Indicators in Cloudworks Conclusions  The previous section gives some indication of the breadth and richness of the types of activities we are seeing on the site. New practices are emerging as users begin to colonise and appropriate sections of the site for their own interests. We are beginning to apply additional theoretical framework to gaining an understanding of this new patterns of behaviour, such as Goffman’s notion of ritual performance (Goffman, 1974), the concept of collective intelligence (see for example Lévy, 1997) and expansive learning (Engestrom, 1987); see Alevizou et al. (2010) for more on how we are using these frameworks. Early evidence suggests, that Cloudworks is one of the sites blurring formal and informal cultural and networked learning about being an educationalist, scholar, practitioner or indeed a learner (in limited examples) with online interactions and experiences allowing roles to be learned, experiences to be shared, values to be exchanged and - to an extent - identities to be performed and (re)shaped, and communities to gather (Alevizou et al., forthcoming). It is too early in our research to demonstrate empirically more than glimpses of emerging patterns but we have now developed clear ideas about research questions that will inform Cloudworks position within this landscape of practice, as well as guide implications for further systematic research.  We continue to recognise the complexity and challenges inherent in supporting and promoting a collaborative and open approach to design and reflection in learning and teaching practices, but also would argue that mechanisms to facilitate these are essential if learners and teachers are going to develop the necessary new literacy skills they will need in order to harness the potential of new technologies. We have argued in this paper that Cloudworks is a platform where we are starting to see evidence of expressive interactions, crowdsourcing and archiving of issues relating to learning designs and the process of design. We are also staring to see new connections and interactions emerging within Cloudworks (on a given time, for a given purpose, or randomly and serendipitously), which we believe are key in supporting the dialogic and creative process of design. The idea of Cloudworks functioning as a hub between several virtual and physical learning design spaces is both powerful and visible: we have pointed to evidence whereby designs can be seen to be both negotiated and improved. We do however recognise that we have significant work to do in encouraging and supporting designers in sharing, discussing and archiving worked designs, and promoting the shifts in culture and practice necessary for many educational practitioners in order to achieve this, and benefit from it. This paper has attempted to consider the challenges associated with rapidly evolving social and participatory media and has argued that the design and evaluation of such sites needs new approaches. We have chosen to adopt a Design-Based Research approach to designing Cloudworks and have introduced the Community Indicators framework as a mechanism for evaluating user behaviour in the site. We have also strengthened our understanding of interactions on the site through the development and use of the Community Indicators framework described in this paper. We think the Community Indicators framework has a number of benefits. Firstly, it is built on relevant research literature on the development and sustainability of online communities, drawing on related frameworks, but extending beyond these in order to support communities in new social and participatory media. Secondly, it provides a framework for designing social and participatory sites. Thirdly, the framework can be used to map emergent and evolving patterns of user behaviour on the site. We think the framework could be useful in terms of designing and evaluating other social and participatory sites. Acknowledgements The OU Learning Design Initiative was funded through strategic funding from the OU and also the JISC as part of the Curriculum Design programme. References Alevizou, P., Conole, G., Culver, J. and Galley, R. (2010), Ritual performances and collective intelligence: theoretical frameworks for analysing emerging patterns in Cloudworks, Networked Learning Conference Proceedings, Aalborg, Denmark, 3-4th May 2010. Alevizou, P., Conole, G. and Galley, R. (2010), Using Cloudworks to support evidence-informed OER activities, Report for the HE Academy commissioned project PearlsintheClouds, The Open University: Milton Keynes. Alevizou, P., Galley, R. and Conole, G. (forthcoming), Innovating design for learning in the networked society, in L. Dirckinck-Holmfeld, V. Hodgson and D. McConnell (eds.), ‘Exploring the Theory, Pedagogy and Practice of Networked Learning’, Springer: New York. Bouman, W., Hoogenboom, T., Jansen, R., Schoondorp, M., de Bruin, B. and Huizing, A. (2007), The Realm of Sociality: Notes on the Design of Social Software, PrimaVera Working Paper Series, Amsterdam: Universiteit Van Amsterdam, http://choo.fis.utoronto.ca/fis/courses/lis2176/Readings/bouman.pdf, [7/8/08] Brown, J.S., and Duguid, P. (2001) Knowledge and Organization: A Social-Practice Perspective. Organization Science. 12(2), 198 - 213. Clark, P.  and Cross, S. (2010),  Findings from a series of staff interviews about learning design, representations of design, design process, evaluation and barriers, Appendix 2,   The Learning Design Initiative Institutional Project Phase two Report - embedding learning design and establishing a reversioning culture, The Open University: Milton Keynes Cockburn, A. (2001), Agile Software Development, The agile software development series, A. Cockburn and J. Highsmith (eds), Addison Wiley: New York Conole, G. (2010). Learning design - making practice explicit, keynote and paper, . Paper presented at the ConnectEd - 2nd International conference on design education. Retrieved from http://cloudworks.ac.uk/cloud/view/4001 Conole, G., Brasher, A., Cross, S., Weller, M., Clark, P. and White, J. (2008), Visualising learning design to foster and support good practice and creativity, Educational Media International, Volume 54, Issue 3, 177-194. Conole, C. G. and Culver, J. (2009) Cloudworks: Social networking for learning design. Australasian Journal of Educational Technology 2009, 25(5), 763-782. [last accessed 19/11/09] Conole, G. and Alevizou, P. (2010), A review of the use(s) of Web 2.0 tools in Higher Education, The Open Univesity: Milton Keynes. Conole, G. & Culver, J., 2010. The design of Cloudworks: Applying social networking practice to foster the exchange of learning and teaching ideas and designs. Computers & Education. Available at: http://www.ascilite.org.au/ajet/ajet25/conole.html [Accessed November 24, 2009]. Design-Based Research Collective. (2003). Design-based research: An emerging paradigm for educational inquiry. Educational Researcher, 32(1), 5-8. Dron, J. and Anderson, T., 2007. Collectives, networks and groups in social software for e-Learning. In Proceedings of World Conference on E-Learning in Corporate, Government, Healthcare, and Higher Education Quebec. Retrieved Feb. p. 2008. Engeström, J. (2005), Why some social network services work and others don’t — Or: the case for object-centered sociality, blog posting, 13th April 2005, http://www.zengestrom.com/blog/2005/04/why_some_social.html [1/8/08]. Engeström, J. (2007), Microblogging - tiny social objects on the future of participatory media, cited in K. Anderson (2008), blog entry, 13th June 2007, http://strange.corante.com/archives/2007/06/13/nmkforum07_jyri_of_jaiku.php, [7/8/08] Engeström, Y. (1987). Learning by expanding: An activity-theoretical approach to developmental research (Helsinki, Orienta-Konsultit). Fischer, G., (2002) Communities of Interest: Learning through the Interaction of Multiple Knowledge Systems [7/08/10] http://l3d.cs.colorado.edu/~gerhard/papers/iris24.pdf Galley, R. (2010a), Indicators of community - a framework for evaluating relational and transient communities on Cloudworks, OULDI workshop paper, 19th March 2010, The Open University: Milton Keynes. Galley, R. (2010b), Summary report for Cloudworks development - phase one and two, JISC OULDI report, The Open University; Milton Keynes. Garrison, D. R., Anderson, T., and Archer, W. (2000). Critical inquiry in a text-based environment: Computer conferencing in higher education. The Internet and Higher Education, 2(2-3), 87-105. Goffman, E.(1974). Frame analysis. Middlesex: Penguin Books. Jenkins, H., 2009. Confronting the challenges of participatory culture: Media education for the 21st century, Mit Pr. McAndrew, P., Santos, A.I., Lane, A., Godwin, S., Okada, A., Wilson, T. Ferreira, G.; Buckingham Shum, S.; Bretts, J. and Webb, R. (2009), OpenLearn Research Report 2006-2008. The Open University, Milton Keynes, England. available online at http://oro.open.ac.uk/17513/, last accessed 21/04/10 Reigeluth, C.M. and An, Y. (2009), Theory building, 3865-386, in C.M. Reigeluth and A.A. Carr-Chellman (Eds), Instructional-design theories and models - building a common knowledge base, Volume III, RoutledgeFalmer: Oxford. Wilson, P. (2007), ‘Progress report on capturing eLearning case studies’, Internal report, The Open University: Milton Keynes. Wang, F. and Hannafin, M. (2005), Design-based research and technology-enhanced learning environments, Educational Technology Research and Development, 53(4), 5-23. Wenger, E. (1998). Communities of practice: learning, meaning, and identity. New York: Cambridge University Press. Wittel, A. (2001) Toward a Network Sociality Theory, Culture & Society 2001 (SAGE) 18(6), 51-76.    

Origins of the OU Learning Design Initiative The OU Learning Design Initiative emerged from previous work on the development of a learning design toolkit, DialogPlus (Fill and Conole, 2008). Like the Phoebe and the LPP tools, DialogPlus was intended to act as a step-by-step guide to enable teachers to create learning designs. The tool was based on an underlying taxonomy which defined the components of a learning activity (Conole, 2008), which was derived through a series of interviews with teachers about their design practices. However, evaluation of the actual use of such design planner tools indicated that they did not match actual design practice closely enough. Their relatively linear and prescriptive structure did not match the creative, iterative and messy nature of actual teacher design practice.   The OU Learning Design Initiative was initiated in 2007, supported through strategic funding from the OU. The intention was to derive a more practice-focussed approach to learning design, identified from empirical evidence of actual practice. This included gathering 43 case studies of the ways in which the then new Learning Management System (LMS) (Moodle) was being used (Wilson, 2007) and a series of interviews with teachers to articulate their actual teaching practice (Clark and Cross, 2010). The key focus of the teacher interviews was to better understand existing practice. The authors note in their introduction that ‘Even experienced academics who have participated in a range of course production tasks find it difficult to articulate how they go about developing a "learning design" that will be transformed into effective learning materials’ (Clark and Cross, 2010). The interviews focussed on five main questions: i) process: how do teachers go about designing a course?, ii) support: how do they generate ideas?, iii) representation: how do they represent their designs?, iv) barriers: what barriers do they encounter?, v) evaluation: how do they evaluate the effectiveness of the design?   A range of approaches to design were evident, including gathering of resources, brainstorming, listing concepts and skills, creating week-by-week plans, etc. On the whole these were paper-based and primarily text-based. There was little evidence of use of alternative, more visual representations or visual software tools. Interviewees wanted help with understanding how to integrate ICT-based activities into courses. Face-to-face workshops and meetings were favoured over online support as they were felt to be the most effective way of thinking about, and absorbing, new ideas and ways of working. Case studies interestingly were considered to be too demanding in time and effort, interviewees wanted just-in-time support to specific queries. The most effective form of support was considered to be sharing of experience with peers. A variety of representations were mentioned from simple textual representations or lists through to more complex and connected mindmaps. The interviewees listed a variety of purposes for the representations, including communicating personal vision, capturing or sharing ideas, comparing with others, viewing the course at different levels and mapping content to learning outcomes. Barriers included concerns about a lack of experience of creating online activities and a lack of successful examples and an OU-specific issue in terms of the difficulty of melding together the innovative (and often idiosyncratic) ideas of course creators with the needs of a production system delivering the OU’s size and range of learning materials and services. A range of mechanisms were cited in terms of evaluation approaches. These included feedback from students and tutors, comments from critical readers, peer course team critiques and comments from external examiners. This empirical work provided a sound basis for the development of our approach. Our initial focus centered on the following questions:   ·      How can we gather and represent practice (and in particular innovative practice) (capture and represent practice)? ·      How can we provide ‘scaffolds’ or support for staff in creating learning activities that draws on good practice, making effective use of tools and pedagogies (support learning design)? (Conole, 2009).   We have identified six reasons why adopting a learning design approach might be beneficial: 1.     It can act as a means of eliciting designs from academics in a format that can be tested and reviewed with developers, i.e. a common vocabulary and understanding of learning activities. 2.     It provides a means by which designs can be reused, as opposed to just sharing content. 3.     It can guide individuals through the process of creating learning interventions. 4.     It creates an audit trail of academic design decisions. 5.     It can highlight policy implications for staff development, resource allocation, quality, etc. 6.     It aids learners in complex activities by guiding them through the activity sequence.   These map closely with the benefits of adopting a design-based approach outlined by Gibbons and Brewer (2005). They argue that the benefits include: improving the rate of progress (in the creation of designs), influencing the designer conceptions through making the design process explicit, helping to improve design processes, improvements in design and development tools, and bringing design and production closed together. Fundamentally, I would agree with their assertion that it opens up new ways of thinking about designs and designing.   We were interested in a number of research questions in particular. Can we develop a range of tools and support mechanisms to help teachers design learning activities more effectively? Can we agree a shared language/vocabulary for learning design, which is consistent and rigorous, but not too time consuming to use? How can we provide support and guidance on the creation of learning interventions? What is the right balance of providing detailed, real, case studies, which specify the detail of the design, compared with more abstract design representations that simply highlight the main features of the design? How can we develop a sustainable, community of reflective practitioners who share and discuss their learning and teaching ideas and designs? An overview of Design-Based research This section draws in particular on Barab (2006) and Kelly et al. (2008). Barab provides a useful overview of Design-Based Research (Barab, 2006, p. 155). He argues that the value of Design-Based Research (DBR) is that it offers a methodology for dealing with the complexity of real learning contexts by ‘iteratively changing the learning environment over time - collecting evidence of the effect of these variations and feeling it recursively into future designs’ (citing Brown, 1992; Collins, 1992). He argues that cognition, ‘rather than being a disembodied process occurring in the confines of the mind, is a distributed process spread out across the knower, the environment, and even then meaning of the activity’ (citing Salomon, 1993). Barab suggest that DBR can yield rich insights into the complex dynamics whereby theories become contextualised. He lists the following as mechanisms for making DBR effective: 1.     Make assumptions and theoretical bases that underlie the work explicit 2.     Collect multiple types of theoretically relevant data 3.     Conduct ongoing data analysis in relation to theory 4.     Invite multiple voices to critique theory and design 5.     Have multiple accountability structures 6.     Engage in dialectic among theory, design and extant literature. He argues that DBR has the following characteristics: design, theory, and problem in the context of a naturalistic setting, involving multiple iterations or progressive refinement (Figure 1). Figure 1: The interactive nature of Design-Based Research   Kelly et al. (2008, p. 5) suggests that DBR foregrounds ‘the fluid, empathetic, dynamic, environment-responsive, future-orientated and solution-focused nature of design’. The OULDI learning design methodology We are adopting a design-based research (DBR) approach; starting with a stated problem we were trying to address, a proposed solution and then an iterative cycle of developments and evaluation. Design-based research has emerged in recent years as an approach for studying learning in context through systematic design and study of instructional strategies and tools (Brown, 1992; Collins, 1992 cited in Design-Based Research Collective, 2003). Wang and Hannafin (2005:5-6) define it as ‘a systematic, but flexible methodology aimed to improve educational practice through iterative analysis design, development and implementation, based on collaboration between researchers and practitioners in real-world settings, and leading to contextually-sensitive design principles and theories’. Reigeluth and An (2009:378-379) articulate the following set of characteristics of DBR: 1.      It is driven by theory and prior research. In our work, as described above we are building on the substantive body of prior research on instructional design, learning sciences, learning objects/Open Educational Resources and more recently learning design. The approach we adopt is socio-cultural in nature, with a focus on the design and use of a range of mediating artefacts involved in teaching-learning processes (See Conole, 2008 for a more detail account of this). 2.      It is pragmatic. Our aim is to develop tools and resources which are useful in actual practice, by practitioners to address real educational challenges. Our intention is to be theory-driven, but pragmatic, recognising the complex, messy and often craft-based nature of teaching practice. 3.      It is collaborative. We see working in close connection with end users as a vital part of our approach. Our initial interviews with teachers confirmed our view that teaching practice is complex and situated. Changing practice will only occur through close working with and understanding of practitioners’ needs. 4.      It is contextual. Our vision is to change actual practice, to achieve this it is important that the development activities occur in real, authentic contexts. 5.      It is integrative. Wang and Hannifin (2005: 10) state that ‘DBR uses a variety of research methods that vary as new needs and issues emerge and the focus of the research evolves’. We have adopted a mixed-method approach to evaluating our developments, matching the methods we use to the specific sub-research questions and the context that we are focusing on. 6.      It is iterative. Our approach consists of an interactive cycle of identification of problems to be addressed, suggestion of proposed solutions, development, use, evaluation and refinement. 7.      It is adaptive and flexible. Because our work is closely tied to actual practice, we need to ensure that the approach we are adopting is agile in nature, so that we can adapt based on evidence from changing practice. 8.      It seeks generalisation. In addition to the practical, pragmatic nature of our work, we are also attempting to develop a coherent underlying learning design framework of concepts and approaches.   The main components of the OU Learning Design methodology In essence we are focusing on three aspects of design: i) the development of a range of conceptual tools to guide the design process and provide a means of representing (and hence sharing) designs, ii) the development of visual tools to render some of the conceptual tools and enable practitioners to manipulate their designs and share them digitally with others, iii) the development of collaborative tools - both in terms of structures for face-to-face events such as workshops and use of digital tools to foster communication and sharing. For each aspect we have now developed a set of tools, resources and activities and over the last two years we have been trialling these in a range of settings, both with the OU and also externally with a number of partner institutions and through demonstrations and workshops at conferences. It would be impossible in the scope of this paper to describe all the tools, resources and activities in detail; hence a selection will be described to give an overall view of the work to date. An evolving online learning design toolkit is being developed which includes our current set of tools, resources and activities (http://cloudworks.ac.uk/cloudscape/view/1882). In addition a learning activity taxonomy has been developed (Conole, 2008) and more recently a Learning Design taxonomy which provides a map of the domain, the key concepts and where individual tools, resources and activities fit (Conole, 2010a).   OULDI aims to bridge the gap between the potential and actual use of technologies outlined in the introduction, through the development of a set of tools, methods and approaches to learning design, which enables teachers to making better use of technologies that are pedagogically informed. Conole (2009) provides a reflection on the origins of OULDI and the benefits of adopting this approach. The aim is to provide a design-based approach to the creation and support of learning and teaching, and to encourage a shift away from the traditional implicit, belief-based approaches to design-based, explicit approaches. This will encourage sharing and reflection. The tools and resources are designed to help guide decision-making. The work is underpinned by an ongoing programme of empirical evidence which aims to gain a better understanding of the design process and associated barriers and enablers, as well as an ongoing evaluation of the tools, methods and approaches we are developing and using and in particular to what extent they are effective. There are three main aspects to the work we are doing: 1.      Conceptualisation - the development of a range of conceptual tools to help guide the design decision-making process and to provide a shared language to enable comparisons to be made between different designs. 2.      Representation - identification of different types of design representation and use of a range of tools to help visualise and represent designs. 3.      Collaboration - mechanisms to encourage the sharing and discussing of learning and teaching ideas. 4.        Barab, S. (2006). Design-Based Research - A methodological toolkit for the Learning Scientist. In R. K. Sawyer (Ed.), The Cambridge Handbook of the Learning Sciences (pp. 153-169). Cambridge Cambridge University Press. Brown, A. L. (1992). Design experiments: Theoretical and methodological challenges in creating complex interventions in classroom settings. The journal of the learning sciences, 2(2), 141-178. Collins, A. (1992). Towards a design science of education. In E. Scanlon & T. O’Shea (Eds.), New directions in educational technology (pp. 15-22). New York: Springer-Verlag. Kelly, A. E., Baek, J. Y., Lesh, R. A., & Banna-Ritland, B. (2008). Enabling innovations in education and systematizing their impact. In A. E. Kelly, R. A. Lesh & J. Y. Baek (Eds.), Handbook of design research methods in education: innovations in science, technology, engineering and mathematics learning and teaching (pp. 3-18). New York and London: Routledge. Kelly, A. E., Lesh, R. A., & Baek, J. Y. (2008). Handbook of design research methods in education: innovations in science, technology, engineerin and mathematics learning and teaching. New York and London: Routledge. Salomon, G. (Ed.). (1993). Distributed cognitions - pyschological and educational considerations. Cambridge: Cambridge University Press.   5.       

This chapter summarises the research on design languages and considers how this relates to the notion of a learning design language. It provides a useful contextual background to the discussions in later chapters on the visual representations we have developed as part of our work and a tool for visualising designs that we have developed, CompendiumLD. It draws in particular on Botturi and Stubbs (2008) who provide an authoritative account of design language research. Botturi & Stubbs demonstrate that there is a plethora of languages available to choose from; ranging from sketch-oriented languages that facilitate the creation and representation of the grand view of a design to more formal languages that enable detailed representations of specification and/or implementation details of a design. Botturi et al. (2006) define a design language as ‘a set of concepts that support structuring a design ask and conceiving solutions’. They go on to define a design language as a mental tool that can be expressed and hence communicated through a notation system (i.e. a set of signs and icons that allow representing a design problem or solution so that it is perceivable by our senses). Gibbons et al. (2008) argue that design languages are an important aspect of instructional design. They define a design language as a ‘set of abstractions used to give structure, properties, and texture to solutions of design problems. Hohanson, Miller and Hooper (2008, p. 19) suggest that a design language is what designers use to communicate designs, plans and intentions to each other and to the produces of their artifacts, citing Gibbons and Brewer (2005, p. 113). Rose (2001) argues that understanding visual representations is a learned skill. Hence visual languages serve several purposes: i) to communicate a message through a visual or functional language, ii) to provide a synthetic idea, image or metaphor of complex ideas and iii) to create a grammar or produce meaning for its use.  Gibbons et al. (2008) argue that design languages: i) encourage disciplined design practice, ii) give organisation to the growth of design fields, iii) helps give historical context to evolving design fields and v) connect practices of a design field to theoretical concepts. Botturi e al. (2006) argue that educational modelling languages have emerged as conceptual tools to help designers deal with the increasing complexity of designing for learning making effective use of new technologies and pedagogies.  They argue that they allow the development of reflective practice and potentially enhance a more thorough understanding and reuse of elearning. Derntl et al. (2010) suggest that a shared design language is one mechanism for dealing with design complexity and the requirements of communication in interdisciplinary design teams. They argue that designing for learning needs both beauty and precision; and show how different design languages can be used to present these. They state that ‘We are in no way suggesting that beauty and precision are in opposition to one another, nor even that they are mutually exclusive concerns. We make the distinction merely to further stress the competing demands on instructional designers for maintaining a grand view of the learning experience while also addressing the myriad details of an effective end product.’ Stubbs and Gibbons (2008, p. 35) suggests that visual representations serve two purposes in design: 1) they can be used during design as part of the design process to represent some aspect of instruction before it had to be produced or represented, this may be in the form of storyboards or flow charts and 2) they can be part of the content that is being produced. They also argue that design drawing can aid the designer by reducing cognitive load during the design process and because design sketched are an external representation, they augment memory and support informational processing.  They also suggest that another view of drawing is similar to Vygotsky’s description of the relationship of language to thought. Substituting drawing for words, Vygotky says: ‘Thought is not merely expressed in (drawings), it comes into existence through them.’ Languages in general provide advantages that are particularly useful in design. Firstly, they allow thought to be communicated so that good ideas don’t get lost. Secondly, they provide a focus of attention that permits higher-power processing and anchoring of thought. Thirdly, they provide the ability to question and judge the value of the thought - to construct thoughts about thought. Jackendoff (1996) suggests that there are two stages to the design process: i) sketches to try ideas out and ii) as design progresses the drawings become more formal, more governed by rules and conventions. Massironi  (2002) has produced a taxonomy of graphic productions, which categorises design drawings by their form and purpose. He distinguishes between representational (physical reality) and non-representational (abstract concepts) drawings. Botturi (2008, p. 112) identifies two types of languages: i) finalist communicative languages, which serve the purpose of representing a complete instructional design for communicating it to others for implementation, reuse or simply archival and ii) representative, which help designers think about the instruction they are designing and support its creation. The ability to express an idea, allows people to better analyse and understand it and to make better design decisions. In contrast, McKim categorises abstract graphic languages into seven types: Venn diagrams, organisation charts, flow charts, link-node diagrams, bar charts and graphs, schematic diagrams and pattern languages, (McKim, 1980)whereas Laseau (1986) categorises them into four main types: bubble diagrams, area diagrams, matrices and networks. Design languages exist along a range of continua. Gibbons and Brewer (cited in Gibbons et al., 2008) describe several dimensions of design language variation: i) complexity-simplicity, ii) precision-nonprecision, iii) formality-informality, iv) personalisation-sharedness, v) implicitness-explicitness, vi) standardisation-non-strandardisation, and vii) computability-non-computability. Botturi et al. (2006) described a number of commonly used design languages. A design language of particular importance is IMS Learning Design (IMS/LD), which is based on the Educational Modelling Language developed by OUNL. IMS/LD represents a learning design, referred to as a ‘unit of learning’, which is a sequence of activities described in the form of acts in a play. It describes the roles and activity sequences within an environment of learning objects and services. Properties, conditions and notifications can also be defined to further fine tune and specify the design.  UML has also been adapted for use in elearning contexts. Botturi et al. describe E2ML, which is based on UML, as a simple design language coupled with a visual notation system consisting of multiple interrelated diagrams. Agostinho (2008) lists three types of E2ML documents: goal definition, action diagram and overview diagram. At the other end of the spectrum, the AUTC project has developed a design language that is much more practitioner orientated. It is based on work by Oliver and Herrington (2001) who identified three elements associated with a learning design: 1.      The tasks or activities learners are required to undertake 2.      The content resources provided to help learners complete the tasks 3.      The support mechanisms provided to assist learners to engage with the tasks and resources. These three elements are used to describe a learning design, as a temporal sequence, with the tasks or activities being undertaken in the centre and the associated resources and support mechanism for each tasks or activity represented either side. Agostinho et al. (2008) argue that the AUTC visual learning design representation can be used to facilitate dissemination and reuse of innovative pedagogical strategies in university teaching. Boling and Smith (2008) describe the range of mediating artefacts that are used to support design both as process and product. They highlight the importance of sketching and consider the interplay between the two modes of metal representation required for sketching - propositional (largely symbolic) and analogue (quasi-pictorial, spatially depictive). They reference Goldschimidt (1991) who argues that there is an oscillation between propositional thinking and descriptive thinking during the process of design. References Boling, E., & Smith, K. M. (2008). Artifacts as tools in the design process. In D. Merrill & M. Spector (Eds.), Handbook of research in educational communications and technologies (3rd Ed ed.). New York: NY: Tailor and Francis. Botturi, L. (2008). E2ML: a tool for sketching instructional design. In L. Botturi & S. T. Stubbs (Eds.), Handbook of visual languages for instructional design: theories and practices (pp. 112-132). hershey, New York: Information Science Reference. Botturi, L., Derntl, M., Boot, E., & Figl, K. (2006, 5-7th July 2006). A classification framework for educational modelling languages in instructional design. Paper presented at the ICALT 2006, Kerkrade, The Netherlands. Botturi, L., & Stubbs, T. (2008). Handbook of Visual Languages for Instructional Design: Theories and Practices: Information Science Reference %@ 1599047292. Derntl, M., Parish, P., & Botturi, L. (2010). Beauty and precision in instructional design. Journal on e-learning, 9(2), 185-202. Gibbons, A. S., Botturi, L., Boot, E., & Nelson, J. (2008). Design languages. In M.Discoll, M.D.Merill, J. v. Merrienboer & J. M. Spector (Eds.), Handbook of research for educational communications and technologies. Mahway, NJ: Lawrence Erbaum Associates. Gibbons, A. S., & Brewer, E. K. (2005). Elementary principles of design languages and design notation systems for instructional design. In J. M. Spector, C. Ohrazda, A. V. Schaack & D. A. Wiley (Eds.), Innovations in instructional technology. Mahway, NJ: Lawrence Erlbaum Associates. Hohanson, B., Miller, C., & Hooper, S. (2008). Commodity, firmness, and delight: four modes of instructional design practice. In L. Botturi & T. Stubbs (Eds.), Handbook of visual languages for instructional design: Theories and practices (pp. 1-17). Hershey, New York: Information Science Reference. Jackendoff, R. (1996). The architecture of the language facility. Cambridge, MA: MIT Press. Laseau, P. (1986). Graphic problem solving for architects and designers (2nd ed.). New York: Van Nostrand Reinhold. Massironi, M. (2002). The pyschology of graphic image: seeing, drawing, communicating. Mahwah, NJ: Lawrence Erbaum Associate. McKim, R. H. (1980). Thinking visually: a strategy manual for problem solving. Belmont, CA: Lifetime learning publications. Oliver, R., & Herrington, J. (2001). Teaching and learning online: a beginners guide to e-learning and e-teaching in Higher Education. Perth: Edith Cowan University. Rose, G. (2001). Visual methodologies: an introduction to the intrepretion of visual materials. Thousand Oaks: CA: SAGE publication. Stubbs, T., & Gibbons, A. S. (2008). The power of design drawing in other design fields In L. Botturi & T. Stubbs (Eds.), Handbook of visual languages for instruction design: theories and practices (pp. 33-51). Hershey, New York: Information Science Reference.    

Introduction This chapter presents a case study on the development, use and evaluation of tools for representing learning designs, CompendiumLD.  A rationale for the development of the tool will be provided, along with a description of the tool, its functionality and use. A comparison will be provided of related visualisation tools. The chapter will conclude with a discussion of the benefits of such tools, along with the challenges they present. Application of the empirical findings to the development of design tools The extensive range of data collected in the OULDI described elsewhere in this book provides a rich body of empirical evidence to inform our thinking and the development of appropriate tools for design. In summary we have conducted a series of interviews, workshops and focus groups with practitioners to elicit their approach to design and any associated challenges. In terms of guiding and representing learning designs, which have adapted an argumentation and visualisation tool (Compendium) to create a visualising tool for design, CompendiumLD. This section provides a summary of some of the key findings from the empirical data, in terms of how it has informed and developed our thinking in the development of the CompendiumLD tool, a more detailed discussion of some of the findings from the interviews with teachers/designers in provided elsewhere Cross et al. (2008)) and Clarke and Cross (2010). The empirical data provided a rich picture of the way in which teachers design. It was evident from the data that there was no one perfect tool for design and that individuals had different preferences for how they went about the design process - some sketching ideas out and linking them, others working systematically from learning outcomes, others using the subject content as a baseline for development. The interviews and case studies provided valuable insights into the design process that cluster into five overarching themes (Figure 1). Figure 1: The five overarching themes on design approaches and methods The most prominent finding from the interviews was that design is a messy, creative and interactive process, and that even when working in teams there is a large element of individuality in the design process. Teachers design at different levels of granularity and focus on different aspects of design over the curriculum design lifecycle. Both the interviews and the workshops gave us a clearer understanding of the design strategies that teachers adopt. Foci for design include: looking at learning outcomes and mapping these to assessment strategies, integrating the use of externally resources with locally authored materials, designing activities to test understanding, integrating a range of tools and approaches, addressing different learner preferences and levels of competence, mapping to externally prescribed professional requirements. It’s not in one direction. Not sure if I always start with aims, sometimes I do! Broad aims, then thinking about the mix, go to the palette and look at existing resources, what will the budget allow us to do (chairs hat on), what additional resources do we need, which would be most effective to teach certain things. For example, we need this software to help teach linguistic analysis. We might want some video analysis, so think about how to bring in video sequences, what videoing needs to be done. Then start writing. It’s chicken and egg. Sometimes start with study guide and then think about activities, and then think I need this bit of video. But you don’t always have luxury of working in this direction or budget to do filming so start looking for other sequences and build activities around those. [Interview 160607] The following quote gives an example of how a teacher iteratively develops their concept of the course over a period of time and how they kept an evolving record of relevant resources and materials for the course. I was building a sense of what the new course might be … we must remember to do x, or a url of relevance [Interview 160607] It was also evident that design for a new course is very different to design when redeveloping a course based on interpretation of student feedback and evaluation.  The interviews revealed that there was no simple route to teachers accessing support and guidance on the design process; little use appeared to be made of online resources and networks - most adopted a serendipitous approach, relying on peer practitioners and close colleagues for ideas. One interviewee from the case studies conducted by Wilson said: This says more about me than it does about the stuff really but I preferred the corridor conversations. It was a way of … I had invested quite a lot of money in coffee and so there were a whole set of people across the university who I took to coffee and pumped them for what I could really. [Case study Interview, 210107] Those interviewed recognised the value of sharing and reuse, but little evidence emerged of a significant amount of sharing and reuse. Different forms of representation of learning activities (textual, visual, etc.) all had different pros and cons and there was evidently a distinction between the process of producing a design and design as an artefact. When shown visual presentations of learning activities for example, many of those interviewed found it difficult to interpret them, to apply/adapt them to their own context. However, on further probing they could see a genuine benefit in using visual tools as a means of mapping their own practice, as is evident in the following quote from one of the interviews. [On the value of a visual representation] It always needs to be brought to life, to have some form of enactment… Would I want to see what someone else has done, yes I suppose so. [Interview, 141107] The conflict between the process of dynamic creation of an activity and the associated sense of ownership the designer has in the process, contrasts with design as a product, a static artefact. For example one interviewee struggled to see the benefit of a visual representation of someone else’s design, even though it was an activity in her subject area. She continued later in the interview to argue for the need for a mediation role to help interpret designs and as she says ‘make them come alive’: [One being shown a visual representation of a learning activity] It’s such a different context and level. This is language teaching rather than linguistic teaching. And there isn’t the contextual information, even with you having just explained a little, which helped, without you there I’d be looking at this and thinking… I think there’d be too much work to look in to this plus the recontextualisation. I wouldn’t spend the time to be honest. I really think you need someone who goes to the course team, although not necessarily staying with them. And sits down, not right at the start but a little way in, and asks what are you teaching and what resources are you going to use alone or in combination and that person would go away do some work and come back - have some insight into bringing together their knowledge of the technologies available and which would best fit your intention and provide you with a map - that’s when a map would work, they’d be bringing it alive. [Interview, 141107] The interactive and holistic nature of the design process came out strongly across the data: One of the difficulties is mapping the whole process I have tried to approach course design using a holistic approach [Interview, 121107] Teachers differed in the extent to which they worked visually or textually, although evidently the institutional quality audit and validation processes require textual representations of some description for courses. Some used software, others sketched or wrote ideas, one teacher had a scrapbook which he used as he was developing his design ideas: It’s in words, not diagrams a dumping ground for thoughts - [to] capture thoughts [Interview, 121107] Others used visualisation as a means of mapping different elements of the design process: List of words clustered into blocks, arrows…can you have clusters link to TMAs [Assignments] [Interview, 141107] Start from assessment strategies and learning outcomes and get an alignment [Interview, 151007]   I tend to sit and doodle a map  - will draw the logic and flow of the course on paper and then go to Compendium. Then the problem is sharing it [Interview, 291107] The interviews also highlighted a number of contradictions about the process of design, forms of representation for design and the nature/type of support, which teachers wanted: ·        A tension between design as process and design as artefact ·        The difficulty of capturing what is inherently an implicit process ·        The demand for subject-specific case studies and examples, which are then not used and adapted ·        The variety of influences on the different forms of representation and individuals interpretations of them ·        The desire for specific, just-in-time help and support and the difficulty of capturing support in an online tool ·        How to map the evolving, dynamic and changing nature of design. Repurposing OER through making inherent designs explicit  In related work, we explored teachers conceptions of design in terms of how they might repurpose stand-alone Open Educational Resources (OER) for collaborative learning activities (G. Conole, McAndrew, & Dimitriadis, 2010). The findings from this work were similar to the examples provided above. Analysis of the data revealed a number of themes that are discussed here. Part of our approach is predicated on the notion that OER have inherent designs and that if we can make those designs more explicit this will aid repurposing. A number of themes emerged with respect to this, which are discussed in this section. In the following sections participants are represented as P1, P2, etc. while the workshop facilitators are indicated as F1, F2, etc. In the following section references to CSCL patterns are indicated in italics. It was evident that there were a number of ways in which textual representations could emphasise different aspects of the design  - some may be description, others more metaphorical and others still more operational - for example a bullet list articulating steps in a learning sequence. A common approach adopted by the participants was to have a temporal sequence.  Another strategy was to focus mainly on the content and associated resources. Participants started from different perspectives; some began by considering the learning objectives, whilst others started with the content or activities. P2: "My resource is a design by itself. So, it is the design of an activity, it is the representation of that, a few bullet points and then a graphical representation. …. So the resource basically represents arrows pointing into a sequence of the activities." It was interesting to see the extent to which each of the representations was easily sharable with others. More often than not a dialogic engagement was necessary to help make meaning of the design and to clarify misunderstandings. The exercise and subsequent discussion enabled us to tease out both the main facets of design and participants’ different perspectives and approaches. In addition to articulating objectives, content and tasks, some of the participants evidenced a subtler level of design - associated with the inherent principles of the design. P3: "My resource is task-driven, so that is the principle and also it integrates many pedagogies into the content, so, and also it is question based." In terms of principles we explored a little whether or not they had articulated a principle around individuality/collaboration. A range of characteristics was identified as being associated with the design - the objectives, generic characteristics, sequence of tasks undertaken, an individual or collaborative focus. Participants recognised that it was important to focus in terms of clarifying what information was essential to communicate so that the activity could be subsequently taken up and adapted by others. F1: "Just try to think again of what elements you wrote down and what elements you used when you tried to explain it to your neighbour and try to think whether they were mainly based on objectives, mainly based on the characteristics of the activities, of a temporal sequence or …" One of the participants suggested that it would be valuable to have multiple views of the same design each view representing a different aspect.   P7: "So probably having different layers of visualization of the same structure could help filter the relevant information if you are looking at the learning objectives, or if you are looking at interactions, something like that, so, other thing that we were thinking about it probably what is missing is a legend of the different items, because we understood that there is a mixing of 2 layers, one is devoted to the designer, for example, all the questions in blue are annotations for the designers while for example it is very clear that the sequence for students is talking to the student verbally, it is talking to him, so probably having the legends saying ok, question mark annotation for the designer and the red bits are feedbacks we had from one evaluation and then filtering visually this information according to the task you are following." This participant also argued that visualisation potentially has additional power, if a semantic dimension is included. P7: "A semantic of visualizations, really we understood that some of the connection are more related to cognitive activities of the design where as others are tactical activities of the use (missing comment) and cause and some other connection are like database connections with the resources and what they are looking, so probably having different semantic of the connections and representations." Another aspect of importance that participants mentioned was identifying the quality and provenance of the resource; i.e. designs need to do more that display the sequence of activities, users need some indication of how effective and fit for purpose it is.  There are two ways in which this can be included. Firstly, in the design representation itself, however the more detail that is included in the design the more complex it is. Secondly, an alternative is to have a wrap-around dialogue about the resource and its design, in a tool such as Cloudworks. The data revealed that deconstruction and subsequent reconstruction of OER is complex, indeed it is possible to identify four layers that need to be considered to make most effective repurposing of an OER: 1.     Visual representation of the design - how can the implicit OER design be made more explicit and hence shareable? 2.     Opinion of goodness - how appropriate is the OER for different contexts? 3.     Transferability through pedagogical pattern - how can generic patterns be applied to specific contexts? 4.     Layer of discussion, critique and contextualisation - how can sites like Cloudworks act as a supporting structure to foster debate between those using the same OER? In conclusion describing design was seen as a difficult and unfamiliar task: ·      having multiple solutions; ·      many options for what to include; ·      being hard to interpret in a consistent way; ·      only able to capture partial details in the example representations; and, ·      needing additional information for clarification. Development of CompendiumLD CompendiumLD has been developed out of our interpretation of the empirical data we have collected and a realisation that visualisation is underutilised as an approach to adopting a creative approach to the design process. Brasher et al. (2008) and Conole et al. (2008) provide more detailed information on the tool and associated technical development; only the salient features are described here. We wanted to use a flexible tool as the basis for our initial prototype. We considered various drawing packages, as well as more specialised mind mapping tools (such as Inspiration and MindManager). In the end we choose to use Compendium (http://compendium.open.ac.uk/institute/), a visual representation tool, originally developed for enabling group argumentation, which was produced by researchers at our own institution. We selected Compendium for a number of reasons. Firstly because it was produced at the Open University, we felt there was more opportunity for further tool development specifically in terms of learning design requirements. Secondly, Compendium supports the creation of a range of visual mapping techniques, including mind maps, concept maps, web maps and argumentation maps (2008), which we felt offered the potential for a range of flexible approaches to the design process. Compendium comes with a predefined set of icons (question, answer, map, list, pros, cons, reference, notes, decision, and argument). The creation of a map is simple; users drag icons across and drop them onto the main window thus creating a node.  Relationships between the nodes are built up by dragging between nodes thus creating a connecting arrow. Each node can have an associated name attached and displayed; if a more detailed textual description is associated with the node an asterisk appears next to the node. If the user hovers their mouse over this the content inside the node is revealed. Other types of electronic files can also be easily incorporated into the map such as images, Word files or PowerPoint presentations. The reference node enables you to link directly to external websites. Icons can also be meta-tagged using either a pre-defined set of key words or through user generated terms. Maps can be exported in a variety of ways from simple diagrammatic jpeg files through to inter-linked websites. Compendium provides a utility by which users can create and share new sets of icons, for use as nodes. These sets, know as ’stencils’, contain ‘items’ where an item defines certain properties of a potential node such as its image icon and label. In the standard version of Compendium, each item inherits the behaviour of one of the standard node types. These standard node types are node which has an icon, text label and other descriptive textual information, link node which links from a node to another node, and view which is a collection of nodes and can be displayed either as a map or a list. There are several different mechanisms by which a user can interact with nodes. These include drag and drop (e.g. to instantiate a node as described in the preceding paragraph), double-clicking (e.g. to display and edit details of a node including its text), right clicking (to display a menu offering actions and operations to apply to the node), left-click (to select a node, or allow other menu driven operations to be executed on the node). We adapted Compendium to make it more explicit in terms of its use for learning design and this version of the tool is referred to as CompendiumLD - it includes additional functionality such as tailored LD stencil sets and in situ help. In CompendiumLD, behaviour specific to learning design has been implemented for these modes of interaction as explained in the next few paragraphs. Figure 2 is a screenshot of CompendiumLD, showing the LD-OU stencil towards the left hand side, and a map describing each item in the main window. Figure 2: A screenshot of CompendiumLD In addition to the standard icon set available in Compendium, we have created a series of stencils specifically for learning design: ·        Approaches to learning design ·        LD-Conditional stencil ·        LD-OU ·        Learning Design icons ·        Learning Design templates ·        Sequence mapping - a stencil to help with laying ut learning activities CompendiumLD enables its users to visually represent learning activities in a flexible way. They can map connections between tutors and learners, tasks, resources and tools, and a variety of notes and links to external websites or documents. The process of mapping a learning activity in this way involves the user in a cognitive process of externalising their understanding of the learning activity. This facilitates and drives development of their own understanding of the nature of the activity, and the map facilitates communication of this understanding with colleagues. We contend that the process of mapping using CompendiumLD can improve the quality of activities that will be realised. In addition to providing a visual representation of the design process, we also wanted the tool to provide some form of in-built scaffolding and support to guide decisions at various points in the process. This we have achieved in a number of ways - by providing suggestions for each of the different types of nodes, additional resources and examples, and access to a restricted searchable set of additional help features. As an example of the first kind, when a user drags and drops a "role" node onto the main design area, they are presented with a menu to select the type of role as shown in figure 3(a). Therefore this simple prompt reminds them of typical kinds of roles which they might want to include in their design sequence. The users are not restricted to these roles however and can choose to type in an alternative role of their specification. This sensitive balance between guided scaffolding and user flexibility/creativity is an important design principle for our development of CompendiumLD. A similar form of scaffolding is available for the "tool’ mode. When a user drags and drops a tool node onto the main design area, they will be presented with a menu to select the type of tool as shown in figure 3(b). Note that the options for tools include ‘Other’, which enables users to specify a tool of their own choosing. The other tool types available for selection are those currently available with the Open University’s VLE. The "Other" type allows the designer to specify a tool for face-to-face interactions, or a tool not currently supported by the VLE.  The tool type selected is stored in CompendiumLD’s data model, and tools to query the contents of this data model could be used to examine tool usage.   Figure 3: Prompts presented for role and tool nodes In terms of provided additional help, users of the system have the option of letting CompendiumLD offer context-sensitive help. For example, as the designer types into a task description label, the words typed are scanned and help related to selected verbs (e.g. collaborate, consider. discuss, reflect etc.) pops up. An example of such a help window is shown in Figure 4. In this example, the designer has typed ‘Discuss’ into the task label: this prompts the application to pop up a window showing tools to support discussing and existing activities that include tasks which include the word ‘discuss’. The set of tools shown in this help window are selected using a verb-to-tool look-up table based on verbs within a task taxonomy similar to that described by Falconer et al. (2006); the set of activities is generated by searching the database maintained by CompendiumLD for activities including tasks with ‘discuss’ in their label. Further help is provided by the ‘About..’ buttons. These buttons initiate a customised Google search of selected web sites (http://www.google.com/coop/cse?cx=000971387191123125524%3Alworuyth0qs).  The web sites were chosen because of the quantity and quality of the information they provide about use of tools in learning and include sites such as http://www.learningdesigns.uow.edu.au/ and http://www.educause.edu/. We adopted this pragmatic approach for a number of reasons. To create our own hand crafted text would not only be time consuming but would suffer from quickly becoming dated. However the alternative of a free Google search arguably produced a daunting and untargeted set of resources. The middle approach we have adopted enables us to focus in on a small set of quality assured sites, which we have checked for relevance and which are likely to be sustained and updated in the near future. Using a customised search allows means that potentially other institutions installing versions of CompendiumLD could choose to select and include their own tailor made set of resources, which might include institution-specific examples. In our own case we have a set of tailored resources on tools and their uses within the OU context - ‘the learn about guides’, as well as a set of institutional cases studies on specific uses of VLE tools.    Figure 4: Help relevant to a particular activity Help related to tools that the designer drags and drops onto the window may also be shown. Figure 5 shows an example of help presented when the designer selects ‘Wiki’ for the tool type.   Figure 5: Help relevant to a particular tool Figure 6 represents a screen shot of part of the learning activity associated with a third-level environmental course (i.e. equivalent to the final year of a full-time, three year degree course). Two roles are shown (student and tutor) along with their respective tasks.  Tools, resources and outputs (i.e. assets) associated with each task are shown alongside, with arrows indicating connections.   Figure 6: Visual representation of part of a collaborative role play activity Our ultimate goal is to provide adaptive and contextualised information on different aspects of the design process, tailored to individual needs and delivered on a just-in-time basis. We have now undertaken an extensive number of workshops enabling practitioners to explore CompenidumLD. These have included workshops within the OU,  as well as externally (including the University of Porto, the University of Cyprus, for the EdTech community in Canada, and at numerous conferences). Evaluation of feedback on the use of the tool has enabled us to improve it. We were surprised at how far the participants got in representing their designs and it did seem during the sessions that CompendiumLD acted as a useful tool to help them articulate and share their thought processes. A few participants however commented that they did not find representing their designs visually helpful, stating that, for them, pencil and paper/discussion would be preferable. It is likely that such a focus on the visual aspects of the design process will not suit everyone, but overall most participants were positive both during the session and in their evaluation feedback.   Feedback was also positive about our approach to helping teachers/designer consider in more detail the general issues and use of visualisation and its value in improving the practice of design. There were some disadvantages noted regarding visualisation but these were ones we anticipated and provide further valuable food for thought (i.e. someone said ’some designs may be difficult to describe using this visualisation’). Much of the focus of our use of CompendiumLD during the workshops has been designing at the level of an individual learning activity, whereas a number of attendees also saw the value in stressing course-level design techniques and process as much as for individual activities and felt that this would have a lot of appeal to teachers. However, whilst the principles were appreciated those new to CompendiumLD did encounter some usability issues and asked for more guidance and support. In view of this, it is planned that further support will be provided within the application. For example, a movie with a commentary describing the basics of creating a learning activity will be provided with the next release. Conclusions The empirical evidence we gathered on practitioners’ design practice has informed our development of the CompendiumLD tool.  We believe that there is no one perfect ‘tool’ for design and instead prefer to adopt a pick and mix approach to the design process. Our initial findings are positive; however it is clear that there is a need for further research - practitioners are crying out for examples of good practice and guidance in design. However previous research shows that representing learning design practice and providing appropriate support for learning designers is both difficult and contested. By bringing together both narrative accounts of learning designs with notational maps showing the design visually, we hope to address and find practical ways of approaching the key issues in this area. CompendiumLD seems to provide an easy to use visual tool to help represent different learning designs.   However, it is also evident that there are a number of drawbacks with a tool like CompendiumLD. It is available to download to PC, Mac and Linux platforms. However the tool is relative difficult to learn and it not always intuitive to use. We have had considerable success in recent workshops using paper-based print outs of the icons, rather than the software per se. Another issue is that CompendiumLD is not able to represent the full range of design representations, which were discussed in Chapter 5. A better solution would be to have a web-based tool, which enables users to oscillate easily between the different design views. In addition, despite our best efforts to include scaffolded guidance and support, the help facility at the moment is limited and is not as comprehensive as that available in pedagogical planner tools such as DialogPlus, Phoebe and the LDSE discussed elsewhere in this book. Using Cloudworks as a form of pedagogical wrapper around CompendiumLD is one way of addressing this shortcoming and has been used successful in a number of our workshops. For example in a workshop at Brunel University on 9th November 2009, participants shared and discussed the designs they created using CompendiumLD (http://cloudworks.ac.uk/cloud/view/2639). References Brasher, A., Conole, G., Cross, S., Weller, M., Clark, P., & White, J. (2008). CompendiumLD - a tool for effective, efficient and creative learning design. Clark, P., & Cross, S. (2010). Findings from a series of staff interviews about learning design, representations of design, design process, evaluation and barriers, Appendix 2, The OU Learning Design Initiative Project Phase Two Report, Embedding learning design and establishing a reversioning culture. Mltion Keynes: The Open University. Conole, G., Brasher, A., Cross, S., Weller, M., Clark, P. and White, J. (2008). Visualising learning design to foster and support good practice and creativity. Educational Media International. Conole, G., McAndrew, P., & Dimitriadis, Y. (2010). The role of CSCL pedagogical patterns as mediating artefacts for repurposing Open Educational Resources’ in F. Pozzi and D. Persico (Eds), Techniques for Fostering Collaboration in Online Learning Communities: Theoretical and Practical. Cross, S., Conole, G., Clark, P., Brasher, A., & Weller, M. (2008). Mapping a landscape of Learning Design: Identifying key trends in current practice at the Open University. Falconer, I., Conole, G., Jeffrey, A., & Douglas, P. (2006). Learning Actiivty Reference Model pedagogy, report for the JISC LADIE project. Southampton: Southampton University. Okada, A., Shum, S. B., & Sherborne, T. (2008). Knowledge Cartography: Software Tools and Mapping Techniques: Springer %@ 1848001487 %7 1.    

IntroductionThis chapter will review and discuss the range of pedagogical planners that have been developed in recent years, to guide and support practitioners in making informed learning design decision. It will begin by discussing the rationale and perceived benefit behind the development of these planners and then focus in on a number of specific planners; namely DialogPlus, Phoebe, the London Pedagogical Planner, the Learning Design Support Environment (LDSE) and LAMS. It will compare and contrast these and conclude by considering where this area of research is likely to go in the future.The need for pedagogical planners  As discussed elsewhere in this book, there is a gap between the potential of using technologies for learning and their actual use in practice. Practitioners are confused by the plethora of tools that are now available to them and have difficulty creating pedagogically effective learning interventions that make effective use of new technologies. As a result there has been considerable interest in recent years in the creation of pedagogical planners that provide guidance and support to practitioners as they create learning interventions. The aspiration behind these planners is that they provide structured guidance and resources to help practitioners create learning interventions. They differ from some of the other learning design tools discussed elsewhere in this book (such as visualisation tools, pedagogical patterns and social networking sites) in that the focus is primarily on content about the design process. As will be evident from the examples discussed in this chapter each tool differs in its design and functionality.  Masterman defined pedagogical planners as being ‘purpose-built to guide teachers through the construction of plans for learning sessions that make appropriate, and effective, use of technology’ (Masterman, 2008a, p. 210). She argues that pedagogic planners are the direct equivalent of lessons plans, characterised as: [descriptions of] how learners can achieve a set of learning objectives… how a series of lessons or a single lesson should take place… which activities learners and teachers must carry out, the order in which the activities should be carried out, the circumstances under which the activities will be carried out, how learners will be grouped and what materials or technology may be used (Van Es and Koper, 2006, quoted in Earp and Pozzi, 2006, p. 35). Conole et al. state that the purpose of a pedagogy planner is to offer a way of enabling teachers to exploit technology while creating pedagogically sound activities (G. Conole, Littlejohn, Falconer, & Jeffrey, 2005). San Diego et al. argue that the main functions of a pedagogy planner are to support: planning, decision-making, progressive innovation, analysis, collaboration and administration (San Diego, et al., 2008). Cameron (2011) argues that such tools should emphasise the core elements that need to be considered if a learning design is to be a success and that they should help users adopt a clear, definable structure to their design process. Details include the characteristics of the students, pedagogical approaches, types of technologies and activities, the learning environment, roles and learning outcomes. She lists a number of uses of these tools: 1.      As a step-by-step guidance to help make theoretically informed decisions about the development of learning activities and the choice of appropriate tools and resources. 2.      To inspire users to adopt new teaching strategies. 3.      To provide design ideas in a structure way, so that the relations between design components are easy to understand. 4.      To combine a clear description of the learning design and offer a rationale which bridges pedagogical philosophy, research-based evidence and experiential knowledge. 5.      As a database of existing learning activities and examples of good practice that can then be adapted and reused for different purposes. 6.      As a mechanism for abstracting good practice and metamodels for learning. 7.      To produce runnable learning designs intended for direct use by students. 8.      To encode the design in such a way that it supports an iterative, fluid process of design.  The DialogPlus toolkit The DialogPlus toolkit was based on an underpinning taxonomy containing the components associated with a learning activity. Each component had an associated set of resources and advice to help inform practitioners in its use. The learning activity taxonomy is discussed in more detail elsewhere (G. Conole, 2008). It was developed through an extensive requirements specification through a series of sessions with practitioners as they articulated their design process. A range of practitioners were followed over a number of months and included an expert researcher creating an advance level module on census data, a novice taking over a course and an established teacher repurposing an existing module based on evaluation and feedback from students. We followed these individuals through a series of decision-making processes over a period of months in terms of designing a new course, component of a course or individual learning activity. The focus was to elicit information on each practitioner’s thought processes as part of the decision-making, and identify trigger points, support mechanisms and barriers to design. The intended outcome was to understand better the process of design and the types of presentations individuals used to facilitate their design process. The sessions consisted of a mixture of the ‘think aloud’ protocol, supported by a series of prompting questions. Questions covered issues such as: What were the key aspirations inherent in the proposed design of the course? What did they want the students to be able to achieve? How did they find information to support their design process? Where did they find resources? How were resources incorporated into the design process? Were there any explicit or implicit pedagogical models being used? What difficulties or issues were they encountering at that point? There is a synergy here with the empirical evidence we gathered on design practices as part of the OU Learning Design Initiative discussed in Chapter 8. The data collected us enabled us to gain an understanding of the way in which practitioners thought through the design process. As was also evident from the OULDI interviews, it was clear that the design process is ‘messy’, creative and iterative; practitioners think about design at a number of levels and oscillating between the different factors involved in their decision-making. From these sessions the factors involved in design began to emerge and were used to develop an initial specification for the toolkit, as well as an underpinning taxonomy, which described the components involved in creating a learning activity. At the heart of the toolkit is the notion of a learning activity (LA) (Figure 1), which is defined as consisting of three elements: 1.      The context within which the activity occurs, this includes the subject, level of difficulty, the intended learning outcomes and the environment within which the activity takes place. 2.      The learning and teaching approaches adopted, including the theories and models 3.      The tasks undertaken, which specifies the type of task, the techniques used, associated tools and resources, the interaction and roles of those involved and the assessments associated with the learning activity. Figure 1: The top-level components of the Learning Activity Taxonomy The essence of a learning activity is that it must have one or more intended ‘learning outcomes’ associated with it. Learning outcomes are what the learners should know, or be able to do, after completing the LA; e.g. understand, demonstrate, design, produce, appraise. In order to achieve the intended learning outcomes there is a ‘sequence of tasks’ that must be completed. Examples of tasks are reading paper(s), discussing ideas, accessing database(s), extracting or manipulating data, answering questions, making decisions. The task ‘type’ taxonomy is shown in Figure 2, with one of the elements expanded to show the full tree. Task techniques include:  brainstorming, exercise, fieldwork, role-play, reflection and syndicates. We have identified almost thirty techniques to be stored in the toolkit such that advice can be offered to practitioners. Interactions required are likely to be individual, one to many, student to student, student to tutor, group or class based. When undertaking tasks participants in the learning activity (both teachers and students) are assigned appropriate ‘roles’, such as individual learner, group participant, or presenter. Assessment can include diagnostic, formative or summative assessment or no assessment at all. Figure 2: Breakdown of the task component ‘Resources’ include: web pages, databases, video streams or interactive maps, may be included. ‘Tools’ include: search engines, discussion boards, spreadsheets, media players, blogs, portfolios, wikis and social networking sites. The tasks and associated roles undertaken to achieve the prescribed learning outcomes occur within a particular context with characteristics which include a description of the subject domain (e.g. Physical Geography), the level (e.g. introductory), the perceived skills which will be used or acquired (e.g. numeracy, critical analysis), the time anticipated for completion of the activity (e.g. 2 hours), and any associated prerequisites (e.g. first year course completion, database skills).  A central premise of this approach is that learning is centred on the set of tasks undertaken by the learner, that constitute the learning experiences that the students will engage in, either independently or collaboratively, in order for them to achieve the intended learning outcomes associated with the learning activity.  In designing a learning activity a teacher usually has a linear sequence of tasks in mind but, especially in an online learning environment, learners will not necessarily follow that sequence.  Indeed an early project experience flagged up the need to enable learners to move easily around the resources and tasks. In addition to context and tasks, the toolkit includes taxonomies and models for learning and teaching approaches based on a review by Mayes and De Frietas (2004) which groups learning theories according to whether they are associative (learning as activity), cognitive (learning through understanding) or situative (learning as social practice) (Figure 3). Figure 3: The pedagogy component The toolkit is available at http://www.nettle.soton.ac.uk/toolkit/. Individual learning activities within the tool are called ‘nuggets’. Figure 4 shows part of a learning design created using the DialogPlus toolkit. Figure 4: A Learning Design in the DialogPlus toolkit Teachers can work through the toolkit in a linear fashion or choose their own path through it (Figure 5). Figure 5: Working through the toolkit   Figure 6 shows the tabs associated with a particular task. For each there is further information, mapping to the learning activity taxonomy components described above, as well as in many cases links to additional information and support. Figure 6: The task panel and associated tabs The toolkit was evaluated with Geographers involved in the JISC/NSF-funded DialogPlus project[1] and also through a series of workshops with broader practitioners at conferences. In general evaluation of the toolkit was positive. Practitioners find the structure and guidance of the toolkit valuable and found it easy to use. The toolkit is still being used and many of the designs are publically viewable. A potential drawback of the toolkit is that despite the fact that practitioners can choose which component to complete when, it still feels like a relatively linear approach to design, which doesn’t resonate with actual design practice which is messy, creative and iterative. In addition, the format is primarily text-based, and hence doesn’t harness the power that visualising designs offer in contrast to tools like CompendiumLD discussed elsewhere. More details on the development and evaluation of the toolkit are available elsewhere (Bailey, Zalfan, Davis, Fill, & Conole, 2006; Grainne Conole & Fill, 2005; Fill, Conole, & Bailey, 2008).  Phoebe Phoebe adopts a similar approach to DialogPlus by attempting to provide a comprehensive online resource of tips and hints to support decision-making. It is wiki-based and provides a valuable set of guidance’s on the different components of a learning activity. The following text available from the JISC website provides a summary of the tool:[2] Intended for practitioners working in FE, HE and ACL, the Phoebe tool brings together the key components of a learning design (or lesson plan), prompts teachers’ thinking, allows them to record ideas and requirements, and makes it easy to cross-reference components as they design the activities that make up a learning experience. It offers both flexible and guided paths through the planning process, and provides access to a wide range of models, case studies and examples of innovative learning designs. There are four possible activities in Phoebe: create/modify your learning designs, view shared learning designs, browse guidance or manage design templates. Figure 7 shows part of the screen for a newly created design. The page is split with a template for completion on the right hand side and associated guidance for each of the boxes on the left hand side. Figure 7: Screenshot of a learning design being created in Phoebe One of the strengths of Phoebe is the considerable amount of information that is available to guide the user through completing the various steps of the design. The guidance includes information on: contextual information associated with the design, learning outcomes, assessment, students, learning activity sequence, contingencies, reflection. There is also extensive information on teaching approaches and techniques. Of particular use are the sections on ‘What technologies can I use for a particular activity?’ (Figure and ‘What can I do with a particular tool?’. Figure 8: Part of a screenshot of the ‘What technologies can I use a particular activity?’ section In addition, as with DialogPlus, users can choose to make their learning designs available so that others can use them for inspiration or repurpose for use in another context (Figure 9). Figure 9: Examples of design for collaborative learning The creation and revision of individual learning sessions appeared to be the most frequent level of granularity of learning design. There was relative consistency in the core components of the task, but a wide variation in the actual approaches adopted. This suggested that a pedagogy planning tool should be capable of supporting a variety of routes through the design, as well as supporting teachers’ underlying pedagogic approach, whether derived from a formal theory of learning (e.g., associative, cognitive or situative) or from personal experience and actual practice. However, Phoebe suffers from similar drawbacks to Dialogplus, in terms of a non-intuitive user interface and a linear, sequential navigational route for the design process. Evaluation of the tool (Masterman, 2008b) indicated that use of such tools are not enough to bring about changes in practice, it is too easy for practitioners to use them to simply map existing practice. Nonetheless many felt that it was a useful tool for reference and reflection and that it might be particularly valuable for novice teachers to guide them through the process of design. The evaluation also found that Phoebe would be best suited for practitioners who adopt a systematic approach to their design practice, rather than those who prefer to map out ideas visually. The London Pedagogical Planner (LPP)  The pedagogic planner is closely linked to Laurillard’s Conversational Framework (Diana Laurillard, 2002). It adopts a modelling perspective through mapping tasks to resources and attempting to align the design with specific pedagogical approaches. It is attempting to adopt a user-orientated approach and plans to integrate the tool with LAMS[3] a tool for managing and delivering learning activities: This development of the pedagogy planner begins, therefore, with lecturer’s needs, in order to bridge the current gap between the technical origins of the ‘learning design specification’ and the reality of the teaching context. This means it must make use of an existing learning activity design environment, populated with existing support tools, so that collaborating lecturers have the opportunity to test it against their current practice, and engage in further specification of their requirements. Engaging lecturers at the start should help to secure their longer-term involvement and a sustainable product. This iterative approach to user-oriented design should then produce a working model, as well as clear requirements for further development of the learning design specification and its implementation in support tools for lecturers. http://www.jisc.ac.uk/whatwedo/programmes/elearningpedagogy/phoebeplanner.aspx The modelling approach restricts to some extent how the tool can be used and the results that are returned. In initial versions of the tool many of the parameters were ‘pre-configured’. The planner also focuses more on helping to plan formal, ‘traditional’ learning activities - with an emphasis on timetabled and sequential work. The aims of the tool are: i) To give educational practitioners support for innovating with interactive, adaptive, reflective, discursive and collaborative learning designs, ii) To support lecturers and educational practitioners in building learning technologies into courses with tight budgets (D. Laurillard & San Diego, 2007). The LLP tool is available to download. The first screen invites the user to complete general information about the learning intervention. It is also possible to ensure that the topics covered, assessment and learning outcomes are mapped, i.e. constructively aligned. Figure 10: General module information The next section calculates resources, in terms of student and staff time involved. The user enters the amount of time to be spent by the students on the different types of activities (lecture, tutorial, etc.) and hours are automatically calculated against Laurillard’s types of activity (attending, investigating, discussing, practising and articulating). Figure 11: Module resources for students and staff The topics are then mapped to a calendar and the user can allocate the number of hours across the types of activities and the topics. Figure 12: The LLP calendar The final section enables the user to search the HEA case studies database (http://www.connect.ac.uk/casestudies) for existing examples of good practice on their topic of interest that they can draw on. Laurillard and Masterman (2010b) describe how LPP was based on a model of the critical relationships among the components of learning design and aimed to support lecturers from the initial curriculum requirements, learner needs and resource constraints, through to the TEL activities in which their students would engage (citing San Diego et al., 2008). The planner takes the user through a series of design decisions, displaying their consequences in multiple dynamic numerical and graphical representations of their learning design. The LPP then gives feedback in terms of the likely amount of time for which each method will elicit the different kinds of cognitive activity on the part of the learner (attention, inquiry, etc.). LLP very much starts from existing practitioner experience, in that it focuses on topics and allocation of time across a calendar. One of the drawbacks of this approach is that it is likely to lead to teachers replicating existing practice, rather than changing their practice. A more activity-based approach might be better and it would be useful if the tool contained more explicit examples of different types of learning activities and how these can be mapped to different pedagogical approaches, with examples of how technologies can be used to support these. The Learning Design Support Environment (LDSE)  The lessons learnt from the development of Phoebe and LPP are now being taken forward in a new TLRP TEL-funded research project - LDSE (Learning Design Support Environment).[4] The project is based on four key assumptions: i) teachers will be required to use progressively more TEL; ii) the teaching community should be at the forefront of TEL innovation, and not cede responsibility to other professionals; iii) the development of new knowledge, in this case about professional practice, should be carried out in the spirit of reflective collaborative design; and iv) the same technologies that are changing the way students learn can also support teachers’ own learning in new ways. Computer-supported collaborative learning has long been established as an important form of TEL for students; we believe it is equally applicable to teachers’ professional development…. We are working with practising teachers to research, and co-construct, an interactive Learning Design Support Environment (LDSE) to scaffold teachers’ decision-making from basic planning to creative TEL design. LDSE is based on the following principles: social constructivism, collaboration, constructionist learning and knowledge building (D. Laurillard & Masterman, 2010a). It is possible to create a module, session or activity with the tool. Figure 13 shows the main session editing view. Users input general information about the module here, including: the name, start and end dates, elapsed time, learning time, number of students, topics and aims. It is possible for users to input their own aims or choose from an existing palette. Figure 13: The main session editing view Designs can be evaluated in terms of the amount of different types of activities they contain (acquisition, production, practice, inquiry and discussion) and the balance of personalised and social learning involved (Figure 14). Figure 14: Evaluating Learning Designs Figure 15 shows the session timeline where different types of activities are mapped across the module calendar. A palette of different types of learning activities is available that users can choose from and additional information for each can be included, such as activity notes and any associated resources for the activity. Figure 15: The design timeline The project has also produced a library of existing patterns that users can download and adapt.[5] Figure 16 shows one example of a pattern ‘Teach to learn’ where students work in small groups to teach each other about activity theory. Figure 16: The teach to learn pattern  Learning Activity Management System (LAMS) LAMS [6] differs from the other tools discussed in this chapter in that it is both a graphically based tool and provides a runnable environment for the design produced. However it is included here as it does provide a structure mechanism for producing designs and because it has an associated Activity Planner tool. Dalziel provides an overview of the development of LAMS (Dalziel, 2003). It aimed to provide practitioners with an easy to use authoring environment to create structured content and collaborative tasks (called sequences) (Dalziel, 2007). The tool consists of a series of activities, such as small group debate, grouping activities and reflective group response. User drag activities onto the main design space and then connect them to create a learning activity sequence.  Once a sequence has been created it can be run with a group of students, as they progress through the teacher can monitor both group and individual activities. Sequences can be saved and exported and saved with others. The Activity Planner provides a set of templates based on good e-teaching practices. Templates include advice on using and repurposing these templates for different learning contexts. Figure 17: Screenshot of LAMS LAMS has two distinct advantages. Firstly it is an easy to use, graphically based tool. Secondly, it provides a runnable learning environment as an output from the design process. However the tool does not include structured guidance for the design process and because it is a runnable tool the focus is on a set of tools. It does not include details on other aspect of design such as learning outcomes, etc. and hence there is a danger that the design will be technologically driven.  Conclusion Cameron in her review of pedagogical planners (Cameron, 2011) concludes that: The complex task of learning design for the higher education environment might be improved with good guidance, inspiring examples, and supportive tools. The current range of pedagogical planners acknowledge these factors in their design, along with the potential to streamline the planning process with direct input from the university’s databases (such as learner records, timetabling) and learning management system. The planners also provide an opportunity to share examples of good design practice, which can be tailored to meet the lecture’s particular requirments. Both the Phoebe and LLP tools were produced as part of the JISC e-learning pedagogy programme. JISC define ‘designing for learning’ as: Designing for Learning with a practitioner planning focus on e-Learning explores the process of designing, planning, sequencing or orchestrating learning tasks which may include the use of e-Learning tools. The programme included a review of existing pedagogical theories used in e-learning and the funding of the development of the two pedagogical planners. These were designed to provide practitioners with the practical assistance they need in understanding how best to design activities for their learners. Beetham provides a detailed review of the Design for Learning programme and the lessons learnt (Beetham, 2008).   The first four pedagogic planners consist of a combination of examples and supporting text to guide practice, whilst LAMS provides a graphical interface. However, they differ not only in the specific content and examples but also in their underpinning approach. Fill, Conole and Bailey (2008) argue that A key challenge in today’s technology-enhanced educational environment is providing course designers with appropriate support and guidance on creating learning activities which are pedagogically informed and which make effective use of technologies. ‘Learning design’, where the use of the term is in its broadest sense, is seen by many as a key means of trying to address this issue. However it is important not to underestimate the complexity and subtlety of the design process. As described in this chapter and articulated in the learning activity taxonomy which underpinned the DialogPlus toolkit, pedagogy is contingent on many different factors, which means that assuming that a relatively linear and simple decision making design tool will be suffice to scaffold design may be over optimistic. On the other hand it is evident that these pedagogical planners do provide valuable support for reflection and exploration, and help scaffold the design of learning activities. A key issue identified across the use of all these tools is the problem of practitioners simply replicating existing practice. Individual beliefs about practice are deeply seated and not always articulated or even realised. Donald and Blake describe the HEART system, which aims to support teacher’s learning design practice by eliciting and depicting the pedagogical beliefs underpinning a learning design (Donald & Blake, 2009; Donald, Blake, Girault, Datt, & Ramsay, 2009).  The system is based on 13 belief/practice dimensions developed by Bain and McNaught (2006). These dimensions are used as the basis for a questionnaire where teachers respond to a five-point Likert scale representing a continuum of teacher-centred beliefs to student-centred beliefs and technology-supported teaching practices. The results are displayed using a visualisation tool, Many Eyes (IBM, n.d.). The visualisation illustrates the pedagogical dimensions of the course or learning design. Teachers are then encouraged to reflect on these, in order to better understand their inherent pedagogical beliefs. San Diego et al. (2008)list a number of issues which need to be addressed when designing; pedagogical issues, contextual and cultural issues, representation and visualisation issues, balance of control over data, flexible database design and ownership. They argue that all of these need to be addressed in the development of requirements for a pedagogy planner.  A lot has been learnt about the design process through the use and evaluation of these tools. In particular it is evident that whilst guidance and support needs to start from existing practice, it is also important to provide a mechanism for changing practice and for getting practitioners to focus more on the nature of the learning activities being created rather than subject content. All of the tools have an associated library of existing designs, the aspiration being that these can be used for inspiration and as a starting point to repurpose designs for new contexts of use.  However, in reality there is little evidence of these designs being repurposed. References Bailey, C., Zalfan, M. T., Davis, H. C., Fill, K., & Conole, G. (2006). Panning for gold: designing pedagogically-inspired learning nuggets. Bain, J., & McNaught, C. (2006). How academics use technology in teaching and learning: understanding the relationship betwen beliefs and practice. Journal of Computer Assisted Learning, 22(2), 99-113. Beetham, H. (2008). Review of the Design for Learning programme phase 2, JISC Design for Learning programme report. Cameron, L. (2011). Could pedagogical planners be a useful learning desing tool for university lecturers? Paper presented at the Internatinal conference on information communications technologies in education, Rhodes, Greece. Conole, G. (2008). Capturing practice, the role of mediating artefacts in learning design In L. Lockyer, S. Bennett, S. Agostinhi and B. Harper Handbook of learning designs and learning objects: IGI Global. Conole, G., & Fill, K. (2005). A learning design toolkit to create pedagogically effective learning activities. Conole, G., Littlejohn, A., Falconer, I., & Jeffrey, A. (2005). Pedagogical review of learning activiites and use cases, LADIE project report, JISC e-learning programme. Southampton: University of Southampton. Dalziel, J. (2003). Implementing learning design: the Learning Activity Management System (LAMS). Paper presented at the ASCILITE 2003, Adelaide. Dalziel, J. (2007). Building communities of designers. In H. Beetham & R. Sharpe (Eds.), Rethinking pedagogy for a digital age: designing and delivering e-learning (pp. 193-206). London: Routledge. Donald, C., & Blake, A. (2009). Reviewing learning designs with HEART: a learning design support strategy. Paper presented at the ASCILITE 2009, Auckland. Donald, C., Blake, A., Girault, I., Datt, A., & Ramsay, E. (2009). Approaches to learning design: past the head and the hands to the HEART - of the matter. Distance Education, 30(2), 179 %U http://www.informaworld.com/110.1080/01587910903023181. Fill, K., Conole, G., & Bailey, C. (2008). A toolkit to guide the design of effective learning activities. IBM. (n.d.). Many Eyes. from http://services.alphaworks.ibm.com/manyeyes/ Laurillard, D. (2002). Rethinking university teaching: Routledge %@ 0415256798, 9780415256797. Laurillard, D., & Masterman, L. (2010a). Implementing a constructionist approach to collaboration through a learning design support environment: Balancing users’ requirements with researchers’ theory-informed aspirations. Paper presented at the European LAMS and Learning Design Conference, Wolfson College, Oxford University. Laurillard, D., & Masterman, L. (2010b). Online collaborative TPD for learning design. In J. O. Lindberg & A. D. Olofsson (Eds.), Online Learning Communities and Teacher Professional Development: Methods for Improved Educational Delivery (pp. 230-246). Hershey, PA: IGI Global. Laurillard, D., & San Diego, J. P. (2007). Development and testing of a ‘Pedagogic Planner’. Paper presented at the Center for Distance Education (CDE) Fellows Conference, Institute of Education, University of London. Masterman, L. (2008a). Activity theory and the design of pedagogic planning tools. In L. Lockyer, S. Bennett, S. Agostinho & B. Harper (Eds.), Handbook of research on learning design and learning obkects: issues, applications and technologies (Vol. 1, pp. 209 - 227). Hershey, New York: Information Science Reference. Masterman, L. (2008b). Phoebe Pedagogy Planner Project: Evaluation Report, JISC E-Learning and Pedagogy Programme: Oxford University. San Diego, J. P., Laurillard, D., Boyle, T., Bradley, C., Llubojevic, D., Nuemann, T., et al. (2008). Toward a user-oriented analytical approach to learning design. ALT-J, 16(1), 15-29.       [1] http://www.dialogplus.soton.ac.uk/   [2] http://www.jisc.org.uk/publications/reports/2008/phoebefinalreport.aspx   [3] http://www.lamsfoundation.org/   [4] http://www.tlrp.org/tel/ldse/   [5] http://thor.dcs.bbk.ac.uk/projects/LDSE/Dejan/ODC/ODC.html   [6] http://www.lamsinternational.com/

As part of a book I am writing I am adopting an open approach, by posting draft chapters online as I go on Cloudworks[1] and then invited the broader research community (via Twitter and facebook) to comment on them. In this postscript, I want to reflect on this experience and consider the ways in which adopting such open practices might change the nature of academic discourse and scholarship. Traditionally the process of writing research publications has been closed. An author would work on the publication and only submit it when it was in a near final state. Publication outlets were mainly of two types: i) conference presentations and ii) peer-reviewed journals and books. Conferences enabled the author to get feedback on the work, whilst a more formal form of feedback was possible through peer review. Once feedback had been received the author would incorporate comments made and produce a final version for submission. Many peer review journals unfortunately are still closed, whilst at least conference proceedings are usually available online. In recent years many researchers have taken to making their publications available in institutional open access repositories. Some journals are adopting more open approaches, for example JIME has an open peer review process, where the reviewers are known to the author and where both engage in an open, online discussion of the draft paper. Having had a paper go through this process (see for example Conole, 2005), I found it very constructive and felt that I got much more detailed feedback from the reviewers than in a normal journal and hence that the final article was much better as a result. But the nature of publication is changing. Many researchers now keep a blog, which they use to post reflections and thoughts on their research work and often drafts of publications, which can then be commented on by the wider community. Using a blog enables a researcher to reach a far wider audience than publishing in closed journals. The blogosphere has enabled researchers to develop an alternative form of academic discourse (Conole, 2007a), a more informal, ‘of the moment ‘discourse, a stream of consciousness. In contrast, published papers tend to be narratives, weaved around a particular theme. They hide the real life, messiness of the actual research process and act as a final narrative. The blogosphere has its own federated peer-reviewing mechanisms, such as cross-referencing between blogs and indicators of esteem such as the Technorati authority. Increasingly academics are taking note of this new communication space - however one could argue that the uptake is slower than it should be, arguably in our field the majority of bloggers are located at the practical or technical end of the spectrum, there are few heavy weight researchers blogging at the moment. What are the reasons for this lack of uptake? Firstly, it may be that researchers are fearful of starting a blog, either because they are unsure of what their voice should be. Secondly, they may be fearful that by blogging ideas others can steal their ideas. Thirdly, it may be that they can’t see the benefit of blogging and don’t consider it to have the same academic kudos as peer-reviewed articles. In a response to one of my blog posts on these issues, Martin Oliver left this reply: Please, don’t condemn me to having to wade through pages of peoples’ blogs in order to find the one or two good ideas in there! The prospect of blog entries substituting for slow publication isn’t something that thrills me. It has its place, but so does the discipline of shaping ideas in a format that can take a year or more to come to fruition. Distance brings its own perspective, and can help discern what’s of lasting value, rather than momentary excitement. This is why, for all that they’re reviled, lectures and presentations can be so helpful. Listening to someone who’s thought about a problem for long enough and hard enough to shape a 30-45 minute argument - and argument that actually needs that sustained presentation, not just padding - is quite an indulgence. Think of all the months I won’t have to spend thinking, having had someone else do it for me! By all means, blog away. But I think we’d be in a poorer state if we stopped books and articles. (Conole, 2007a) This demonstrates some of the real concerns researchers have about the blogosphere. However the reality is in today’s rich technological and connected digital environment, we need to be embracing the power of these tools and using them effectively to widely distribute our research ideas and to engage with others in discussions around these ideas. My response to him was: To my mind the different forms of communication have different merits and different purposes and certainly for me - formal papers/chapters, conference presentations and blogs are all valuable in their own right. BUT if some academics choose to only blog and some choose to only read ‘peer reviewed’ journals - where does that leave us??? Conversely as you say has the world just got a level more complicated with yet another communication medium we have to keep up with??? In a related post, I summarise some of the responses to the above post (Conole, 2007b). Romeis suggests that blogs report on ‘what’s happening now’, where peer-reviewed papers are ‘old news’ because of the lag time to publication.  McQuillan celebrates the ‘stream of consciousness’ nature of blogging, suggesting that it is a valuable route to publication and that by making thoughts publically available as they happen they are there and accessible for others to review and provide their perspective on. To conclude I reflected as follows: I don’t think a direct comparison of journal papers and blogs is appropriate; people blog for a whole range of reasons not just for academic recognition and institutional ‘performance ticking’. I think what we are seeing is a confused transition, whilst we try and work out the co-evolution of tool use and our own working practice (both as individuals and as a society).  But blogs are not the only mechanism for sharing and discussing research ideas. In recent years researchers are increasingly harnessing social networking sites such as facebook and micro-blogging tools like Twitter. My own practice in the use of these has changed over time. I increasingly rely on them as a mechanism for being part of a connected, distributed research community. I use Twitter in particular as a means of keep abreast of new developments, as well as posting pointers to my latest research. There is some duplication of my posts in Twitter in facebook, but I use the later probably more for casual exchanges. In addition, I use the social networking site that we have developed, Cloudworks, to live blog conferences and workshops, to post chapters and draft papers, to participate in question and answer debates about different topics and to aggregate resources and references. Chapter 12 in this book gives a more detailed account of how users are using Cloudworks. So what has my experience of adopting an open approach to the writing of this book been? Firstly, I have found it motivating. It has been useful to post draft chapters and great to get useful and insightful feedback from people. Secondly, however I have found it nerve wrecking, it has felt like laying my soul bare to the world. I’ve been concerned that my ideas will appear half-baked. But overall I think it has been a valuable process.  I have been amazed at the number of views there have been of the individual Clouds and the overall Cloudscape. I have been able to update the chapters and incorporate the ideas and suggested people have provided, which I am sure has enhanced the quality of the writing. In some respects this has acted as a kind of peer-validated reflection on the work by the wider research community. Although the theory of Connectivism has mainly being developed and applied in a learning context (Downes, 2007; George Siemens, 2005), arguably it can also be applied to describe what I have experienced in adopting this open approach. In a sense it is a form of professional Connectivism, both in terms of me learning from the comments made by people and in them getting insight to my work and research ideas through the draft chapters. To expand on this I refer back to the differentiation Siemens (2009) makes between Connectivism and other learning theories:[2] 1.     Learning occurs based on the recognition and interpretation of various patterns in distributed networks enhanced by technology 2.     Factors that influence learning are the diversity of networks, the strength of the nodes and context 3.     The role of memory based on adaptive pattern that is representative of a particular state 4.     The transfer of learning is generated by the addition of nodes and network expansion 5.     Learning becomes complex with a quick change at its core, based on various sources of knowledge. In terms of the first point, clearly technology has enabled me to be part of a distributed and networked community. I have been able to learn from the comments of others, as well as get answers to queries by posting questions on Twitter. In Chapter 16 I cite Weller’s argument that Twitter can enable researchers to have access to immediate expertise (Weller, 2010) and this has certainly being my experience. I give an example of this in the conclusion to that chapter and show how I received a number of replies very quickly to a question I posed asking for examples of openness and open practices. In terms of the second point, I am part of an extensive network of researchers across the world. I have over 2300 followers at the time of writing. This means that the chance of someone having an answer to any question I might post is high, as is the likihood of getting a near immediate response. Participation in the global network acts as a cognitive repository, which relates the third of Siemen’s points. Essentially this network becomes a part of my distributed cognition (Salomon, 1993), enabling me to harness the collective intelligence (Lévy, 1997) distributed across my network. As I become more proficient at working my network and as it expands to include new people to follow, my learning becomes more adaptive. I have co-evolved with the use of these tools, as I have increasingly embedded them in my everyday practice; and this relates to Siemen’s fourth point. Finally in terms of his last point, my learning is dynamic and changing, feeding off the network of evolving ideas. A tweet might set off a host of new ideas or might lead to me engaging in a meaningful debate with the person who posted it. Therefore overall my experience has been positive. I truly hope that more and more researchers in our field begin to harness the power of social and participatory media and that we start to see an opening up of research practice and associated academic discourse. Dialogue has always been at the heart of learning and the co-construction of knowledge. Never before have we had such a power set of tools to support peer-to-peer dialogue and the collective shaping of our knowledge and understanding of the world. References Conole, G. (2005). E-Learning: the hype and the reality. Journal of Interactive Multimedia Education, 12. Conole, G. (2007a). The nature of academic discourse. http://e4innovation.com/?p=45 Conole, G. (2007b). The paper vs. blog argument http://e4innovation.com/?p=56 Downes, S. (2007, 25-26 June 2007). An introduction to connective knowledge. Paper presented at the Media, Knowledge & Education - Exploring new Spaces, Relations and Dynamics in Digital Media Ecologies, Vienna. Lévy, P. (1997). Collective intelligence: Mankind’s emerging world in cyberspace: Perseus Books Cambridge, MA, USA. Salomon, G. (Ed.). (1993). Distributed cognitions - pyschological and educational considerations. Cambridge: Cambridge University Press. Siemens, G. (2005). Connectivism: A learning theory for the digital age. International journal of instructional technology and distance learning, 2(1), 3-10. Siemens, G. (2009). What is Connectivism? Week 1: CCK09. Google Docs. from http://docs.google.com/Viewdocid=anw8wkk6fjc_14gpbqc2dt Weller, M. (2010). Thoughts on digital scholarship. http://nogoodreason.typepad.co.uk/no_good_reason/2010/07/thoughts-on-digital-scholarship.html       [1] http://cloudworks.ac.uk/cloudscape/view/2155   [2] See Chapter 18 for a detailed discussion of learning theories

I am soooo excited just have to blog! We launched a new feature today in cloudworks, private messaging. Click on message on top rhs and then compose message, enter first or surname of person or people u want to contact - write and send. New messages appear to you when they arrive and u can choose to have email alerts. Think this could be a great new feature. Comments welcome and please try out!!!

I’ve been at the Estionian E-learning conference in Tartu this week. Thanks to Ene Koitla and colleagues for hosting a very well organised event. The conference included some excellent papers by local researchers as well as a number of international speakers (Terry Anderson and Rory McGreal from Athabasca University, Gerry Ignasi Labastida from Barcelona University, and Gerry Hanley from California State University, and Murilo Matos Mendonca from Santa Catarina Virtual University - who is currently visit the OU as an Olnet fellow). The second day included a live video link with a parallel conference happening in Finland. Ville Venäläinen and Tarmo Toikkanen talked about SOMEKU, a ning-based social networking platform they have created for Finnish teachers. I was struck by the parallels with Cloudworks and would like to explore with them more the relationship between the two sites and the insights they have gained from developing and evaluating the use of SOMEKU. I’ve live blogged many of the session here in Cloudworks. I did a talk on social and participatory media and explored the ways in which these technologies are changing learning, teaching and research. I also ran a learning design workshop. It’s been a good few days, lots to reflect on; good to catch up with old friends and meet new ones!  

Got some fresh ideas for more chapters/content for my learning design book, perhaps inspired by recent meetings and conferences. I think I need to put more in about the different ways in which people are using social media to support their practice - such as Twitter, facebook, ning, Elgg etc. Was impressed by the presentation recently about SOMETU.fi a social network for teachers in Finland. Also think I need to include a chapter on metaphors for describing new digital landscapes and practices, going back to Morgan’s work on metaphors such as the brain, ecology system, political system etc., as well as more recent notions of trying to describe both real and virtual interactions. Another idea for a chapter centres around approaches for transferring innovation and here I would like to draw on the experiences we have gained in particular from our OULDI and Design-Practice projects. I wonder also if I should expand the theoretical chapter - and perhaps suggest theoretical perspectives we should be considering but aren’t drawing on much….

I’ve had a bit of a breakthrough this week with my book on learning design. I wasn’t happy with the structure of it and after some really helpful comments from Martin Weller, I have no radically reorganised it and I think it is much more logical and coherent. Here is an outline of the current structure. Thoughts on this very welcome! Copies of the latest draft chapters are available on the Cloudscape I have set up on Cloudworks.Chapters overview The book begins with this introductory chapter, which provides an overview of the book and a rationale for its relevance. This includes an overview of the context of modern education. I argue that we now operate in a context of rapid technological change, which is influencing the nature of education and its purpose. Boundaries between formal and informal learning are changing, as a result I argue that, within this context, the way in which we design, support and assess learning needs to change and the nature of educatioal technologies. Next the characteristics of today’s learners are discussed drawing on key research in the field. It provides a brief definition of the term ‘learning design and argues for the need for a new learning design methodology is discussed, which is the main focus of the book. Finally the audience and  structure of the book are described. Design languages are the focus of chapter two, in particular the use of design notation in music, architecture and chemistry are described. The chapter discusses the challenges of designing for learning, and then focusses on learning design, along with the spectrum of learning design languages that have been developed. The origins of the OU Learning Design Initiative are described, along with a description of how OULDI adopted a Design-Based Research (DBR) approach. Chapter three situates the Open Learning Design methodology discussed in this book in relation to related research fields such as learning sciences, instructional design and pedagogical patterns. Chapter four provides a review of new open, social and participatory media and gives examples of how these are being used to support different pedagogical approaches. It considers the changing digital landscape of education and provides a review of new technologies, which includes: i) the characteristics of new technologies, ii) the impact of web 2.0 technologies, iii) the use of web 2.0 technologies in education and iv) the impact on practice. Highlights from a review of web 2.0 tools and practices are then discussed. Chapter five describes the key theoretical perspectives and methodologies that underpin learning design research. Chapter five describes how the Open Learning Design methodology described in this book draws on Cultural Historical Activity Theory (CHAT) and in particular the notion of Mediating Artefacts. It also considers the nature of theory and methodology in the field. Chapter six defines Mediating Artefacts, including the different ways in which practice can be captured and represented. It describes a range of Mediating Artefacts and concludes with an illustrative example that demonstrates how an OER created for use in one contexts can be repurposed. Chapter seven introduces the concept of affordances, discussing the range of definitions for the term. It goes on to discuss the affordances of technologies and argues that these can be used as a means of structuring and guiding use of particular technologies for different learning interventions. Chapter eight gives an overview of different design representations and how they can be used to promote new ways of thinking about designing learning interventions. Chapter nine then goes into more detail on different tools that can be used to visualise and represent designs, and in particular on the CompendiumLD tool that we have developed. It begins with a description of the ways in which practitioners currently go about designing learning interventions. Chapter ten critiques the notion of ‘openness’ in terms of open design, delivery, evaluation and research. An important aspect of open delivery is the use of OER, chapter nine gives an overview of the Open Educational Resource movement Chapter eleven outlines two recent OER initiatives, namely Olnet and OPAL.Chapter eleven provides a review of the Open Educational Resource movement. This includes a review of OER initiatives and a description of four illustrative examples. Chapter twelve discusses the outputs and findings from the work being undertaken as part of the Olnet and OPAL initiatives. Chapter thirteen returns to the ways in which open, social and participatory media are resulting in new forms of online communities and interactions.  It defines the terms and looks at different pedagogies of e-learning. It concludes with the introduction of a new Community Indicators Framework (CIF), that can be used to guide the design and evaluation of new social and participatory media. Chapter fourteen describes the Cloudworks social networking site, and in particular the ways in which it is promoting new forms of online interaction, communication and collaboration. Chapter fifteen reviews a number of pedagogical planners that have been developed to guide practitioners in making informed learning design decisions. These planners, the chapter argues provide more structured support for the design process than the visualisation representations and the use of social and participatory media discussed in earlier chapters. Chapter sixteen is the conclusion chapter, which provides a summary and overview of the book. It also looks at the implications of this work, along with reflections on its importance and the associated challenges.

  So what on earth promoted me to write a book on learning design? I think the origins to this work stretch back to my initial experience of teaching in the early nineties. I started my career as a lecturer in Inorganic Chemistry. Soon after I took up the post, a number of my colleagues, past on some of their courses for me to take over. My experience of education was solely based on my own learning at school and as an undergraduate (essentially around lectures, tutorials and laboratory classes). I had no knowledge of educational theories and didn’t even know what a learning objective was I am ashamed to say. In addition to trying to design my teaching sessions based on this woeful lack on experience, I was struggling to build up a distinct research profile through data collection, and the writing of papers and project proposals.  I attended a staff development session which stated that it aimed to support teachers in developing their teaching practice. It was a disaster. The session was run by a staff development woman, who kept rabbeting on about constructivism and other esoteric educational terms I had never heard of. At the end I was demotivated and frustrated. The session had been no help at all and indeed was counter-productive.  I suspect my initial experience of being a lecturer is not uncommon. We are primarily hired based on our research expertise and subject domain knowledge, not on our teaching experience. Luckily today many institutions do have in place a professional practice programmes for new lecturers, to introduce them to relevant educational theories and expose them to examples of good learning and teaching practice.  Nonetheless my own experience sowed a seed in my mind around the question: ‘What kind of support mechanisms can we put in place to support teachers in their teaching practice and to enable them to develop effective approaches to the design of learning interventions?’ On reflection I think this question has been at the core of my research work over the last twenty years. It has lead me through a journey of the development and evaluation of the use of different technologies, and ultimately to the development and evaluation of the Open Learning Design methodology outlined in this book.  This is an exciting time in education, which is operating within an increasingly complex societal context, one of rapidly changing technologies and increasing financial constraints. New social and participatory media have much to offer for learning and teaching, to address this challenging context, however to fully harness this potential we need to radically rethink the way in which we design, delivery, support and assess learning. The tools and methods described in this book are put forward as a means of trying to achieve this, with an underlying aspiration to transform teaching practice and ultimately enhance the learner experience. 

I am trying to come up with a visualisation to describe the key themes of my book on learning design and the relationship between them. The current view I have come up with is this one.    At the centre is the Open Learning Design Methodology (OLDM) that is the main focus of the book. The diagram shows how this draws on four main areas: i) the broader theoretical perspectives and methodology from research in e-learning and Technology-Enhanced Learning (TEL), ii) the notion of design languages and how they are used in a range of disciplines, iii) related research areas such as instructional design, and iv) the nature and characteristics of open, social and participatory media. The middle layer shows that OLDM draws, in particular, on the theoretical concepts of Mediating Artefacts and affordances. Then the top layer shows how this feeds into the three main components of OLDM; i) design representations and tools, ii) the nature of openness, and iii) different forms of community and interaction. This almost maps perfectly with the current chapter order, except for the theory and methodology section, wondering if I should reorder and have this as chapter 2 instead of 5 to fit the diagram? Hmmm….

I’ve been putting up draft chapters of my book for people to comment on in Cloudworks and on my blog. Today I set up a drop box folder and put up the lasted versions. I invited people to join the space via fb and Twitter and have been amazed by the response so far! I have already had some useful feedback and Dominic Newbould has kindly offered to give it a ruthless edit. I can’t believe how generous the research community is, real peer learning! I am certain the book will be much better as a result. Email me if you want an invite to the space.

And I am nearly there! Here is a draft of my concluding chapter! Introduction In this final chapter I want to summarise the key messages conveyed throughout the book, along with considering the implications of each topic. I will critically reflect on the implications of each of the topics and, in particular, what impact the Learning Design methodology described in this book is likely have on learning and teaching and how it can help to change the way learning interventions are designed. The central thesis of this work is that we need  new approaches to design in order to make more effective use of new open, social and participatory media.  This book has argued that designing for learning is the key challenge facing education today. To make effective use of the affordances (Conole and Dyke, 2004; Gibson, 1977; Gibson, 1979) of open, social and participatory media, learners and teachers need guidance and support. They lack the necessary digital literacies skills (Jenkins et al. 2006; Jenkins, 2009) needed to embrace the full potential of these technologies. The book has described a new learning design methodology, which aims to provide this support, through: visual designs (to enable teachers to think beyond content to learning activities and overall learner experience), pedagogical planners (which guide the teacher through the design process and provide templates that they can adapt and repurpose) and effective use of social networking tools (so that learners and teachers can be part of a global, distributed Community of Practice (CoP) network) (Wenger, 1998). The visual designs, pedagogical planners and social networking tools, are essentially Mediating Artefacts (Conole, 2008) that can guide practitioners’ design practices and make them more explicit and sharable with others. A key intention of the learning design approach is to shift teachers’ design practice from being implicit and belief based to one that is explicit and design based.  As discussed in Chapter 3, the learning design research work described in this book is located alongside related research fields, such as instructional design, the learning sciences, pedagogical patterns and research on Open Educational Resources (OER). It has shown how learning design is aligned to these, but is also distinct from them. Open, social and participatory media New open, social and participatory media clearly have significant potential to transform learning and teaching. The emergence of these technologies has shifted practice on the Internet away from passive, information provision to active, user engagement. They offer learners and teachers a plethora of ways to communicate and collaborate; to connect with a distributed network of peers, and to find and manipulate information. In addition there are now a significant range of free educational resources and tools. However despite this, technologies are still only used marginally in an educational context. Learners and teachers lack the necessary digital literacy skills to harness these new technologies.  This new learning context raises some thought-provoking issues. In a world where content and services are increasingly free, what is the role of formal education? What new teaching approaches and assessment methods are needed? How can we provide effective learning pathways to guide learners through the multitude of educational offerings now available? How can teachers develop new approaches to the design of learning activities and whole curricula that takes account of this new complex, technologically enhanced context? What assessment strategies are appropriate? Falconer and Littlejohn (2008, p. 20) argue that there are three challenges facing teachers: i) the increasing size and diversity of the student body, ii) the increasing requirement for quality assurance, and iii) the rapid pace of technological change. Conole (2004) has argued that there is a gap between the promise and reality of the use of technology in education and that there is little evidence that education has changed fundamentally. Much use of technology appears to simply replicate bad classroom practice resulting in simple Web page turning (Oliver, 2000). Similarly Masterman (2008a, p.210) argues that the lack of uptake of technologies is due to a number of factors: lack of awareness of the possibilities, technophobia, lack of time to explore the use of technologies, aversion to the risks inherent in experimentation and fear of being supplanted by the computer. Agostinho et al. (2008: 381) suggest that the uptake of the use of high-quality ICT-based learning designs in higher education has been slow. Factors include: low levels of dissemination of ICT-based learning projects, lack of ICT-based learning examples to model, lack of time, support and training. Sawyer (2006, p. argues that the impact of the significant investment in computers in schools has been disappointing. There are few studies that show that computer use is correlated with improved student performance. Similarly Koedinger and Corbett (2008, p. 61) write that as new technologies have emerged, many hoped that they would have a radically transformative effect on education, but in reality the impact has been much less than expected.  The gap between the potential and actual use of technology is a paradox and this is at the heart of the growth of a new area of research that has emerged in recent years. Learning design research aims to better understand this mismatch. It focuses on the development of tools, design methods and approaches to help teachers design pedagogically effective learning activities and whole curriculum, which make effective use of technologies.  Therefore there is little doubt that open, social and participatory media enable new forms of communication and collaboration for both learners and teachers. They can provide us with mechanisms for sharing and discussing learning and teaching ideas. However, as discussed in Chapter 14, the nature of online communities and interactions in these spaces is complex, evolving and distributed. Learners and teachers need to develop new digital literacy skills to effectively participate in these spaces, as well as an understanding of the nature and form of their digital identity. How do they want to be represented in these spaces? To what extend do they want to adopt open or more closed practices? The implications of fully harnessing new technologies in an educational context are profound. We are seeing a blurring of boundaries: learners and teachers, learning and teaching, formal and informal modes of learning, and real and virtual spaces. We need to rethink all aspects of learning and teaching; how courses are design and delivered, the ways in which learners are guided and supported, and the mechanisms for assessment. Old practices of assessment strategies are no longer appropriate and indeed are woefully inadequate in terms of providing learners with the necessary skills and competences to participate in an increasingly complex and global societal context. Institutions are also being challenged by these new technologies.  Firstly, increasingly researchers are opting to make their research publications publicly available, often via institutional repositories. Some are going further by making their actually data available. Initiatives such as the Open Access Movement (OEM) and tools such as the ePrints repository  (Harnard and Hey, 1995; Harnard et al., 2004; Hey, 1997, Hey, 2004) have changed the ways in which researchers are distributing their findings. Indeed, many institutions now require academics to deposit their outputs in institutional research repositories and national level research assessment exercises add an additional pressure in terms of academic accountability and measure of the impact of their research. Secondly, sites such as iSpot  and Galaxy Zoo  (discussed in Chapter 11) demonstrate that researchers are beginning to harness the collective wisdom of the crowds (Surowiecki, 2004), through use of distributed networks of users to collect data on a global scale. Such sites play a dual function; in terms of raising awareness of science and as a mechanism for researchers to gather data on an unprecedented scale. Thirdly, as Weller argues (2011), digital scholarship is becoming increasingly important and is changing the way in which academics communicate, as well as how they disseminate their teaching practices and research findings. All of these are challenging traditional publication mechanisms. Publishing houses need to develop new business models to take account of this.  Fourthly, more open practices (in terms of the use of Open Educational Resources and the growth of ‘free’ courses such as the Massive Online Open Courses (MOOC) discussed in Chapter 11) are challenging traditional educational offerings. In a world where content and expertise is free, what is the role of traditional educational institutions? As with the publishing houses, institutions will need to develop new business models. Nascent work is already occurring in this respect. For example, in terms of OER, Downes (2007) has described a number of new business models that have emerged in recent years. Arguably, institutions need to shift away from a focus on content as a commodity, to providing effective learning pathways for learners, along with flexible accreditation models. A number of new types of organisations are beginning to emerge that adopt more open and flexible offerings. For example, the OER University,  a consortium that provides a mechanisms for members to flexibly accredit learners who are using OER and the peer-to-peer university,  which has developed a peer-support ‘badging’ system to recognise learners’ competences.  Fifthly, learners are also changing (Sharpe et al., 2010), embracing new technologies to support their learning and adopting more just-in-time and collaborative approaches to learning. However, despite the fact that today’s learners are indeed technologically immersed, it is not evident that all of them have the necessary skills to make effective use of technologies to support their learners. Many are confused by the plethora of resources and tools, and lack the necessary academic skills to make effective choices about which resources and tools to use. They need guided learning pathways to help them and this is clearly a role that educational institutions can provide.  Sixthly, legacy institutional systems are at odds with the tools and services that are now available in the cloud (Katz, 2009). What services should institutions be providing and what should they be outsourcing? What is the relationship between institutional Learning Management Systems (LMS)  and freely available tools and services? Learners are now creating their own personalised digital learning environment, mixing institutional systems with their own choice of tools.  The learning design methodology introduced in this book aims to address the challenges described above. A number of recommendations can be made for the key stakeholders involved in education.  For learners, institutions and teachers, in particular, need to provide appropriate support mechanisms to enable learners to develop the digital and academic literacies they will need to effective engage with new technologies. Enabling them to see the opportunities that social and participatory media afford in terms of adopting more constructivist and socially situated pedagogies. In this respect, teachers need to facilitate more learner-centred approaches. Also we need to think of how technologies can be harnessed to encourage communication and collaboration amongst learners and their peers. Finally, we need to shift from a focus on content to activities. For academic staff, we need to recognise that these new technologies provide a plethora of new approaches to learning, teaching and research, and hence we need to be aware of and take account of these. Academics need to adopt more explicit and reflective practices and embrace the full potential of the notion of digital scholarship. Engagement with new technologies cannot be at arms length; it is only through technology immersion - learning by doing and through the technologies - that academics will come to understand how they can appropriate their technologies to support all aspects of their practice. We need also to use the technologies to encourage a networked community of academics, sharing and discussing learning, teaching and research ideas.  At an institutional level, we need to put in place appropriate strategies and policies that reflect the changing context of education, and that take account of the implications of using technologies for learning, teaching and research. We also need to have adequate resources and support to facilitate the shift in practice needed. Strong leadership, with an understanding of the issues (pedagogical, technical and organisational), will be needed, along with a re-visioning of institutional structures and processes. Alongside the strategic directives, institutions will need to have in place appropriate  professional development and incentives for academics, to help them make more effective and increase use of technologies.  Finally, at a national level, we need to develop an infrastructure to support the growing range of free resources, tools and research outputs. We need also to facilitate the creation of a distributed professional networks and communities to promote and share case studies of good practices. As at the institutional level, nationally there will also be a need for appropriate strategies and policies (and associated funding) around using technologies. Finally, we need mechanisms to support the an ongoing horizon scanning of technology trajectories, so that we can future proof how emergent technologies might be used for learning, teaching and research and what might the implications be for individuals and organisations.   On a positive note, social and participatory media provide learners and teachers with a rich set of multimedia representations of content and multiple communication challenges. Learning resources can be accessed anywhere, anytime to support flexible and personalised learning. There is now an abundance of free tools and resources that learners and teachers can use. Access on a truly global level means that learners and teachers can connect with each other on an unprecedented scale and for researchers the new media mean that their research outputs can have far greater impact to a wider audience almost immediately.  On a negative note, the digital divide (Warschauer, 2004) is still present; narrower but deeper; whether this is because of lack of access or skills or through personal choice not to engage with these technologies, it is a reality and needs to be taken account of when designing for learning. The very richness of the online digital space means that is is complex and difficult to traverse, it may be true that everything a learner or teacher might need is on the Web, but finding what is appropriate for a specific purpose is far from trivial. There are also access, privacy and ownership issues; whilst licenses such as Creative Commons have gone some way towards addressing the copyright issues associated with resources, it has not answered all the concerns many still have. Many social networking sites are using personal data in convert ways, unknown to the users. Furthermore, this form of re-appropriation of data and digital surveillance is only likely to increase as the data mining tools behind such services become ever more powerful. A digital equivalent of Foucoult’s Panopticon (Foucoult, 1977) is now very much evident.  Future research directions Arguably we are now at an important watershed in terms of learning design research. Over the last decade or so, research in this area has given us rich insights into practitioners’ design practices, along with an indication of the barriers they face. A number of distinct sub-research areas have emerged (principally on design languages and visualisations, pedagogical planners and the use of social networking tools to share and discuss learning and teaching ideas and designs). There is now a need to build on this work and develop a more coherent learning design framework, which will enable practitioners to use all of these approaches in a seamless and holistic fashion. Achieving effective uptake of these approaches, beyond the early adopters, will require systemic change. Therefore, learning design approaches will need to be embedded in institutional systems and processes; in particular; the course approval process and course quality assurance mechanisms. This is the only way that wide scale change in practice can be achieved.  Learning design needs to address the needs of all stakeholders involved in education; learners (in terms of the way in which the intended design can be made more explicit to them, in order that they can use this effectively in undertaking their learning activities), teachers (in terms of guiding and making the design process more explicit and hence shareable with others), institutional manages (in terms of design being an embedded part of institutional systems and process) and policy makers (in terms of future directions for policy and strategy to promote effective and innovative pedagogical processes and associated funding and initiatives).  A series of themes are interwoven across the book. These include: the nature of openness, promoting creativity, new ways of thinking about design, issues around social inclusion and exclusion, and new practices and pedagogies. So what might an agenda for future learning design research look like? Here is a list of some of the key questions I think as a research community we should be addressing in the coming years: What might a coherent learning design language look like and how might it be shared? What other Mediating Artefacts do we need to develop to enable learners and teachers make more effective use of technologies to support learning? What are the different ways in which learning interventions can be represented? How can we foster a global network and Community of Practice to enable learners and teachers to share and discuss learning and teaching ideas? How can social networking and other dialogic tools be used to enable teachers to share and discuss their learning and teaching practices, ideas and designs? What tools do we need to guide design practice, visualise designs and provide a digital environment for learners and teachers to share and discuss? What are the implications and likely impact of social and participatory media for education and how can they be harnessed more effectively to support learning? What will be the impact of new emergent technologies on the stakeholders involved in education?  What new pedagogies are emerging as a result of these new technologies? What are the implications for learners, teachers and institutions of new social and participatory media? How will the processes of supporting learning (design, delivery, support and assessment) change as a result of new technologies? What social exclusion issues are arising with the increased use of new technologies? How can we promote more socially inclusive practices? How are Open Educational Resources being design, used and repurposed? What are the implications for formal institutions of the increasingly availability of free resources, tools and even total educational offerings, such as Massive Online Open Courses (MOOCs)? What digital literacy skills do learners and teachers need to make effective use of these technologies and resources? To what extent are they evident and how can they be developed? How are the ways in which learners and teachers communicate and collaborate changing with the use of these technologies? How can we create effective new digital learning environments to promote the use of social and participatory media and OER? How can informal learning using OER be assessed and accredited? What kinds of policy directives are in place to promote social inclusion through the use of OER and how effective are they? What new methodologies and theoretical perspectives will be needed to address these research questions and to interpret the findings? Conclusion Applying the learning design methodology described in this book, I argue, will enable teachers to harness the power of new technologies, resulting ultimately in a rich, learner experience. This aspiration is echoed in the National Science Foundation Cyberlearning report (Borgeman et al., 2008): which begins with a scenario of a learner of the near future: Imagine a high school student in the year 2015. She has grown up in a world where learning is as accessible through technologies at home as it is in the classroom, and digital content is as real to her as paper, lab equipment, or textbooks. At school, she and her classmates engage in creative problem-solving activities by manipulating simulations in a virtual laboratory or by downloading and analyzing visualizations of real- time data from remote sensors. Away from the classroom, she has seamless access to school materials and homework assignments using inexpensive mobile technologies. She continues to collaborate with her classmates in virtual environments that allow not only social interaction with each other but also rich connections with a wealth of supplementary content… (Borgeman et al., 2008: 7). These are exciting, but also difficult times for education. Learners and teachers have a wealth of tools and resources to draw on to support innovative and effective pedagogies. But education is operating in a climate of increasing financial straits and it is becoming more and more evident that traditional educational offerings are inadequate and do not provide learners with the necessary skills they need to be part of an increasingly complex, globally networked society. Educational establishments therefore, I would strongly argue, must change; the way in which we support and assess learning must change. We need to recognise the implications of social and participatory media and harness their potential. The learning design methodology presented in this book aims to help teachers make effective use of these technologies and to rethink there design practice. 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